First listen through and man, sometimes Oleksinski hits the nail on the head when describing a musical's score. I really do hear a pleasant blend of MATILDA's whimsy and DEAR EVAN HANSEN's anthemic pop ballads. Very hummable and easy on the ears, though with a tad too many slant rhymes for my liking.
The second half opens with a lively waltz in the vein of the Sherman Brothers, an ode to marmalade that I'm sure will sear into a LOT of people's heads. Act two also feels a little too fatty and I thought too much attention is paid to some of the kooky side characters. Then again, I haven't seen this live yet.
"I've Arrived" is a solid opener and I really liked the allusion to Big Ben's chime.
I was getting some "I Will Prevail" vibes from "Pretty Little Dead Things" at first, before it starts to bounce and break loose at each chorus. And the lyrics are A+++. (There's a great nod to the aforementioned MATILDA involving a clever usage of the alphabet!)
"The Rhythm of London" is... a calypso? Lively nonetheless, but I found it a bit odd. Does it make more sense in context? Feels like a 2020s "Under the Sea."
Looking forward to catching this, even if only to surrender to the epic contrapuntal moments in the final minute of each act. I hope as many of the London faces as possible come stateside.
Imagine if we could tell everyone here that Liberty Mutual customizes car insurance to save people hundreds. (LiMu squawks)
Updated On: 6/16/26 at 12:15 PM