Phantom & Christine Doubles

After 30 years, is spoiler alert needed?

Title Track....

Phantom & Christine run down stairs, or off stage depending on theatre and hightail it backstage to the boat to come onstage across the lake in the second half of the song.

Doubles instantly appear at the top of the stage and crisscrossing down the path, lip-syncing.

So question is, who is playing Phantom and Christine during the first half of the song? Do the standby's have to actually work briefly every day? Are they random uncredited members of the company? If the later, what other roles do they play in the show.

Second bonus question, how much makeup does Phantom #2 actually get, or is it more just the mask.

Not earth shattering questions, but only curious.





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The show (usually) has no standby for the Phantom, and the Christine alternate isn't the Christine double. I believe one of them is the "princess," who's also the mirror bride and usually the Christine understudy, but I could be wrong.

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I believe the Phantom double in that scene is the performer who is the Slave Master. Usually, they have the same lean body as the Phantom. I have seen behind the scenes posts of them in Phantom garb. :)

I was under the impression that the part starting with the boat is live? And then Christine's final notes (is that a cadenza?) is also from tape.

Not that long ago, I entered and won the Phantom lotto. The seats were in the front row. And, when they were on the boat, it did look like they were still lip synching. However, it may be less obvious the further back you are. Though, I don't know.

That said, it was very clear that the actual singing started up again when the Phantom sings the line "I have brought you..." that goes right into Music of the Night.

I can answer a couple of these. The first pass on the bridge is made by a member of the ballet chorus as Christine, and a male performer as the Phantom (usually the Slave Master, and it's also correct that he has no special makeup on), and then they're replaced by both lead performers for rest of the time on the bridge.

And as far as the singing goes, everything is taped in the song except for the Phantom's spoken/shouted "sing for me" lines once they step off the boat.

Source: S.O. was a part of one of the Prince-directed productions.

It is all pre-recorded, from beginning to end. My friend told me reason why is because, in UK previews and developmemt, the difference between the recorded and live parts was obvious and sounded completely off.

It also allows for Christines to go without having to reach the note from hell every night; the sound mixing and reverb sounded awful and was a sound tech's nightmare.

Thus, the whole track is recorded.

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Updated On: 4/23/20 at 01:28 AM

I’ve heard enough people confirm both on and off this board that the title track is prerecorded and I get the reasons why. But when the leads appear onstage on the boat, isn’t it more of a sweetened track? Maybe It’s just semantics but it seems like this thread is coming to the conclusion that the leads do not sing a single note of the title song and Christine never has to sing her cadenza at the end, which would basically negate the need for an alternate. Isn’t it more like they do sing it live every night but with a sweetened track behind them? I almost always sit in the first couple rows when I see it and I can certainly see both leads’ blood vessels popping out as they sing. They only time it sounds recorded, to me at least, is at the beginning of the song until the boat and during Christine’s cadenza when it sounds as if they turned the track’s volume way back up. I don’t even see the doubles even trying to pretend to sing.

The real question is how much of the pit is recorded during that title song and how many of the 28 piece orchestra is actually there every night? I’ve heard some rumors.....

Phantom4ever said: "I’ve heard enough people confirm both on and off this board that the title track is prerecorded and I get the reasons why. But when the leads appear onstage on the boat, isn’t it more of a sweetened track? Maybe It’s just semantics but it seems like this thread is coming to the conclusion that the leads do not sing a single note of the title song and Christine never has to sing her cadenza at the end, which would basically negate the need for an alternate. Isn’t it more like they do sing it live every night but with a sweetened track behind them? I almost always sit in the first couple rows when I see it and I can certainly see both leads’ blood vessels popping out as they sing. They only time it sounds recorded, to me at least, is at the beginning of the song until the boat and during Christine’s cadenza when it sounds as if they turned the track’s volume way back up. I don’t even see the doubles even trying to pretend to sing.

The real question is how much of the pit is recorded during that title song and how many of the 28 piece orchestra is actually there every night? I’ve heard some rumors....."

Unless something has changed, the actors are quite specifically directed not to sing, unless there's a problem with the track and it stops.

And Christine has an alternate because she's on stage for 90% of the show, not because of the high note.

^I think the red death costume is a double too?

Tag said: "^I think the red death costume is a double too?"

There are two, the real phantom who disappears down the trap door and the double who appears at the top of the stairs right after

JennH said: "phantom4ever, I love how we both used the term "negate"

blaxx-Ok I get that, sounds like it was a "necessary evil to accommodate the best of both worlds" scenario. I can imagine a sound tech back then just wanting to teartheir hair out constantly, but with how far sound tech has come since then, wouldn't there be way around this now, 30+ years later? I also recall agood fewyears back, the show was dark for about a week to make way for a new sound system.Apart from that, that cadenza is indeed tricky to do that many times a week, even specifically opera trained singers will confirm that, but it's doable a few times a week. Justhave a recording ready in case on a given day it's not. Without having to sing it, there really is no need for an alternate. Of course Iwouldn't complain about getting paid the same, whether I was the primary or alternate

And it's certainly no secret that all the phantom's offstage stuff is pre-recorded, but that actually makes sense to thestory itselfbecause of the idea that all those years as a circus freak show attraction, he learned to throw his voice, hence adding to the eerie mystery of the whole thing as well as himself.

drybandit- Sure, but there's plenty of other roles that are on stage just as much as she is, PLUS arguablyhavemore singing to doand they don't have alternates. Elphaba anyone? That roleis another that's overdue to have one. For the past decade or so, the standby has goneon often enoughto call for this promotion change.Evan H didn't have one at first, but now he does, which is necessary since they startedcasting actual teenagers.It's not so much how much stage time you have, it's what one is having to do during that time. I think Jekyll/Hyde didn't start off with one, but ended up getting one, though I've never been able to confirm this, because ifnot, that's another role that 100% needed one. It's pretty god forsaken."

^ You're spot on. Elphaba (and Glinda, for that matter) don't have alternates but they do have stand-bys. Christine doesn't. She doesn't sing the title song but there's still Think of Me, All I Ask of You, Wishing You Were Somehow Here Again, the Final Lair, walking with those heavy costumes...

LizzieCurry said: "I was a performance of the tour (the third national, not the current) around 2003 when the overture itself was delayed. The spark went off on the chandelier after "GENTLEMEN!", but the drapery got a bit tangled and the chandelier rose in SILENCE. Or, at least, without an overture. You could hear the motor inside.It made me wonder if the entire organ part is recorded, or maybe most of the beginning, and the entanglement triggered something? I can't even remember how much of the overture ended up being played. It was super awkward but also fascinating."

The first 75 seconds are recorded. The orchestra comes in at that point, when strings are introduced. In the linked clip, they start at 1:17.
https://youtu.be/NhttZz9lmpk?t=78



"Not sure who plays the body double after, I think it might be one of the Phantom understudies"

It's one of the male dancers, either the slave master or the il muto dancer, whichever one hands out the drinks to the leads during Masquerade. He crosses the stage, hands out drinks, and then goes behind the stairs to change.