Hey all,
Just got back from a few days in New York where I saw Phantom three times. It was my 83rd, 84th, and 85th times seeing the show at the Majestic. I have 5 more shows left : (
A few thoughts:
-the first show I saw on Wednesday had a "clap starter" which grew quite annoying as the show went on. At first I thought well ok, now that the show is closing, every audience is going to be rapturous and adoring. Fine. But then the clapper started as soon as the Phantom *started* to sing the last note of MOTN. So by the time he got to the end of the note, which is a beautiful moment, the Majestic Theater was a Lower East Side rock club at 3am with all the hooting and hollering. Even the scene after Masquerade, with Giry explaining the Phantom's origins, got emotional, overblown applause! It really interrupted the flow of the show and it was quite obvious that the obnoxious clap starter was egging everybody on. Thankfully , the other two shows had zero obnoxious clapping, to the point that not even the chandelier rising or the staircase reveal got any applause.
-I got to see Ted Keegan go on as the Phantom one day and as Piangi the next! I though that was so cool. His Phantom was quite good, but his Piangi was not strong, especially with the "your army HAS come home!" line.
Nehal Joshi is the new M. Andre and let's just say he really hams up the scene where he has to introduce the ballet during Il Muto. The audience eats it up and I know a lot of that is Seth adding SO MUCH UNNECESSARY EXTRA HUMOR to the Il Muto ballet....but it is too much. By the time that scene is over, all tension is totally lost and there is no longer any horror to the ballerinas being scared; Seth restaged it strictly for laughs only.
-Got to see a few mistakes! When Emilie pulled off the Phantom's mask and hair, she dropped the mask. Yesterday, the Phantom never appeared in Christine's dressing room mirror/the lighting cue didn't work, so they simply opened the mirror much earlier. It worked perfectly today. When Carrington Valmont, who was on as Firmin, sat in the chair at the big table at the top of Notes, he was kind of gleefully spinning (not complete circles) the chair and the curtain got stuck on the chair and for a minute I thought he was gonna pull the whole damn curtain down because he did not see that the curtain was snagged and he was so into twisting the chair around. Very odd! Then when he got up, all of these papers and letters fell to the floor under the big table.
Today, I sat in the front row so I had a good view of the pit during the show. Now I can't remember if it was the bassoon or the clarinet player, but one of them stuck his fingers in his ears and put his head down on his knees before the fire explosions at the end of Wishing. I wonder if the gas lines somehow make a loud noise for the pit players? Nobody else in the orchestra reacted at all. He also plugged his ears for the first gunshot, and I felt bad that he had to play for the second gunshot so he couldn't cover his ears when I knew he wanted to. Or maybe he didn't hear it over the orchestra playing.
I also thought it was interesting that the actor playing the marksman in the pit can't leave the pit until well into Don Juan Triumphant when there's a break in the music.
Seeing Emilie twice this week and Julia once, Emilie is definitely the more popular Christine. I know I can't go by the audience with the psycho clapper, but still.
So that's about it I think. I scolded myself anytime I caught myself looking at my phone before the show started or during intermission. I wanted to spend as much time as possible admiring the statuary on the proscenium, etc. Something I never noticed til this week is that there are carvings on the walls of the Majestic Theater at the very top of the side walls that are almost exact replicas of the candelabras that rise from the stage. Surely those carvings are original to the theater? I've always thought it was cool that the carvings in the box seats look like Degas ballerinas. Whoever has to get off all that black paint has quite a job ahead of them next spring.
One final note: all three audiences were PERFECTLY BEHAVED. And I sat mid orchestra, front row center orchestra, and mid-front mezzanine. I sat around little kids, talkative teenagers, foreign tourists, etc. Nobody talked during the show. NOBODY had a phone out during the show! Nobody ate loudly or clinked ice all over the place. Probably the three best audiences I've ever seen.
Updated On: 12/31/22 at 01:50 AM