@Gypsy101 "what's she so busy with that this isn't good enough for her?"
It's not that this isn't "good enough," it's that she is at a stage where the window has opened for her to have a film/tv career, and it may never open again. It's the opportunity cost she cannot afford. You assume everyone prioritizes working in the theatre at the top of their list, and that is not the case; some people want the big bucks. Personally I am not convinced we know that she has what it takes to reach the top levels of theatre performers.
@Pauly3 "I have no opinion as to who decided what. However Soo was obviously not passed over in favor of Barks, so what do you mean by "the other way around"? Did you mean Barks turned down the first offer - or let it be known she wasn't interested, and then the role was offered to Soo? If yes, how do you get to obvious? Are there other known cases where young actors, who have yet to make his/her Broadway debut, have passed on a leading role set to play a major market within six months and then open on Broadway shortly thereafter? In favor of what? Specifically regarding Barks, in favor of what?"
Yes, I meant that Barks passed on Amélie. And to me it is obvious because it is the wrong time strategically for her to take herself out of play. She has a bunch of film work in the pipeline and she also appears to be pursuing a music career but it is more generic than that-I am saying she passed on the show in favor of the prospect of casting her lot in the film/tv/music industry. The issue is not "other known cases where young actors...," it is someone in her present circumstances and no I cannot think of one. I'd also note that it is not a snapshot 6 months from now but a commitment of basically 2 years after which what casting agent is expected to remember who she is. And finally, it is not a foregone conclusion that the show will come in, will come in as advertised or will succeed if and when it does. As I said before, I think people here have a tendency to elevate Broadway above its rightful place in the minds of many, including especially a woman from the UK in her 20s whose career to date has not revealed a strong interest in doing theatre as opposed to screen and music projects.