Okay, my thoughts.
This was my first time seeing Ragtime fully staged and I certainly agree that it’s epic, but I have to agree with the Post (*gags*) a bit here in that Lear did not really make good use of the space and so some of the bigger emotional moments exposed flaws in either performance, material, or both. The intersections of the three families felt very forced at times and frequently felt like McNally forgot about certain characters and then forced them back into the story.
To me, Joshua Henry carried the entire show on his back. Whenever he had a scene or song, it was one of the only times I truly felt this show come alive in the fullest extent. Him singing “Make Them Hear You” backed by that full orchestra was basically an AUDRAGYPSY Rose’s Turn moment for me.
Speaking of Audra, unfortunately, you could tell that Nichelle Lewis was definitely not the first choice Sarah they wanted for this production. She has talent, but this score is WAY out of her league and when you are vocally paired with a male powerhouse, the disparity is much more clear. At times her voice sounded thin and pitchy. I doubt Joy Woods would’ve been any better, but I know Joaquina Kalukango would’ve been able to match Henry note for note and be a strong scene partner.
Uranowitz brought levity to the proceedings and he has very much grown into the esteemed performer we see today. Levy was fine and her acting was quite strong. I was in the last row of the loge and her quieter moments were very much transcendent. Ross was also great, even if his arc from being an Evelyn Nesbitt groupie to a bomb-making revolutionary was questionable. Taub was squarely in her bag as Emma Goldman, bringing the same rabblerousing energy she brought to Suffs.
Overall, I’m not mad I saw it by any means and I feel privileged to have witnessed Joshua Henry captivate an entire audience like that. However, fully staged, I found the show to be unfocused and long-winded (I clocked a runtime of exactly 3 hours last night) for me to be truly invested the entire time.
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