Rant about the 2014 TONY NOMINATIONS here — Page 10
Posted: 4/29/14 at 12:22pm
Posted: 4/29/14 at 12:26pm
Updated On: 4/29/14 at 12:26 PM
Posted: 4/29/14 at 12:27pm
I, and clearly others, however, happen to disagree with you that Barnett's performance was merely capable. You saw something ordinary. We didn't.
Newsflash: Acting. It's a subjective thing. Never better illustrated by a ranking of way too many acclaimed performances than can comfortably fit into a top five list. There's no way everyone will be happy with the results.
Similarly, it's great that Isherwood loved The Realistic Joneses.
But the fact that others don't share his enthusiasm doesn't mean the committee was sending a message that unconventional drama doesn't belong on Broadway; a simpler explanation for it not even taking up a potential fifth slot is that they just didn't like the play as much as Isherwood did.
People have disagreed about what's best on stage since Oedipus Rex won second prize at the Athens City Dionysia in 429 B.C.E. (losing to an unknown play by Philocles). Isherwood may be proved "right" (though there is no "right") - it's quite possible that The Realistic Joneses will be performed millennia from now, long after All the Way is forgotten. Who the hell knows?
Updated On: 4/29/14 at 12:27 PM
Posted: 4/29/14 at 12:30pm
--
The "Bea Arthur Reacts to the Tony Awards' 15 Biggest Snubs" is funny. First it made me chuckle, but then I flat out laughed at the last one
Posted: 4/29/14 at 12:35pm
Posted: 4/29/14 at 12:37pm
I agree; Barnett was superb and completely convincing as Viola.
Posted: 4/29/14 at 12:40pm
Updated On: 4/29/14 at 12:40 PM
Posted: 4/29/14 at 12:43pm
But the fact that others didn't share his enthusiasm doesn't mean the committee was sending a message that unconventional drama doesn't belong on Broadway; a simpler explanation for it not even taking up a potential fifth slot is that they just didn't like the play as much as Isherwood did.
But then again it may mean exactly that. Your theory is no more logical or illogical than anyone else's. Unless you're a mind reader in which case I defer.
Posted: 4/29/14 at 12:49pm
First, I find out Craig Ferguson leaving The Late Late Show and now the big snubs in the nominations. What next?
Posted: 4/29/14 at 12:52pm
Updated On: 4/29/14 at 12:52 PM
Posted: 4/29/14 at 12:53pm
Sure one can point to a preference for tradition among Tony voters. But one can also point to the fact that among those critics who didn't love The Realistic Joneses are champions of the avant garde (as well as those who eschew it).
Someone can dislike, or not be all that impressed with, Phantom and not be predisposed against big musicals.
Someone can dislike, or not be all that impressed with, Machinal and not be predisposed against expressionist drama.
Updated On: 4/29/14 at 12:53 PM
Posted: 4/29/14 at 12:55pm
Posted: 4/29/14 at 12:56pm
Updated On: 4/29/14 at 12:56 PM
Posted: 4/29/14 at 1:07pm
We really should evolve past the outmoded concept of limited numbers of awards and nominations.
Posted: 4/29/14 at 1:13pm
That's human nature. Let the games continue!
Updated On: 4/29/14 at 01:13 PM
Posted: 4/29/14 at 1:19pm
It happens a lot. They like to recognize both leads.
Updated On: 4/29/14 at 01:19 PM
Posted: 4/29/14 at 1:20pm
Posted: 4/29/14 at 1:24pm
I think you have this backwards. Every musical already had its moment to shine, in that they put a show up on stage that got attention, audiences, reviews, etc.
So, the Tonys are specifically meant to reduce that list to what they feel represents the highest quality the season had to offer, not keep it a wider field so more can participate. They have a mechanism for allowing a fifth nominee for Best Musical, but the votes weren't close enough for that to happen.
Posted: 4/29/14 at 1:28pm
Williams apparently did not deserve a nod if you listen to many of the reviewers. I do agree with you on Quinto however.
Posted: 4/29/14 at 1:31pm
Oh you're SO open-minded!!!!!!!!!!
Posted: 4/29/14 at 1:34pm
Posted: 4/29/14 at 1:36pm
Umm, you were a champion of Rocky when it came out... so, seeing something you like again hardly seems to be a punishment of any kind.
Posted: 4/29/14 at 1:41pm
"I would love to know what of Shakespeare's works have you seen on broadway"
Many.
"and what made these productions not work for you?"
Rylance, primarily and overwhelmingly. Also, ordinary, humdrum acting by some others.
Posted: 4/29/14 at 1:52pm
First, for the record, I never mentioned anything about having a fifth nominee for Best Musical. I understand how that works and was never bemoaning having only 4 nominees.
I am also not championing for a “everyone gets a star” mentality. As I said in my first post, I often feel that the favorites of the Tony season sometimes end up getting nominated/winning in categories they didn’t necessarily excel at and where I believe other shows were more deserving (but the favorites got the nomination or award based off of the momentum from some of the bigger awards). I often feel the technical design categories, specifically, get filled in with shows that were favorites overall instead of truly just looking at the categories on their own. So, when I say I thought it would be more widespread with more shows getting the chance to shine, I meant that I was hoping that more shows would get to shine in the categories they deserve to shine in (even if the rest of their show wasn’t recognized for anything), instead of shows getting “default nominations” in some of the smaller categories from being big hitters in the bigger categories (which is something I, personally, think is often the case).
This is, obviously, all just my observation, opinion, and theorizing. I never mean to assert anything as truth or fact on here when we are all discussing opinions, show reactions, etc. While this is what I personally think often happens, I understand and respect that others don’t.
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