Roscoe, I agree with you that Quinto's performance was all of those things. And many would similarly champion the work of McKellan, Stewart, Hall, O'Byrne, Fontana and Washington. I don't see that anyone got snubbed. People simply disagree when forced to judge performances.
I, and clearly others, however, happen to disagree with you that Barnett's performance was merely capable. You saw something ordinary. We didn't.
Newsflash: Acting. It's a subjective thing. Never better illustrated by a ranking of way too many acclaimed performances than can comfortably fit into a top five list. There's no way everyone will be happy with the results.
Similarly, it's great that Isherwood loved The Realistic Joneses.
But the fact that others don't share his enthusiasm doesn't mean the committee was sending a message that unconventional drama doesn't belong on Broadway; a simpler explanation for it not even taking up a potential fifth slot is that they just didn't like the play as much as Isherwood did.
People have disagreed about what's best on stage since Oedipus Rex won second prize at the Athens City Dionysia in 429 B.C.E. (losing to an unknown play by Philocles). Isherwood may be proved "right" (though there is no "right") - it's quite possible that The Realistic Joneses will be performed millennia from now, long after All the Way is forgotten. Who the hell knows?
Updated On: 4/29/14 at 12:27 PM