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SUNSET BLVD. Reviews

Sally Durant Plummer Profile Photo
Sally Durant Plummer
#850SUNSET BLVD. Revival
Posted: 1/28/25 at 12:41pm

Listener said: "Please do say, Sallu D. In fact, say as much as you can because it didn't seem perfect to me at all.After the initial "oh they're filming as if it's amovie" idea sank in....all I saw were actors interrupted by camera men. The use of the footage was not really impressive. It didn't elevate the storytelling."

Well, different strokes for different folks! I understand why some people hated this, I just happened to love it. But hey, I loved the Gold Glass Menagerie and Von Hove's Crucible, so maybe that says more about my taste.

As for the cameras, I think what was most exciting about the concept wasn't "oh, they're filming it like a movie," which I think would be a lazy and ill-conceived idea not inherently connected to any of the material. What I took away from the moments the camera was utilized - particularly in the second act - was the contrast between the characters playing for the cameras and interacting with other. Watching how the characters switched from directly interacting with each other and instead acting for the camera (and the audience) brought to mind a whole layer of how and when these people are being sincere, to themselves or to each other. When they're trying to convey their emotions to the watching audience? When they're communicating directly with each other? When they are watching someone play for the camera while they're trying to connect with them? There was a dynamism to the concept that had me bouncing back and forth between watching the projected video of stylized emotion and watching the stage picture, and how the characters stalked each other, bouncing between themselves and the cameras. I really found it enthralling and engaging with the material.

 

CopleyScott17 said: "I also just wanted to add a word about the audience. You hear so many horror stories about disrespectful and inconsiderate audiences these days, but last night's crowd was magnificent. The energy was electric (Joe's second-act entrance was THRILLING). You could literally hear a pin drop during the dramatic scenes (even in cold season, in the dead of winter I only heard one lone cough!). The applause was rapturous and respectful throughout. Just like the good old days. Bravo, Broadway!"

I was also impressed by the audience. I think partially because of the incredible sound design, each moment of applause is so organic. There are maybe four moments besides the act break and finale: Norma's entrance" after "With One Look," after "Sunset Boulevard," and after "As If We Never Said Goodbye." I was amazed at how respectful the audience was during the show! Only after "I've come HOOOOOME at last" was there even a hint of mid-song applause, and it died down fairly quickly. Hey, I might have wished everyone waited until Nicole finished the final notes of her two songs before erupting into applause, but Hell, that's a nit-pick. And I was so viscerally blown away by 'With One Look" that I understand their urge.


"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
Updated On: 1/28/25 at 12:41 PM

Wayman_Wong
#851SUNSET BLVD. Revival
Posted: 1/28/25 at 1:57pm

Nicole: ''As If We Never Said Goodbye'' on Colbert:

https://www.youtube.com/watch?v=r9vsvjHWbSQ

Updated On: 1/28/25 at 01:57 PM

Seb28 Profile Photo
Seb28
#852SUNSET BLVD. Revival
Posted: 1/29/25 at 6:48pm

I have noticed that since last month they have transposed the material for Scherzinger to a lower key than the CD version. Listen to the second half of With One look. It really takes away a lot from the exciting score. She seems tired. Caroline Bowman and Mandy Gonzalez sing them in a higher key.

 

 

 

 

 

Updated On: 1/29/25 at 06:48 PM

FANtomFollies Profile Photo
FANtomFollies
#853SUNSET BLVD. Revival
Posted: 1/29/25 at 7:54pm

Seb28 said: "I have noticed that since last month they have transposed the material for Scherzinger to a lower key than the CD version. Listen to the second half of With One look. It really takes away a lot from the exciting score. She seems tired. Caroline Bowman and Mandy Gonzalezsing them in a higher key.

In fairness Mandy only sings the score once a week and Caroline only had to do it once.







"

I

MezzA101
#854SUNSET BLVD. Revival
Posted: 2/4/25 at 1:48pm

Nicole scheduled for "Seth Meyers" tonight.

FANtomFollies Profile Photo
FANtomFollies
#855SUNSET BLVD. Revival
Posted: 2/4/25 at 2:02pm

MezzA101 said: "Nicole scheduled for "Seth Meyers" tonight."

I wonder if this is another performance or just an interview...

binau Profile Photo
binau
#856SUNSET BLVD. Revival
Posted: 2/4/25 at 3:32pm

Seb28 I'm not saying I don't trust you but you've had it out for this revival and Nicole's performance from the beginning - can anyone else please confirm that the keys have indeed been transposed since Opening Night? 

 


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Updated On: 2/4/25 at 03:32 PM

JSquared2
#857SUNSET BLVD. Revival
Posted: 2/4/25 at 3:38pm

Seb28 said: "I have noticed that since last month they have transposed the material for Scherzinger to a lower key than the CD version. Listen to the second half of With One look. It really takes away a lot from the exciting score. She seems tired. Caroline Bowman and Mandy Gonzalezsing them in a higher key.

False info.







"

 

Sally Durant Plummer Profile Photo
Sally Durant Plummer
#858SUNSET BLVD. Revival
Posted: 2/4/25 at 4:05pm

I didn't notice any key changes from the recording when I saw it.


"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir

binau Profile Photo
binau
#859SUNSET BLVD. Revival
Posted: 2/4/25 at 4:16pm

What bothers me to no end is that 15 years ago I don't remember journalists or posters spreading alleged misleading information with the goal to damage a show. People would always clutch their pearls sure, but I don't remember the NyTimes ever doing something so scandalous as suggesting Sunset Boulevard's transfer from London was anything like the bomb of Cinderella or Tammy Faye - or a poster just blatantly saying keys have been transposed alleging vocal struggle when they may not have been. 

We have to have higher standards than this. Are people running out of things to say now that they would just prefer to make it up? 


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000

chernjam Profile Photo
chernjam
#860SUNSET BLVD. Revival
Posted: 2/4/25 at 4:33pm

I think most people on here can vouch for my fan-dom of the show in general and for this production...  When I saw Nicole in December for the second time, the key change for With One Look was slightly lower - but no less thrilling and probably un-noticed by a vast majority who don't listen to the cast recording on at least a  twice a week basis.  Again I only noticed it because I had listened so much and in fact I wasn't sure if it went up a key or down initially.  

I'll agree with binau though - there are so many who seriously only come on this board to try to talk down a show, malign a performer/performance thinking that somehow they're helping their favorite flavor of the moment do better.  It's pathetic and juvenile.

Nicole has been a phenomenon and even in this awful season with colds, flus, etc floating around that has even hit the cast of Sunset, she has not missed a scheduled appearance once.  If they lower a key here or there to help her maintain this schedule and navigate all this other stuff, I could care less - and by the rapturous applause she received both times I saw her, most in the audience agree

binau Profile Photo
binau
#861SUNSET BLVD. Revival
Posted: 2/4/25 at 5:15pm

If there was a key change then seb28 I do apologise. 


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000


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