Oh, I think LuPone was just basking in the moments and loving it. I was getting a feeling that she was glad she was first so she could sit back and enjoy. I also noticed that her diction was really good that night!
I do think the song took on a new meaning for Peters after losing her husband. I have seen her perform it a few times after his death and it just rips my heart out every time.
Was anyone else confused by the Sweeney performance? Since when is George Hearn the first Sweeney Todd? What? Does Great Performances continuity overrule actual theater continuity? And is it just me, or was Patti singing Mrs. Lovett with a Japanese accent towards the end of the performance?
I interpreted the "You first" "Yes, I was" to mean out of the two of them, he played the role 'first' .
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Wow, this is a fantastic concert. I just got to Donna Murphy's performance and I'm blown away by the whole thing, it's pretty great. I don't think Patti LuPone is trying to upstage anyone, she's enjoying the show in her own way, she's very expressive and physical and she is full of what look like genuine emotions throughout the whole thing, she's pretty aware of the brilliance of these performances. Her moment with Stritch after singing "Ladies Who Lunch" is one for the ages. Audra McDonald's "Glamorous Life" was a tour de force, Marin Mazzie was heartbreaking in "Losing My Mind." Is it fair to say that Donna Murphy's "Could I Leave You?" is epic? I think so, it's just so...mindblowing in every way of the word, she just turns it into a breakdown of "Rose's Turn" magnitude, it's kind of crazy to see what an actress of her caliber does with a song like that, a Phyllis for the ages.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
It was a great concert. The only person I didn't like was Patti LuPone. George and Michael outshone her in A Little Priest. She came across as vulgar with no humor. Her "Ladies Who Lunch' was just Patti being loud. There was nothing behind the words and I didn't enjoy seeing the effort it took her to sing the song. The other five women outshone her because there was something behind the words and the songs flowed out of them.
Have you ever liked Patti LuPone? (I mean I'm trying to build some context, here.)
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Donna Murphy was amazing. I can't call it a revelation because I've always thought she was amazing but it did feel like that. I couldn't believe what I was seeing.
Marin was heartbreaking. Victoria Clark and Elaine Stritch felt perfect in their performances to me.
I wrote on ATC that this was musical theatre crack. All that Follies stuff had me orgasming. And Audra. Good lord. And I loved Patti's rendition. Sure, Elaine would have electrified, as she always does, but I've seen her version. I liked how Patti followed the rhythm of the music while singing. And Bobby Steggert with Matt Cavanaugh. Can my gay heart please recover from that? Never!
OK, general thoughts. Amazing. I did have to divide some of my time between this and decorating a Christmas tree because my family was all like "LET'S DECORATE THE TREEE!!!" Any way. Chip and Joanna were glorious. It's a great song, and seeing them sing it together again was a wonderful experience. Marin's "Losing My Mind" was great. I kept thinking "are they going to do it?" and the did! It's another of my favs. I don't usually like Patti, at all. I think her acting is fine, and she is funny, but I usually don't like it when she sings. However, last night I was won over a little. Her Priest was great, and her Ladies Who Lunch was simply amazing.
Can someone tell me what Laura Benanti sang? I completely missed that one except when she ended and walked away.
While I loved hearing Patti's full voice on "Ladies," I did have some reservations about her interp and at what levels the ironies registered. I'm also pretty much never a fan of the orchestra or singer following through to a soaring final note. It seems so antithetical to the character's mental state. But that's only after one viewing. My opinion may modulate with after seeing it 1,000 more times.
Also, since we're criticizing just a little... while it's always nice to have more great (live) renditions of wonderful songs... this was just *so* FOLLIES-heavy. Now, I love FOLLIES. But whenever these concerts/tributes/et cetera are put together, PACIFIC OVERTURES is totally left out in the cold. How amazing would the concert have been with all the guys coming together for "Please, Hello" or "Someone in a Tree" (Sondheim's own personal pick for his best song! It was his birthday, for God's sake!) Or just a little snippet of ASSASSINS or ACW or PASSION or FORUM, even a medley in place of the one or two of the *six* FOLLIES songs or the "Reds" ballet?
Obviously, they're never going to please everyone all of the time, but since these kinds of concerts come so few and far between and since Sondheim's brilliance is pretty well-represented in every single one of his shows, for once, a truly all-inclusive concert would be spectacular.
Okay. I'm finished. It was still amazing.
CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES
I did think it was weird that the took the time to talk about how different his scores from the 70s were from each other, but only sang songs from Follies and Sweeney. Really weird. I really want a Sondheim concert that features at least one song from each of his musicals, as well as a representation of his screen work.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Oh good. I have the blu ray waiting for me when I get back to NYC, and I'm happy it's in there. I remember laughing so hard I almost peed when that happened.
My favorite part was when the company came onstage and through the aisles to sing Sunday. I kept thinking of how Sondheim was feeling. Very very emotional. WONDERFUL concert!
anyone notice that this was not the original version of Glamorous Life/, but the movie version?. I never understood why Steve rewrote the song, except it does have a more lyrical, approachable feel to you that fits better with the movie audience... I guess. Like them both and Audra was fab
AND a reminder that you should definitely support PBS. The right-wingers are still working overtime to shut it down for good.
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
Re: the Hearn/Cerveris "You First" - besides being the replacement Sweeney int he original, Hearn also performed the role opposite LuPone in a concert version, before she did the Doyle stging with Cerveris. So, he was LuPone's "first" Sweeney.
I thought it couldn't get any better then Patti LuPone singing The Ladies Who Lunch. I thought it couldn't get any better then Marin Mazzie singing Losing My Mind I thought it couldn't get any better then Audra McDonald singing The Glamorous Life I thought it couldn't get any better then Bernadette Peters singing Not a Day Goes By I thought it couldn't get any better then Donna Murphy singing How Could I Leave You
Then Elaine Strich performed.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards