Posted: 5/4/18 at 2:51pm
KingOfThePigPeople said: "Pacing is way way way low. I wonder if a cause of this could be the physical distance onstage between the actors, and something to do with the sound design. It feels very under-miked. Are these actors speaking slowly and with zero agility because they perceive that they need to do so,in order to catch the audience's eye and ear? The physical world of the show is also very "recessed" away from the audience, creating a distance that does not serve the script in acoustic terms and line delivery terms.
The "stop time" thing to illustrate Michael having a drink takes us RIGHT out. If it's in there once, it should be a motif through the night. Otherwise it makes no sense and insults the audience who must be too dumb to follow the protagonist and see him pour a drink as the chaos becomes unbearable for him
"When she acts, she's lethal." Jim Parsons is doing this production no favors. Sorry. Everyone else is pretty much fine (we could do without the contemporary-isms that Andrew Rannells throws in occasionally)but that vase of flowers on the table commands the stage more than Parsons. Not for one second did I believe that anyone would be afraid of the wrath of Michael. You could flick him over with your finger. Not for one second did I believe that anyone would show up weekend after weekend because Michael is actually quite engaging and essential."
As much as I loved the play, these are such on-point criticisms. I do think all but the Parsons thing can be fixed during previews.
They indeed need to work on the sound - there were issues from the first scene between Parsons and Bomer. I think a lot of the issue right now involves all of the movement around the set and its panels.
I got antsy during the phone call scene just waiting for them to pick up cues and move through monologues faster. It was that point when I really felt the lack of intermission. I assume they'll speed up as previews go on and they get more comfortable with the text onstage. Cutting 20 minutes does still seem like a stretch though.
I hope to god that they cut the time-stop moment. They could easily center the eye on Parsons at that moment with a little tightening of the staging. I assumed it was just something they were trying to see if they wanted to implement it more as a device.
Ah, Jim Parsons. I thought he was fine, but considering his comedic background I was irked by lots of his line delivery. I found myself wondering why anyone was friends with Michael at all - and of course he just becomes less and less empathetic throughout the night. The top-billed actors - Parsons and Quinto - were actually my least enjoyed of the night. In reference to the Rannells note, the only reason why I knew the play was set in the '60s was by reading the Playbill. I'm a biased Rannells fan so I still found him delightful.