everythingtaboo said: "BritCrit said: "At the very least, it will allow her to avoid Mena Massoud syndrome (Headlining a Disney Live-action remake, the vanishing into obscurity for months after it gets released)."
Mena was very candid in a 2019 interview about his life post-Aladdin:
“It’s wild to a lot of people,” he says. “People have these ideas in their head. It’s like, I'm sitting here being like, OK, Aladdin just hit $1 billion. Can I at least get an audition? Like I’m not expecting you to be like, here’s Batman. But can I just get in the room? Like, can you just give me a chance? So it’s not always what you think.”
“I’m usually the wild card.”
“There’s always a wild card or two when you’re casting,” he says. “I’m usually the wild card. In a room of Caucasian guys, a director might be like, OK, let’s see, like, two guys who aren’t. And maybe they’ll be the wild card choice.”"
I was perfectly aware of this when making my comment, and it's certainly pretty depressing that Massoud had to deal with this.* It is also worth noting that Massoud and Bailey are entering the world of blockbusters from different positions (Massoud had only a few minor roles beforehand, whilst Bailey is an RnB rising star who gained three Grammy Nominations in the COVID-19 induced wait for TLM to start shooting), but the basic principle in the same - two relative unknowns headlining a Disney live-action musical and trying to find new roles whilst waiting for it to come out and introduce them to a wide audience. Massoud has since released a vegan cookbook and starred in one of those critic-proof Netflix romcoms, but his plight is still incredibly frustrating...
* - Yes, 2019 Aladdin wasn't the most exciting movie, but Massoud's failure to get cast feels inexplicable, especailly as "Hot Jafar" Marwen Kenzari continued to get roles in blockbuster movies despite his performance being seen as one of the worst bits of that film...