Miles2Go2 said: "The play is still not listed on the BroadwayBox app. I don’t recall this ever happening before. Discount or no discount, even during previews all shows always seem to be listed. Why idea why Mockingbird isn’t?"
Looking through the BroadwayBox website on my computer, if you type in To Kill a Mockingbird in the search box they do have the show page there with a "Regularly-Priced Tickets" link. However the 7pm Dec 12th performance is not listed on their calendar either
UPDATE: I called telecharge, spoke to an agent and was redirected to customer service who told me that that performance has been removed from all platforms this morning and that the last preview has likely been canceled but that I can try calling the box office or sending them an email. Can anyone confirm?
I don’t envy this years nominating committee. Jeff Daniels is a given and probably CKB. But how do you choose among all the featured players here and in other shows? And with Cranston and Paddy locking down two of the other leads that leaves Parsons, Radcliffe, Pasquale, Canavale, Ethan Hawke, Adam Driver, Paul Dano ...
CT2NYC said: "FYI, they've released the 2 far end seats inthe first 2 rows of the side mezzanine sections, $119, labeled as "partial view.""
I had row B seat 28 right mezzanine. I don’t think I missed anything other than seeing the organist who was sitting extreme stage left. Other than that great view and room to stretch. I think the ones on the left side might be a little more compromised given the staging.
jbird5 said: "CT2NYC said: "FYI, they've released the 2 far end seats inthe first 2 rows of the side mezzanine sections, $119, labeled as "partial view.""
I had row B seat 28 right orchestra. I don’t think I missed anything other than seeing the organist who was sitting extreme stage left. Other than that great view and room to stretch. I think the ones on the left side might be a little more compromised given the staging."
Orchestra row B only goes up to seat 12 on the right side, seat 11 on the left.
jbird5 said: "I don’t envy this years nominating committee. Jeff Daniels is a given and probably CKB. But how do you choose among all the featured players here and in other shows? And with Cranston and Paddy locking down two of the other leads that leaves Parsons, Radcliffe, Pasquale, Canavale, Ethan Hawke, Adam Driver, Paul Dano ...
Wow.
You can't consider performances that haven't been given yet as being worthy of Tony Awards.
I've admired Ethan Hawkeds' film roles--particularly FIRST REFORMED and MAUDIE, but his Macbeth at Lincoln Center was intolerable.
I was just listing the possibilities and left out Michael Urie who will probably not be nominated.
Getting back on topic, there are several possible featured actors here including Dakin and Gideon. But i’d Have to give the nod to Frederick Weller for his portrayal of evil incarnate. His character is so vile that it may get held against him, but he’s my pick.
jbird5 said: "I was just listing the possibilities and left out Michael Urie who will probably not be nominated.
Getting back on topic, there are several possible featured actors here including Dakin and Gideon. But i’d Have to give the nod to Frederick Weller for his portrayal of evil incarnate. His character is so vile that it may get held against him, but he’s my pick."
why wouldn't he be nominated? he's giving a good performance.
jbird5 said: "I don’t envy this years nominating committee. Jeff Daniels is a given and probably CKB. But how do you choose among all the featured players here and in other shows? And with Cranston and Paddy locking down two of the other leads that leaves Parsons, Radcliffe, Pasquale, Canavale, Ethan Hawke, Adam Driver, Paul Dano ...Wow.
I really enjoyed both Lifespan and American Son...IMO, none of the male lead actors associated with those shows have the slightest chance...the roles are not strong enough IMO. You did forget Michael Urie, and John Lithgow and Nathan Lane are already scheduled for the Spring as well (I can't remember who else), so I don't disagree with your point that there is the potential for an incredibly strong list of nominees in all the play categories, e.g., for Best Actress, there are Elaine May, Glenda Jackson, Annette Bening, Kerry Washington, the female lead in The Ferryman (whose name I have momentarily forgotten, but who gave an indelible performance), Laurie Metcalfe, Janet McTeer, Kerry Russell in a prior Tony winning role (albeit in a poor year and after Joan Allen lost the previous year for The Heidi Chronicles), and maybe some others not yet announced. Not seeing TKAM until May, I do not know if CKB is a lead or featured role. With those names, she may want to be in supporting, where she'd have a stronger chance of winning.
Jarethan said: "jbird5 said: "I don’t envy this years nominating committee. Jeff Daniels is a given and probably CKB. But how do you choose among all the featured players here and in other shows? And with Cranston and Paddy locking down two of the other leads that leaves Parsons, Radcliffe, Pasquale, Canavale, Ethan Hawke, Adam Driver, Paul Dano ...Wow.
What show is Urie doing in the spring?
I really enjoyed both Lifespan and American Son...IMO, none of the male lead actors associated with those shows have the slightest chance...the roles are not strong enough IMO. You did forget Michael Urie, and John Lithgow and Nathan Lane are already scheduled for the Spring as well (I can't remember who else), so I don't disagree with your point that there is the potential for an incredibly strong list of nominees in all the play categories, e.g., for Best Actress, there are Elaine May, Glenda Jackson, Annette Bening, Kerry Washington, the female lead inThe Ferryman (whose name I have momentarily forgotten, but who gave an indelible performance), Laurie Metcalfe, Janet McTeer, Kerry Russell in a prior Tony winning role (albeit in a poor year and after Joan Allen lost the previousyear for The Heidi Chronicles), and maybe some others not yet announced. Not seeing TKAM until May, I do not know if CKB is a lead or featured role. With those names, she may want to be in supporting, where she'd have a stronger chance of winning.
As someone who tends to go crazy at merchandise booths, I appreciate Rudin’s decision to not sell merchandise at most of his plays. In June, I bought lots of merchandise at Skintight, Angels in America, and The Boys in the Band, but didn’t feel slighted at all that Three Tall Women and The Iceman Cometh didn’t have merch booths and I loved those productions. If one wants a window card, there is usually a way to get one although I’ll admit I’ve only gotten a window card when I can buy it at the theatre. It may seem silly, but it just seems more personal to me that way, especially if I can buy it with cast signatures or ask them to sign it at stage door.
I do have two questions: Can someone describe he scuffle Atticus gets into with Bob Ewell? Someone in social media has said he lands a punch, which I wanted to check in with someone who has actually seen it. Also, is it appropriate for a class of middle school students? They have read the books and lid I am being brutally honest we’re uncomfortale with the “n” word. Does Sorkin use this word in the script? And would 16 kids from ages 12-15 enjoy the show? Thank you in advance! Also, does Scout wear a ham costume in the end?
Grace2001 said: "I do have two questions: Can someone describe he scuffle Atticus gets into with Bob Ewell? Someone in social media has said he lands a punch, which I wanted to check in with someone who has actually seen it. Also, is it appropriate for a class of middle school students? They have read the books and lid I am being brutally honest we’re uncomfortale with the “n” word. Does Sorkin use this word in the script? And would 16 kids from ages 12-15 enjoy the show? Thank you in advance! Also, does Scout wear a ham costume in the end?"
Might have been best to preface your questions with ***SPOILERS***, but I'll answer them. 1) Atticus twists Bob Ewell's arm behind him at one point. 2) In today's culture I believe that middle school students who have read the book will not be disturbed with any actions shown or racial epithets used (Sorkin uses the n-word very effectively). Still not certain though if 12 to 15-year olds would like the production because the running time (at least in previews) is about three hours, including intermission. 3) Yes, Scout wears a ham costume.
How are the last 2 rows in the mezz at the Schubert? 69.00 feels like a steal unless I'm missing something about those last 2 rows... very very excited to see this production
Mike Barrett said: "How are the last 2 rows in the mezz at the Schubert? 69.00 feels like a steal unless I'm missing something about those last 2 rows... very very excited to see this production"
I haven't seen the show yet, so it's not my pic, but this is the issue with the last 2 rows of the mezzanine: