This is really hard, because there are so many scores that I find absolutely beautiful, but then I don't always listen to the full thing because some songs are kind of meh for me. So I'm going by overall score, not just some amazing songs (for instance, I'd love to put Floyd Collins or Carousel which are just GORGEOUS, but there are some songs in there that just don't cut it for me.)
In no particular order:
1. West Side Story - Probably the best score that exists, because it has such a great mix of fast-paced "catchy" songs and then lush, romantic melodies that just send you soaring. 2. Sweeney Todd - I'm not as fond of the Act II songs, but the score is just friggin' amazing. 3. The Light in the Piazza - Like someone wrote about Jane Eyre, just listening to it takes you away to another world. 4. The Last Five Years - I grudgingly said this over Parade (my third favorite musical) because Parade has some songs that I can skip over, but every moment in L5Y is equally as great as the last. 5. The Secret Garden - One of the most intensely beautiful scores that I've ever heard. 6. Miss Saigon - A few others have put it so I think that I'm safe. Whenever I see it, the score just moves me to pieces. 7. Ragtime - All you have to do is listen to the Prologue to know that you're in for something incredible. 8. Passion - I know that a lot of people find it boring, but I think it contains some of Sondheim's most beautiful work. And no matter how many times I hear it, it has the same emotional impact on me. 9. Cabaret - Do I even have to list the reasons? 10. My Life With Albertine - Haven't seen it mentioned yet, but the score is just so lush and beautiful that I couldn't resist listing it.
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
Of course, MY FAIR LADY! Fell in love with that cast album when ai was about 4.
This is the problem with choosing only 10.... so many get left off.
I would be hard pressed to limit a list to 50...I had nothing by Kander and Ebb, nothing by Coleman, nothing by J.Herman...
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
"We take such through-composition for granted now (though I wish more contemporary composers would use these gimmicks) but when GYPSY premiered in 1959 they were quite innovative, and not surprisingly few critics at the time picked up on it."
Just to clarify, are you saying that the score was innovative in its use of reoccuring motifs and in how they change thematically without changing musically throughout the show? Or something else? It seems like there are examples of shows doing this that pre-date Gypsy, but I could be wrong...
"We take such through-composition for granted now (though I wish more contemporary composers would use these gimmicks)"
Even though people love to sneer at this show, WICKED has it's own version of the recurring "I had a dream" motif in GYPSY: when Elphaba sings "Unlimited/I'm limited" at various points throughout the show. The music doesn't change, and the lyrics don't particularly change, but the meaning is different each time because of the character's emotional state at that point of the show.
"Word of advice: Be who you are, wear what you want---just learn how to run real fast." Marc, UGLY BETTY
Munk has the perfect list! He is by far one of the sane ones in this thread! 1. Carousel 2. Sunday in the Park with George 3. Sweeney Todd 4. Follies 5. West Side Story 6. The King and I 7. Gypsy 8. My Fair Lady 9. South Pacific 10. Fiddler on the Roof
My top ten, in no particular order: Company Follies Carousel A Little Night Music Sweeney Todd Into The Woods Pacific Overtures Sunday in the Park With George West Side Story The Light in the Piazza
Re: My Fair Lady I love My Fair Lady and it is one of my favorites, but Loewe's very best work was in Camelot. I also get annoyed with Loewe's music quite often. Does he ever not write in cut time. Jesus.
Caroline, Or Change Sunday In The Park With George West Side Story Ragtime Parade Sweeney Todd The Light In The Piazza Cabaret My Fair Lady The Secret Garden
BSoBW2: I punched Sondheim in the face after I saw Wicked and said, "Why couldn't you write like that!?"
1. Ragtime 2. Light In the Piazza 3. Into the Woods 4. My Fair Lady 5. Porgy and Bess 6. Cabaret 7. The Secret Garden 8. Follies 9. Brigadoon 10. Showboat
Among contemporary scores, Hairspray stands out for me. It sounds like the kind of thing Cole Porter would do if he were alive and writing today. Great blend of 'traditional' and 'pop.'
Caroline, or Change A Little Night Music Sunday in the Park With George Floyd Collins No Strings Jesus Christ Superstar Bernarda Alba Candide Porgy and Bess My Life With Albertine
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
The Light in the Piazza West Side Story The Last 5 Years Les Miserables Miss Saigon Phantom of the Opera (please, no one shoot!) Into the Woods Jekyll and Hyde Chicago Evita
Wanted to start a new thread, but figured I'd bump an old one instead. For both sophistication and ease of listening. Excluding pre-Very Good Eddie scores.
1. Porgy and Bess 2. Show Boat 3. South Pacific 4. Candide 5. My Fair Lady 6. Carousel 7. Mame 8. West Side Story 9. Cabaret 10. A Little Night Music