I was talking to a friend the other night about the "Matilda" transfer and somehow we got on the discussion of shows that planned transfers, there was a great deal of hype and then they flopped but we couldn't think of any.
Has there ever been a show from the West End to NYC and vice versa that was expected to be a hit and wasn't?
The first show that comes to mind is Enron. Hit in London (still running I think?) and an absolute flop in New York. My friends who did see it here loved it, but it was a sore spot for Americans, and so it goes.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Definitely Taboo and Tanz der Vampire...oh I'm sorry, Dance of the Vampires.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Whistle Down The Wind - maybe it had to do with Boyzone not getting enough airplay on "No Matter What".
eta: WDTW played a few venues in the States, but never made it to Broadway even though they had a theater and publicity was already around NYC.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
And of course both productions of Whistle that played in the US (Hal prince's and the later UK tour) were very different from Edwards' production (which I really enjoyed) in London.
Woman in White was hardly a huge hit in the UK (did it run a year?).
Aspects of Love of course did much better in London. Pippin was a huge flop in the 70s in London (Fosse never seemed to have a ton of success in London--when Chicago opened there in the 70s it wasn't even his production--and didn't do well).
Did Blood Brothers ever recoup on Broadway? I know it ran 2 years here but it ran for decades in London...not exactly a horrible flop but not nearly as successful as the West End production.