I'm interested to see what happens with Best Play and Best Musical this year since each will have 5 nominees. In both cases, those final slots will be interesting to see who the committee goes with.
For Musical, Hadestown, Tootsie & The Prom seem like shoe-ins. Ain't Too Proud is the likely 4th slot. But the 5th? Something will get in that received multiple terrible reviews. Will it be Be More Chill? Beetlejuice? The Cher Show? Each has its handful of admirers, but most high-ups in the theatre community seem to not appreciate any of them. It seems like BMC has the best chances at this point. However, I will go out on a limb to say that I wouldn't be surprised if they decide to boycott all 3 of these and instead throw a bone to Head Over Heels. But its times like these when I remember the year Leap of Faith got in, so who knows.
Best Play is a lot more exciting since there are so many worthy candidates (rather than having to decide which is the least bad, like the musicals). The Ferryman, What the Constitution Means to Me, and To Kill a Mockingbird seem like the sure-bets here. But which of the other well-reviewed plays will get the other 2 slots? Ink? Choir Boy? Network? Hillary & Clinton? And you can't really count out Gary since the reviews were so polarizing and the nominating committee is such a small group. There might be enough people in that group that loved it enough to get it a nomination. Personally, I am predicting Choir Boy & Ink. Although I almost said Network instead of Ink. This one is tough. I also want to give a shout-out to Lifespan of a Fact which I think should be mentioned alongside the other 8 plays already mentioned here even though I don't think it will be nominated.
Updated On: 4/28/19 at 03:17 PM