I have to get dressed and go to class but I will say this quickly:
1) Spice, I will PM you with the specifics of what I found homophobic about the 9/04 draft of the screenplay -- and previous works by Columbus that feature similarly homophobic moments. Of course, I'm a little taken aback that you respond to my assessment by saying, "What on earth..." etc. as if there's no chance in hell that I could be making a valid statement. It sort of reminds me of Quentin Tarantino saying, "Whatever" to Spike Lee and Denzel Washington's accusations of racism in Pulp Fiction. The only difference is that in this case, we're both queer so we should be able to discuss this issue with less dismissiveness from either side. While I respect your talents as a performer IMMENSELY, I don't think you have any sort of an upper hand on gay issues to write me off once and for all when it comes to interpreting homophobia (or, to make myself more clear, works that poke fun *at* GLBT people but not their heterosexual counterparts). In that sense, I'm also a little amused that ajay thanks you for what he perceives to be shutting me up. The homophobic overtones and undertones that I found in Columbus's screenplay are inventions of his own that don't appear in the book of the stage musical. Honestly, after his portrait of the gay couple in Mrs. Doubtfire as these marginalized figures who help Robin Williams' character with his makeup and rock their heads to showtunes, I don't know why people find it so unbelievable that he could lack a queer sensibility. He's not a gay man. And ajay, weren't you the one complaining about rhyming dialogue in Chbosky's screenplay.... hmmmmmmmmmmmm........
The reality is that some of the most popular films of all time are encoded with racist, sexist, and homophobic subtexts. In this case, I consider some of it to verge on overtone. And I don't care if revised drafts are being produced... if there's any chance that the two incidents I have at the forefront of my mind are going to end up making it to the screen, it's worth discussing.
Bonfire of the Vanities and Ragtime are two of my favorite literary works that were adapted into critically-loathed films. Now that the studios greedily protect the rights to making future film versions, there's a good chance that it'll be a long time before anyone can approach Bonfire or Ragtime again. Regardless of how much heart is in the RENT film or how desperately Rapp wants me to have faith in it, there are some things that I just will not overlook regardless of whether people involved in it take personal offense (after all, these criticisms are not of Rapp or Columbus, but rather of the work itself; I have no doubt that they're both good guys). I guarantee you that people in the film industry lurk around their IMDB pages reading posts that discuss their relationships, mediocre acting, role choices, etc. .... but if they were to join into the discussion, I wonder if there would be as much timidity there about discussing those issues as there is here. It's a real police phenomenon that I don't like; fortunately, I'm not giving into it either.
Updated On: 11/18/04 at 11:35 AM