Springsteen’s weekly salary was probably more than Title of Show’s entire weekly nut lol
Btw, that raises the question to the OP: are you talking about capitalization (the cost of building the set, making the costumes, and other pre-production needs)? Or are you asking about weekly running cost (I.e, the paychecks for cast and crew, theatre rental, weekly supplies, etc)? They are two completely separate ways of measuring the cost of a show.
Either way, I don’t think Come From Away even cracks the top 20 cheapest musicals in Broadway history.
The “Story of my Life vs Title of Show” comparison is interesting. Both of them had pretty simplistic sets and costumes. Hard to say which had a lower capitalization. As for weekly running cost, [title of show] might have had a slightly larger cast, but Story of My Life has a significantly larger band (9 pieces, vs. 1 solo keyboard).
Also, I have no idea how to estimate theatre rental costs relative to each other, but I’m guessing that would also be a factor. [title of show] was in a slightly larger theatre, but Story of My Life was in the Booth, which is in a better location. Not sure if location is actually factored into the calculation, but given the old real estate adage (“Location, Location, Location!&rdquo
I would guess so.
EDIT: I guess location quality is debatable. I was thinking about how the Booth is clustered with other theatres, and how 45th st. probably has more foot traffic on the West side of TS than on the east side. However, the Lyceum is close enough to Broadway that it's easily visible from Times Square for any pedestrians walking North, whereas you can't see the Booth from Times Square unless you're deliberately looking down 45th, and even then it's competing with other theatres.
Updated On: 10/15/20 at 12:59 AM