What are some roles that don't require a great (or pleasant) singing voice?

Henry Higgins
Ruth Sherwood

I disagree with your opinion re: Albin.

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The first thing I thought of was Harold Hill.

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Both of the adult roles in Spring Awakening, since they only sing during the group numbers. I think it even says on the audition notice "does not have to be strong singer"

Sally Bowles in CABARET
Harold Hill in THE MUSIC MAN
Professor Henry Higgins in MY FAIR LADY
Desiree in A LITTLE NIGHT MUSIC

Can't think of others right now.

Apparently Evita, Reno Sweeney, Mrs. Lovett, Madame Rose, that part in Women on the Verge and now Joanne in Company.

People really consider Elaine Strich's voice pleasant?

The Phantom, in The Phantom of the Opera. At least if the casting of Gerard Butler is anything to go by.

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Define great? Mrs. Hardcourt in Anything Goes (1962 Revision) is a fun acting role that only needs to take a few solo lines in Bon Voyage. She has a bunch of great little moments as Billy is trying to hide his identity from the captain, the sailors, and Mrs. Hartcourt before his capture. A small role, but a good one.

Mr. Lundie gets that great scene where he explains the history of Brigadoon and he doesn't sing at all in the show.

I've seen a few good productions of The Music Man where Harold Hill wasn't a great singer but acted so well you didn't really notice or care.

The Wicked Witch doesn't sing anything in the non-Lloyd Webber The Wizard of Oz and it's a fantastic role. Glinda's pretty good too without any singing.

The Man in the Chair in The Drowsy Chaperone only sings a few lines at the end of the show and they aren't supposed to be great.

A strong actress can sell Miss Hannigan in Annie without being a great singer. If they can carry a tune and get into the character, it tends to work.

I've heard some early Stritch recordings that are beautiful. Sail Away is even not so bad.

And no lie, I cannot STAND Sutton Foster, either.

The two Gangsters in "Kiss Me Kate." I've seen it done with mediocre singers and strong singers. If directed and acted well I don't think it really matters.

Susan did "Getting Married Today" in 1995 revival and in the recent concert as well. I wonder if that's been made a permanent change.

You can include Bobby from Company into that mix. None of his material is complex to sing, it's complex to act.

This is probably because the show was written for Anthony Perkins, who if you listen to Greenwillow and even Evening Primrose has a quite grating singing voice. He only left to direct/write something, and was replaced by Dean Jones. Who, if you listen to the OBC, isn't the master of sounding pleasant in that show... None of the cast is.

Sondheim writes for actors first. That's why many OBCs of his work, especially pre 1990s feature some very interesting singer choices... You can't judge Sondheim's roles off revival recordings because it's usually cast against his intentions for many roles.