When my sister was a senior in high school, they put on Sound of Music. All the runs wore large burlap sacks dyed black as part of their costumes—except for my sister. Since she was Mother Abbess, she got a "real" costume.
My sister felt pretty good about this—until she realized she had to share a microphone with Gretel.
When everyone claims they love broadway when the only shows they know of are Wicked and RENT.
When the directors close friends and family get the lead parts.
When the cast is constantly told during the show "SHHHHHHHH!!!!!!! THEY CAN HEAR YOU ON STAGE!!!!!!!!"
"I'm tellin' you, the only times I really feel the presence of God are when I'm having sex and during a great Broadway musical." - Nathan Lane - Jeffrey
"..."Rock Island" from the Music Man has the drummer playing as a metronome in the background to keep everyone on beat. "
Ok..this made me laugh...it hit way to close to home....only our production used sand blocks!
And yes, there are many of these "horror" stories of community theatre...the lack of budgets, the nepotism in casting, the reused costumes. And yet, I've also seen some AMAZING community theatre productions.
And I think it's amazing to realize that most of the people on stage in a community theatre production are doing this just for the enjoyment of being on stage. They've spent all day at another job or school, and they've still find the time and effort to come to rehearsals and performances and give it their all.
...the angels in Anything Goes are bumped up to 7 instead of the usual 4. Its also done so the director's daughter can stand center stage when Reno's in the middle of them. Updated On: 10/27/06 at 10:19 PM
...when every set change in "Sweeney Todd" takes twenty minutes and, after the Judge and the Beadle have entered and started their scene downstage of the "Sweeney cube" IT KEEPS MOVING FORWARD, threatening to shove them into the orchestra pit!
I ask in all honesty/What would life be?/Without a song and a dance, what are we?/So I say "Thank you for the music/For giving it to me."
when you manage to make "I Love You, You're Perfect, Now Change" last THREE HOURS even though you made cuts to the show to remove material deemed "offensive" and "shocking"
The "Les Mis" barricade must be turned by hand by the back-stage tech people sitting behind it.
"Once Upon A Mattress" is done in a 60's motif because the costumes are easier to make that way.
We don't get a curtain until opening night.
There are those people who just think that they are the absolute best singers, so they feel the need to sing every damn song imaginable, in hopes they we'll hear their wonderful voices and compliment them.
Opera is when a guy gets stabbed in the back and, instead of bleeding, he sings.
When the male director tells all the boys that if they ever need to talk, we can call him. And if you call him, he'll say some stuff that sounds really weird, and you tell your parents about it and the next day there's a new director... mabey that was just me.
"I think of avant-garde as downtown shows where you rub waffles and chocolate on yourself."- Hunter Bell
When the Urchins in Little Shop are 5 (or 6) prissy white girls in poodle skirts instead of 3 sassy black girls.
"Who says you can't bend over backwards and eat bugs if you want to? I guess the bugs would probably say you can't do that that, but assuming that they are willing and consenting bugs, then there's no problem. Let's wig out eating bugs."
-RuPaul
...when the choreographer (a high-school girl) just doesn't show up for dance rehearsals.
...when what is written into the script as a steamy tango scene between two characters is turned into a booty-shaking dance number to Shakira's "Objection Tango."
...when one of the actors in Anne of Green Gables (a fifty-something male) leaves during the show to go to the casino five blocks away. Updated On: 10/28/06 at 08:41 PM
...When your all-white cast is subjected to only all-white shows. ...The last multi-ethnic show you did was The Wizard of Oz, because they did Big River in the same season and had to put those actors in somewhere. ...When the actors do their own tech. (My HS did that this year and JWT does this to free actors) ...When the musical director has alo directed the show(s)...EVERY YEAR.
I can relate to the costume thing. At Jenny Wiley Theatre (Where I've worked the past 7 summers), they do a locally-written musical about Jenny Wiley. And they have like, 3 boxes of costumes from the show's performances since 2001. I had a skirt that was apparently from Into the Woods this summer!
But JWT is a professional theatre AND community theatre combined. Out-of-town actors make up 3/4 of the adult company, and local kids and teens are always cast. This year we had about 50 people in all, and 22/go-knows-how-many kids and teens were VERY lucky. Our cheographer is also the American Girl Place cheographer, and our Ren in Footloose is on the Jesus Christ Superstar tour. In 2005, Eugenia Primis (Japan's Elphaba) was an ensemble member. (
Every living soul has got a voice - you've got to give it room and let it sing.
-when they do a 50/50 raffle at intermission -when castmembers stand around and say "boy, this is worse than guffman" -when "production team" ask the cast to go out and get donations for ads in the playbill from family and friends -when cast show up for rehearsals when they feel like it -when there's a giant chalkboard blocking a hallway that states "CAST AND CREW ONLY" -When sandwich boards serve as advertisments for your show
This thread makes me afraid to leave home. I live adjacent to an artistic area. Which means the community actually puts money into the theater. You people are scaring me.
I have NEVER met Cheyenne Jackson. I have never hung out with him in his dressing room, he did not tweet me, he never bought me a beverage, and he mostly certainly didn't tickle me. . .that is all.