I seen a tour of Scrooge in Dublin the other night and thought I'd post some of the illusions done by Paul Kieve.
- The Ghost Of Jacob Marley had the best illusions in my opinion. My favorite one was when Scrooge's bedroom door swung open to reveal Jacob Marley then quicky slammed shut. Scrooge ran to the door and opened it out, to reveal Jacob had been gone. As Scrooge closed the door Jacob Marley appeared behind the door. Very badly described. If anyone can do a better job, feel free.
- An armchair in Scrooge's bedroom an armchair done a full 360 turn then as it turned to face the audience again the ghost of Christmas Past was on it. Not the best description but it amused me as I didn't notice trap doors in the stage and the chair was in the centre.
''With the number of people I ignore, I'm lucky I work at all in this town'' - Helena Bonham Carter
It's really simple but I love it: in The Lion King when the light blue piece of fabric representing the water in the Pride Lands is pulled beneath the stage to represent the water running out.
I worked on the NETworks tour of Cinderella many years ago and I loved the transformation at the end of the ball. Cinderella ran across the stage in a costume that was a mix of her ball gown and rags dress. As she crossed the palace steps were moved to center stage. She ran up them as they began to rotate. While the top step was facing downstage she "stumbled" on the steps, dropping down as if she fell. As she stood back up the steps continued rotating and she was back in her full rag costume. She exited as the stairs moved back to SL with the one glass slipper sitting on them waiting for the Prince to find it.
I dont know if this counts as an "illusion" or not, but the faces of the "four black dragons" in PACIFIC OVERTURES that, by moving a few screens, become the side of a Naval destroyer. One of my favourite pieces of Aaronson staging.
Second favourite has to be from the original production of SWEENEY TODD, when he finally gets the judge in his chair. He slits the throat, and his arm follows through in a curve pointing offstage, and the blood just follows the arc. Wonderful and harrowing at the same time.
A year to the day has gone by and I still remember being amazed by the Ragtime revival. My favorite part was during Atlantic City when the back wall of the set split open to reveal the blue of the sky behind it. Utterly stunning in every way.
I loved the beginning (like a musical overture) of Orphans' Home Cycle -- there were sliding panels moving across the stage, and you saw Horace Robideaux age
He stepped behind one panel as a boy, and walk out the other side as a young man
It was simple and beautiful
And 10-ish years ago I saw Richard III in London, and they did 'rain' with all these chains hanging down from the ceiling to the floor, and a huge clap of thunder with them dropping all at once
You don't go to the dragon without a present - Mark Rylance
The stampede in "The Lion King" was very creative...along with many things in that show. Taymor may not be the greatest director/writer but she certainly knows how to create a feast for the eyes.
The Beast's transformation in "Beauty and the Beast" The Phantom's disappearance at the end of the show is magical and creepy along with his "mirror" entrance
And although done very simply, Elphaba's melting is pretty cool and haunting.
"Life in theater is give and take...but you need to be ready to give more then you take..."
I definitely agree about Mary Poppins have better flying effects than Wicked. Defying Gravity looks cool, but as someone else said, it looks like her skirt is imploding. And on a side note witches sit on their brooms and ride them, they don't make them levitate and hold on, but that's besides the point.
"There’s nothing quite like the power and the passion of Broadway music. "
I think "Defying Gravity" is more of a powerful scene...as in the cape becoming huge kinda represents her power become full force...and I'm pretty sure if she was riding the broom people would be complaining about that...to me...the effect is more powerful then it is realistic
"Life in theater is give and take...but you need to be ready to give more then you take..."
Eh. Flying in the theatre has never really impressed me (save, ironically enough, Spider-Man). The main problem is that real, exciting flying should involve drastic motion, which is hard to portray on stage. Elphaba just sort of "floats" there, 10 feet above them all as they stare up at her awkwardly. Moreover, it makes no sense whatsoever for her to be clutching the broom and twirling it around instead of riding it. Nobody can explain that to me.
Idk, I think it is more or less that the power is comin from within her and the broom is more or less where it manifests...if that makes sense? To me, its simply powerful. Reality is suspended in that moment. And in the moment your so caught up in the story, characters, emotion, the music...it all climaxes into this beautiful picture (even if you hate the show ya gotta admit, it is a pretty nifty stage picture)
"Life in theater is give and take...but you need to be ready to give more then you take..."
My favorite: There's a moment in Next to Normal when (spoiler?) Dan is mopping up blood. The effect they use is so simple, but creates such a visceral image - it shocks me every time.
"My favorite: There's a moment in Next to Normal when (spoiler?) Dan is mopping up blood. The effect they use is so simple, but creates such a visceral image - it shocks me every time."
This. It's one of those things where if you're not actually paying attention, you might miss it or not think you actually saw it.
I don't care what anybody says -- Defying Gravity is stunning Although it's not my favorite show, the new Les Miz tour has a neat new projector as the farthest back drop and can create a real sense of scene and life.
Spoiler, I guess, but the destruction of the entire set at the end of Blithe Spirit.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Does anyone else recall the amazing house/set of An Inspector Calls. How it breaks open and such... I always thought that was AMAZING!
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."
"The one done 8 times a week at the Gershwin making people believe Wicked is the greatest show ever."
Haha! Love it! Defying Gravity may be "artistic" and all, personally I fondly disagree, but it is honestly nothing if you compare it to the flight of the three girls at the end of act one in original London production of The Witches of Eastwick. Floating, spinning, and then flying out of the stage and exiting over the audience. Absolutely stunning. I didn't see the show, but have a teacher's guide on VHS, with parts of the show filmed professionally, the whole final act one scene is on there, and wow. Just wow.
THEATRE 2016:
Grey Gardens; SwkPlayhouse, Cats; London Palladium, Into the Woods; Royal Exchange, Show Boat; Sheffield Crucible, Les Liaisons Dangereuses, Prsicilla Queen of the Desert; UK Tour, Narrative; RWCMD, Mojo; RWCMD, The Barber of Seville; WNO, Rabbit Hole; Hampstead, The Marriage of Figaro; WNO, Figaro Gets a Divorce; WNO, Tom: The Musical; UK Tour
Upcoming: Anything Can Happen; RWCMD, Cysgy'n Brys'ur, Long Day's Journey Into Night; Bristol Old Vic, Only the Brave, The Caretaker; The Old Vic, People Places and Things, Blue/Orange; Young Vic, Bernadette Peters, Carole King, Harry Potter and the Cursed Child Parts I & II