Click below to access all the grosses from all the shows for the week ending 5/5/2013 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
I wonder why Cinderella can't fill the seats for being such a recognized name? Maybe with a continual slew of TV appearances and some TONY attention it'll help.
Once and Newsies I think have been dented by the arrival of new shows but both shows are doing fine and making money, both should see an uptick in sales come summer.
Mamma Mia! Has picked up in recent weeks, it'll be interesting what the grosses will be like when it moves to the Broadhurst,
I'm surprised over ORPHANS. Unless the advance takes a huge nosedive.... their grosses still seem like they'd meet running costs. Who knows though. Maybe it falls off a cliff? Seems surprising to me though.
WOW KINKY BOOTS! Those are stronger numbers than I ever expected. Especially pre-Tony Awards. Word of mouth must be electric! And perhaps Cyndi Lauper's name is actually selling tickets? Either way... good for them.
Cinderella has been dropping every week. Not nearly the sort of numbers it was showing it's first two month.... even before spring break time ... when it was the dead of winter it was doing better numbers. Still respectable but I wonder if word of mouth is starting to catch up with it especially in the wake of huge hits in KINKY BOOTS, PIPPIN, and MATILDA. I'm sure the summer will be kind to them though.
Also is SPIDERMAN really 1.1 m a week to run? If so they seem to be having quite a few losing weeks. I'm sure they will tick up in the summer... but do we think they'll still be around in Sept/Oct?
Cinderella's running costs are probably around $700,000-$750,000. The highest expense they probably have is costume maintenance, followed by cast, and orchestra.
HOLY KINKY!!! This is most surprising to me personally, as I didn't think they would do well, but wow.
Also keep in mind that school is winding down, so many students are in exams, finals, HS is in APs, etc, so that's also a portion of the audience. Summer will really help Cinderella.
Kinky Boots' weekly grosses are even more impressive when you consider that it didn't come to Broadway with tremendous advance sales out of Chicago (the weekly grosses reflect tickets being currently released that were previously sold as well as those being currently sold, I believe). So I think for a show like Matilda, which had great buzz out of London, weekly grosses reflect a combination of what people are buying now and what they bought in advance based on their anticipation. I believe Kinky Boots' numbers are more based on what folks are buying now, which is reflective of current buzz and word of mouth.
I would doubt that the costs of Cinderella are that high. I'd guess less than $700K.
And as someone said above, the show should have great numbers during the summer. I actually think that if they were smart they'd add an additional matinee and scratch one of the weekday night shows.
CZJ at opening night party for A Little Night Music, Dec 13, 2009.
"I wonder why PIPPIN didn't try to get a bigger theatre? "
I personally don't. I don't think the success of this show was very obvious at the time. It was a very quick transfer, has no stars etc. and looking at Godspell it's not as if everyone is automatically rushing to see Schwartz's shows. Well received revivals open all the time but close quickly (Ragtime, Finians Rainbow) so I don't know what variables they would have known they needed a bigger theatre. Besides, now they have the opportunity to sell more premium tickets and generate hype. Seems like a good decision to me.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
You just really never know what is gonna connect with audiences. Kinky is getting great word of mouth and Cinderella is not.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I'm assuming Matilda must have more seats that are being sold at a lower price, as even though they do have about 60 more seats available than Kinky Boots their potential gross is about 200,000 less. At any rate, glad to see both shows are doing well.
Like others I'm going to guess that Cinderella will see an uptick during the summer and should probably be able to last at least through the holiday rush to the end of the year. They have seen a drop, but their first few weeks they were running there was a lot less competition.
Meanwhile, I'm surprised how "Ann" can continue to operate, in spite of dismal box office numbers.
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
Pippin's in the right theater. let the ticket demand be there, it'll simply keep the show running longer(plus several Tony awards will help). Not concerned for Once or Newsies as they're both still making money. There's just a lot of new competition out there, they'll both do fine over the summer. And I'm very pleased to see the grosses for Vanya and Sonia... continue to climb. I heard this weekend's shows were nearly sold-out. Also, here we all thought Matilda would be the hot ticket with the new shows. It turns out both Kinky Boots AND Motown are out-grossing it.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.