Stand-by Joined: 6/22/08
I think Back Stage, of all predictions thus far, has it nailed. The only thing I don't agree with is some of their "should have been nominated" choices
Will it be "Once" or "Newsies"? Will the author of "Other Desert Cities" or "Clybourne Park" be mounting the stage at the Beacon Theatre to pick up Broadway's highest honor at the 66th annual Tony Awards? Back Stage chief critics Erik Haagensen and David Sheward have seen all the nominees and offer their opinions on who will win, who should win, and who was overlooked. Take a look at their picks and keep them handy as you watch the Tonys June 10 on CBS.
PLAY
"Clybourne Park"
"Other Desert Cities"
"Peter and the Starcatcher"
"Venus in Fur"
WILL WIN
Haagensen and Sheward: "Other Desert Cities"
It's a close race between "Cities" and Bruce Norris' Pulitzer Prize winner, "Clybourne Park," but Jon Robin Baitz's dysfunctional family drama is more emotionally satisfying.
SHOULD WIN
Haagensen: "Other Desert Cities"
"Clybourne Park" is not as dangerous as it should be or thinks it is.
Sheward: "Clybourne Park"
Norris' stinging satire on race relations covers new territory and shakes up theatergoers' perceptions.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward: "The Lyons"
Nicky Silver's savage comedy wounds with wit and tears at the soul.
MUSICAL
"Leap of Faith"
"Newsies"
"Nice Work If You Can Get It"
"Once"
WILL WIN
Haagensen and Sheward: "Once"
It's another close race, here between quirky Irish romance "Once" and scrappy New Yawk "Newsies," but this should go the way of the 2004 "Avenue Q" and "Wicked" contest, with victory going to the intimate artsy underdog rather than the commercial crowd pleaser.
SHOULD WIN
Haagensen: "Newsies"
"Once" is "Ghost" for would-be hipsters.
Sheward: "Once"
This edgy charmer evokes the bonhomie of a Dublin pub and the power of music in an improvement on the hit indie film on which it is based.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward: "Lysistrata Jones"
Though it suffered in being pushed to Broadway size, Douglas Carter Beane and Lewis Flinn's update on Aristophanes had wit, sass, and melody.
REVIVAL OF A PLAY
"Death of a Salesman"
"Gore Vidal's The Best Man"
"Master Class"
"Wit"
WILL WIN
Haagensen and Sheward: "Death of a Salesman"
It's Arthur Miller's masterpiece with the great Mike Nichols at the helm. It also got most of the reviews and is the hottest ticket in town.
SHOULD WIN
Haagensen: "Gore Vidal's The Best Man"
Andrew Garfield's miscasting as Biff compromises the power of "Salesman" more than Michael Wilson's unfortunate choice of Kerry Butler as Mabel Cantwell does Gore Vidal's expert political comedy-drama.
Sheward: "Death of a Salesman"
Nichols' production holds no surprises but still delivers a knockout blow.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward: Nothing
REVIVAL OF A MUSICAL
"Evita"
"Follies"
"The Gershwins' Porgy and Bess"
"Jesus Christ Superstar"
WILL WIN
Haagensen and Sheward: "Follies"
SHOULD WIN
Haagensen and Sheward: "Follies"
A flawed production of James Goldman and Stephen Sondheim's towering 1971 musical about the ravages of time and regret still trumps a bastardized classic ("Porgy and Bess") and indifferent takes on two Andrew Lloyd Webber-Tim Rice megahits ("Jesus Christ Superstar," "Evita"). Also, "Follies" the show has never won a Tony.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward: Nothing
ACTOR IN A LEADING ROLE IN A PLAY
James Corden,
"One Man, Two Guvnors"
Philip Seymour Hoffman,
"Death of a Salesman"
James Earl Jones,
"Gore Vidal's The Best Man"
Frank Langella, "Man and Boy"
John Lithgow, "The Columnist"
WILL WIN
Haagensen and Sheward: Philip Seymour Hoffman
The race is between Hoffman and James Corden, but tragedy usually bests comedy.
SHOULD WIN
Haagensen: James Earl Jones
Hoffman is fine but not great, while Jones, playing a Southern white cracker of an ex-president of the United States, is consistently surprising and wonderfully funny.
Sheward: Philip Seymour Hoffman
Though nearly 20 years too young for Willy Loman, Hoffman is heartbreakingly real and convincing as this broken, regretful working stiff.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward:
Stacy Keach for "Other Desert Cities"
Keach's conservative patriarch of a political family has scads of subtext going on underneath his carefully constructed surface, resulting in one of the most complex characters of the season.
ACTRESS IN A LEADING ROLE IN A PLAY
Nina Arianda, "Venus in Fur"
Tracie Bennett, "End of the Rainbow"
Stockard Channing,
"Other Desert Cities"
Linda Lavin, "The Lyons"
Cynthia Nixon, "Wit"
WILL WIN
Haagensen: Linda Lavin
It's another of those close races, this one between Stockard Channing and Lavin, but "The Lyons" opened late in the season and Lavin has the flashy star role, while Channing blends into a superb acting ensemble.
Sheward: Stockard Channing
Channing has been with her show since its Off-Broadway run last season, and she gets to deliver marvelous zingers along with an incredibly powerful monologue that wraps up the play.
SHOULD WIN
Haagensen: Stockard Channing and Linda Lavin
Both are so good that I'm rooting for a tie.
Sheward: Tracie Bennett or Nina Arianda
I'd be happy with either, because the challenges of both roles are so different, and both these actors meet them with such panache and skill.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward: Tyne Daly for "Master Class" and Rachel Griffiths for "Other Desert Cities"
Daly polished a flawed Washington, D.C., performance into a glistening Broadway gem in a role that doesn't naturally suit her. Nobody plays damaged better than Griffiths, who made a masterful American stage debut.
ACTOR IN A LEADING ROLE IN A MUSICAL
Danny Burstein, "Follies"
Jeremy Jordan, "Newsies"
Steve Kazee, "Once"
Norm Lewis, "The Gershwins'
Porgy and Bess"
Ron Raines, "Follies"
WILL WIN
Haagensen and Sheward: Danny Burstein
SHOULD WIN
Haagensen and Sheward: Danny Burstein
Burstein is one of our most versatile actor-singers, and he topped himself as Buddy, particularly in the heartbreaking "The Right Girl" and a tour de force "God-Why-Don't-You-Love-Me Blues?" He and wife Rebecca Luker are beloved in the Broadway community, and it's his time.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward: No one
ACTRESS IN A LEADING ROLE IN A MUSICAL
Jan Maxwell, "Follies"
Audra McDonald,
"The Gershwins' Porgy and Bess"
Cristin Milioti, "Once"
Kelli O'Hara, "Nice Work If
You Can Get It"
Laura Osnes, "Bonnie & Clyde"
WILL WIN
Haagensen and Sheward: Audra McDonald
It's a nail-biter between McDonald and Jan Maxwell. McDonald is a Tony favorite, with four wins in the featured categories but still lacking the big one. Maxwell is a four-time nominee (once in each category, a rare feat) who has never won and is overdue. But voters will want to give the controversial "Porgy and Bess" some love, and it's likely to be shown to McDonald.
SHOULD WIN
Haagensen: Jan Maxwell
Like Tyne Daly, Maxwell improved on a shaky out-of-town performance to stunning effect. McDonald's forced work as Bess is considerably less than her best.
Sheward: Audra McDonald
McDonald once again proves why she is one of the leading Broadway divas of the day, with a complex interpretation of Dubose and Dorothy Heyward and George and Ira Gershwin's flawed heroine.
SHOULD HAVE BEEN NOMINATED
Haagensen: No one
Sheward: Elena Roger for "Evita"
She may not have Patti LuPone's pipes, but Roger stalks the stage like a ravenous tiger, on the hunt for fame and power.
ACTOR IN A FEATURED ROLE IN A PLAY
Christian Borle,
"Peter and the Starcatcher"
Michael Cumpsty,
"End of the Rainbow"
Tom Edden,
"One Man, Two Guvnors"
Andrew Garfield,
"Death of a Salesman"
Jeremy Shamos,
"Clybourne Park"
WILL WIN
Haagensen and Sheward: Christian Borle
SHOULD WIN
Haagensen and Sheward: Christian Borle
This race will be won by either Borle or Andrew Garfield, but Garfield had a vocal minority of critical detractors, while Borle was virtually universally loved for his screamingly funny limning of the pompous pirate Black Stache. This time comedy will defeat tragedy.
SHOULD HAVE BEEN NOMINATED
Haagensen: Jim Dale for "The Road to Mecca"
Even though the play suffered from being in a theater that was too large, Dale was extraordinary as the manipulative local reverend determined to get his way but nevertheless full of love for Rosemary Harris' eccentric sculptor, whose work the man of God found so threatening.
Sheward: Oliver Chris for "One Man, Two Guvnors"
Though this National Theatre production is essentially an ensemble piece, Chris is especially buffoonish as an upper-class twit crashing his way through Brighton.
ACTRESS IN A FEATURED ROLE IN A PLAY
Linda Emond, "Death of a Salesman"
Spencer Kayden, "Don't Dress for Dinner"
Celia Keenan-Bolger, "Peter and
the Starcatcher"
Judith Light, "Other Desert Cities"
Condola Rashad, "Stick Fly"
WILL WIN
Haagensen and Sheward: Judith Light
Stepping into a role in which Linda Lavin triumphed Off-Broadway, Light took a different approach and got notices proclaiming her even better than Lavin.
SHOULD WIN
Haagensen: Judith Light
Light should win, both for allowing the audience to dislike her (unlike Lavin) and for the agony of emotions playing across her face when the alcoholic Silda's failures and deceptions are made clear to her beloved niece Brooke.
Sheward: Condola Rashad
Rashad overcame the contrivances in Lydia R. Diamond's script to deliver a moving performance as an intelligent girl searching for the truth about her roots.
SHOULD HAVE BEEN NOMINATED
Haagensen: Candice Bergen for "Gore Vidal's The Best Man"
As the estranged wife of the womanizing liberal presidential candidate, Bergen uses razor-sharp timing to land every one of Gore Vidal's bons mots while also communicating the depth of feeling she still has for her infuriating husband.
Sheward: Marlo Thomas for "Relatively Speaking"
Despite the unevenness of Elaine May's one-act in this trio of comedies, Thomas took obliviousness to new heights of hilarity as a self-centered new widow imposing on the daughter of her former nanny.
ACTOR IN A FEATURED ROLE IN A MUSICAL
Phillip Boykin,
"The Gershwins' Porgy and Bess"
Michael Cerveris, "Evita"
David Alan Grier,
"The Gershwins' Porgy and Bess"
Michael McGrath,
"Nice Work If You Can Get It"
Josh Young, "Jesus Christ Superstar"
WILL WIN
Haagensen and Sheward: Josh Young
SHOULD WIN
Haagensen and Sheward: Josh Young
Young's phenomenal voice is matched with marked acting ability. His Judas often steals the spotlight from Jesus. The only question: How many voters didn't see him because he missed several critics' previews? If the producers are smart, they'll invite Tony voters back.
SHOULD HAVE BEEN NOMINATED
Haagensen and Sheward: Patrick Page for "Spider-Man: Turn Off the Dark"
Page's wildly funny, over-the-top supervillain was the best thing about this controversial comic-book spectacle.
ACTRESS IN A FEATURED ROLE IN A MUSICAL
Elizabeth A. Davis, "Once"
Jayne Houdyshell, "Follies"
Judy Kaye, "Nice Work If You Can Get It"
Jessie Mueller, "On a Clear Day
You Can See Forever"
Da'Vine Joy Randolph, "Ghost
the Musical"
WILL WIN
Haagensen and Sheward: Da'Vine Joy Randolph
It's an award-winning part for starters (just ask Whoopi), she inexplicably gets the 11 o'clock number, and it's the flashiest of all the nominated roles. Judy Kaye is fine, but we've seen her do it better elsewhere. Jayne Houdyshell and Elizabeth A. Davis have tiny roles. Jessie Mueller was in a flop everyone would like to forget.
SHOULD WIN
Haagensen: Jayne Houdyshell
True, it's a tiny part, but Houdyshell is perfection as Hattie, the best since the great Ethel Shutta created her. Randolph indulges in too much tired shtick.
Sheward: Da'Vine Joy Randolph
Randolph gives this trite show the bite that it so desperately needs, with a tart, no-nonsense take on a fake medium shocked by a genuine encounter with the supernatural.
SHOULD HAVE BEEN NOMINATED
Haagensen: Rosalind Elias and Terri White for "Follies"
Elias, as aged Viennese operetta star Heidi Schiller, summed up "Follies" in an exquisitely sung and intensely moving "One More Kiss." White's crackling Stella Deems rang with period authenticity and tapped up a blazing storm in "Who's That Woman?"
Sheward: Lindsay Nicole Chambers for "Lysistrata Jones" and Melissa van der Schyff for "Bonnie and Clyde"
Both Chambers, as a spiky feminist finding love with the campus jock, and van der Schyff, as a prim Depression-era housewife drawn into a life of crime, were the bright spots of their indifferently received shows.
Back Stage Tony Predicitons
Some of their rationale and picks are wacky. Huh.
Leading Actor Joined: 5/16/12
I'm surprised they think Randolph will get Best Featured. I don't think Ghost is going to get anything, except maybe lighting. Not that I hate Ghost. I haven't had the opportunity to see it yet, and I actually am excited to see it. But, there doesn't seem to be much love for it.
And I hope Josh Young wins. He is just incredible. How is he a real person? I feel like he is the entire reason to see the show.
Updated On: 6/5/12 at 12:54 AM
They're way in left field for Best Actress in a Play.
Stand-by Joined: 6/22/08
"Once" is "Ghost" for would-be hipsters.
WTF does that even mean....?
Broadway Star Joined: 3/25/12
I think he is trying to say that ONCE is the artsy equivalent to GHOST's spectacle in terms of show quality, but its big fan base is mainly made up of people who want to be hipsters or like something different because it is different.
My guess is he didn't like it, lol.
Linda Lavin has a great shot at winning. But I would love a tie between her and Stockard.
No he is saying people like Once thinking its the artsy cool thing to do...when in reality he thinks it's just as bad as Ghost
The acting categories this year are the strongest I can remember. I wouldn't be surprised if we end up with a tie in at least one of them.
A tie is extremely rare. I agree that the acting categories are incredibly strong, but that means we're likely to see an upset if anything, not a tie.
All this talk of tying is interesting because if the acting categories were always consistently this strong, we'd be used to having quite a few big upsets and less predictability.
Definitely out-of-touch with the Best Featured in a Musical picks. Josh and Da'Vine Joy can be put down as "Should win" if the heart so desires, but will win? With no buzz or momentum? I'm sure Josh will be nominated for much more after this, but against Boykin and McGrath, this is not his win.
Does anyone get the sense that some of their critiques were either back-handed compliments (flawed out of town, but hey, they're fine now!) or grasping for straws?
Updated On: 6/5/12 at 09:56 AM
Yes, definitely some back-handedness going on.
Wynbish, don't forget Cerveris. I think he's in the mix as well.
I actually think Da'Vine might be in a distant second. Jessie's and Jayne's shows have closed and Elizabeth is great but only in an ensemble role. Da'Vine has the flashiest of all the roles nominated.
I agree with many of these, but then I think they're just way off-base for Best Actress in a Play and the Featured Actor/Actress in a Musical categories. The former is pretty much is Tracie Bennett v. Nina Arianda. Featured Actor is Cerveris or McGrath, and Featured Actress is Judy Kaye's long overdue award.
Once is not bad at all. It is a wonderful musical!
Their Featured Actor in a Musical predictions are...off.
I would hope Linda Lavin wins, not to mention Danny Burstein.
Leading Actor Joined: 5/16/12
I think Once is getting the same kind of response that the movie got. I know people who absolutely loved the movie, but I hated it. I had no idea what was happening and why I kept watching. It was utterly boring. So, I think it's just a hit or miss show. I don't think they'll be many people in the middle.
"McDonald's forced work as Bess is considerably less than her best."
Forced? Does anyone agree with him?
^Seconded. I found Norm Lewis' performance much more moving than Audra's in Porgy and Bess. I'm really rooting for Jan Maxwell on Tony night.
Count me in as a Jan lover.
Audra is great but I still don't get all the love. 75% of the show, she is huddled on the floor, in a corner, with her back to the audience.
""McDonald's forced work as Bess is considerably less than her best."
Forced? Does anyone agree with him?
Read more: https://forum.broadwayworld.com/readmessage.php?thread=1046369&dt=23&boardid=1#ixzz1wybXXBdl"
Absolutely. I was underwhelmed by the production in general but in particular with her performance. McDonald is wonderful in general but this performance did nothing for me.
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