The original production of "Merrily We Roll Along" The set was just ugly and the costumes, while I understand the idea behind them, were just stupid. Updated On: 4/12/11 at 06:04 AM
Again: it's all opinion. I loved the set design for How to Succeed. (not so much the costumes).
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Merrily's set design was indeed ugly - but it did some very interesting things, bending and being reconfigured rather ingeniously for all of the various locations. Given the time span it covers, that show poses a lot of challenges for the scenic designer. I'm not sure I've ever seen a really beautiful Merrily set for any of its major productions.
Begin at the beginning and go on till you come to the end: then stop.
Sideshow, Women on the Verge, High, Curtains, Story of My Life, Spring Awakening, Sweet Smell of Success and Jersey Boys are just a few I found to be underwhelmingly forgettable. Just "eh"...
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Wicked. I find the whole cogs, gears, and clockwork theme to be rather ugly. The Clock of the Time Dragon is referenced once in the show, yet acts as the basis for the entire set. I also was not a fan of the set for the most recent Beauty and the Beast tour. I found the excessive painted vines that choke stage to be distracting.
"There’s nothing quite like the power and the passion of Broadway music. "
BEST LITTLE WHOREHOUSE GOES PUBLIC - enormous revolving units made to resemble Las Vegas showroom banquettes, upholstered in electric blue glitter vinyl.
I seem to recall In My Life had a giant lemon as part of the final setpiece, intended as some symbol for overcoming adversity. Instead, it read as "WTF why is there a lemon and where did these people come from?" They also used really awful Windows 98-quality projections of dancing skeletons and had a catwalk integral to staging that was so high up the first ten rows of the orchestra couldn't see what was happening on stage.
The Little Mermaid was definitly one of the ugliest shows I've seen in recent memory. Those two monolithic bong towers were huge eyesores that served no purpose and the plastic scenery, while I understand the intent, just came off as cheap.
Also not a fan of Wicked's set.
"You drank a charm to kill John Proctor's wife! You drank a charm to kill Goody Proctor!" - Betty Parris to Abigail Williams in Arthur Miller's The Crucible
Last Five Years. The idea was that things had "exploded". But it takes awhile to figure that out when all you see is a table and chairs hanging sideways on a wall.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Parade. During the court scenes, there were cardboard cutouts to represent the jury. I get the image, but it still looked stupid.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
I hated the set for Compulsion. It just didn't seem to be used in anyway. There was a whole side of the stage that was decked out like his apartment that wasn't you, and all these puppets, none of which were used in the production.
I'm a bit surprised that two posters have named "Women on Verge..." I didn't see the show but remember that problems with the set caused delays in previews, and that the director explained the glitches by calling the design "revolutionary" (I think he did). I assumed from the reviews that the design did not serve the production well, but I have no concept what the set did that made it so unseccessful. Somebody please explain!
I too, am among those that think the set and costume designs for the original "Merrily We Roll Along" were pretty dreadful. I also remember seeing a terrible flop called "But Never Jam Today" (yet another adapation of Alice in Wonderland) that looked like it all took place on a giant picnic table. Atrocious.
"The Gospel at Colonus" had a very strange and distracting backdrop that pushed the actors far downstage and was covered in hallucinogenic images such as giant bumblebees, etc.
"Platinum" (a godawful mess) took place in a recording studio that also had a jacuzzi built into the stage floor. Huh???
I'm sure most of you have read about the infamous "Dude" (1971) in which all the orchestra seats of the Broadway Theater were removed and replaced by a round playing area and arena seating. The show took place on a circular mound of dirt (yes, dirt!). When the dust kicked up by the actors caused the audience members to cough, they tried to remedy the problem by watering down (yes, they did) the dirt. At the next performance, actors were falling down in the mud and splattering folks in the closest seats. Between the set nightmare and the utter incomprehensible libretto, the show became the ultimate Broadway landfill.
OMG. Egghumor, I've heard about how bad Dude was but somehow never knew they performed it on a pile of dirt. That's brilliantly bad.
I cannot stand the set for Mamma Mia. I know they're going for sun-bleached and Greek, but to me, it's just a big eyesore. And I agree with those that mentioned Wicked. It's an impressive set, but it's also deeply unattractive.