These are just my opinions on my favorite act 1 finales, that I have seen. I already mentioned, in an earlier thread "One Day More" from "Les Miserables."
"I'd Give My Life For You" from "Miss Saigon" not only is the song really moving, seeing the boat people walking off stage is very effective.
Also, I remember the Act one ending of "Fiddler on the Roof" from my colleges' production. It was pretty good and kind of sad. I don't remember the Tevye, in the production I saw, telling people to clean things up, like someone else here saw. What I do remember is the soliders telling them to keeping going on with the wedding reception, and then starting the demstration, atacking people, chasing them, and messing things up. The scene ended with Tzeitel sadly holding, I believe, part of the canopy(either that or her vail).
I also liked the act one ending of "Mamma Mia!" On the surface "Vouez-Vous" seems just a fun party song, but I saw a little more to it. The interaction between Sophie, Sam, and Henry(where both agree to give Sophie away at her wedding), is what is important in the scene. The Sophie I saw seemed confused, a little shocked, and had a "What have I done" look on her face by the end of the song that I thought was effective. Also, I heard that the phrase "Vouez-Vous" translates to "Do you want to" in English, which does become an important question for a some of the characters in the second act.
"'Till We Reach That Day" from RAGTIME is absolutely stunning. That would be my choice, next to Jennifer Holliday's stirring rendition of "And I Am Telling You (I'm Not Going)" in the original prodution of DREAMGIRLS.
I also really enjoy "I Wish I May" from THE WITCHES OF EASTWICK. The people going gaga for "Defying Gravity" need to see that flying sequence.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
From shows I've seen, in some incarnation, be it Broadway, or elsewhere (in no order):
-Mame, from Mame -I've Got Rhythm, from Crazy for You -'Til We Reach that Day from Ragtime -Defying Gravity from Wicked (sue me...everything about the last two minutes of that song WORKS) - Everything's Coming Up Roses, from Gypsy - One Day More, from Les Miserables -Tomorrow Belongs to Me, from Cabaret (because you see the audience watching in horror at what develops...it should make you almost sick to your stomach)
I'm tempted to include Into the Woods' act 1 finale on here, because the three times I've seen the show (the Broadway revival twice, and a regional production once), a number of people thought the show was over, and got ready to leave. Updated On: 8/2/09 at 05:19 PM
Are adamgreer and I the only ones suggesting 'Tomorrow Belongs to Me'?!?! That's such a shame...I think it is above the level of 99% of all the Act I finales I've seen. (And I've see Wicked)
"There's nothing good on. The media hates Christmas. The media loves vampires, though. Maybe they will show a Twilight Christmas." -Danmeg's 10 year old son.
I love this song because it's such a calm ending to such a crazy first act, and how it ties in with the finale.
And no offense to anybody, but Defying Gravity is GOOD, but not a song that needs to be worshiped. Got to admit that the last note that is belted by Elphaba is amazing, but the song and scene itself just doesn't do it for me.
For those who thought NEXT TO NORMAL wouldn't have a life outside Broadway, well it's now playing in 4 cities, 9 different countries and has been translated into 6 languages.
Autumn / Finale (TITANIC). The eeriness and foreshadowing gets you every time.
I really like "My Own Best Friend" as Chicago's act 1 closer, however the brief dialogue / action afterwards makes it a bit of an anti-climax, which is sad considering the power of the song.
And who could forget "Simple" from ANYONE CAN WHISTLE?
Les Miserables - One Day More Beauty & the Beast - If I Can't Love Her Gypsy - Everything's Coming up Roses SITPWG - Sunday Sound of Music - Climb Every Mountain Ragtime - Til We Reach That Day Little Women - Astonishing City of Angels - You're Nothing Without Me La Cage - I Am What I Am Mame - Mame The Producers - Act I Finale South Pacific - ('never let her gooooooooooooooo')
A big vote for La Cage. The first time I ever saw it, when Albin stormed offstage, snatching the wig off his head after wowing us with I AM WHAT I AM, I turned to my companions to rave and words could not come out of my mouth. I don't think I was ever so wowed before or since. I was literally speechless -- not with nothing to say -- but with losing my ability to say it.
Sunday In The Park-Uh...holy ****?!!!? The most beautiful song (musical or otherwise) that i have heard Ragtime-The combined power of Till We Reach That Day and the fact that it was closing night left that auditorium speechless with no other action but to clap uncontrollably. Next to Normal-The chilling thought of Diana 'signing her life away' leaves me in tears every time A Little Night Music-A Weekend in the Country is a very fun song that clears the way for the cluster**** that goes down in act 2. (A good kind of cluster****...not like MEHmphis.)
Sunday - SITPWG by far my favorite, but I do want to raise a question - which is stronger the original or the revival version? for me the set design of the revival make it even more unbelievable