Click below to access all the Broadway grosses from all the shows for the week ending 11/25/2018 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
I may be in the minority, but I'm rooting for this one in the same way that I rooted for the movie Avatar (which I thought was just ok).
I want producers and investors to take big money risks to bring crazy visual spectacles to Broadway and I want it to pay off on occasion so that we'll see more of it (and even better versions of it) in the future.
BroadwayRox3588 said: "Damn,Hamilton. Knocking on $4M's door."
Right? Crazy. This was their second highest-grossing week of all time, about $50k shy of what they made week ending 12/31/17. I predict they'll break the $4M mark during the Christmas/New Year's week next month.
Warbucks2 said: "I want producers and investors to take big money risks to bring crazy visual spectacles to Broadway and I want it to pay off on occasion so that we'll see more of it (and even better versions of it) in the future."
Rewarding ineptitude married with spectacle only breeds more ineptitude. I'm all for rewarding risk, but not when it aspires to mediocrity. We must do better.
So agreed Hogan. Especially after watching the Harold Prince Doc the other night. All those wonderful shows and the clips of the choreography still gives shivers. I think we are still producing good straight play productions today but the musicals are ho-hum.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I will never understand why Hugh Jackman dropped out of the Houdini musical. The Illusionists comes in every year and just prints money. I don't even know where these audiences are coming from - but they obviously love magic. Why a composer hasn't written a show about a magician is beyond me.
VotePeron said: "I will never understand why Hugh Jackman dropped out of the Houdini musical. The Illusionists comes in every year and justprintsmoney. I don't even know where these audiences are coming from - but they obviously love magic. Why a composer hasn't written a show about a magician is beyond me."
There's a difference between a magic show on Broadway and a Broadway musical about a magician.
VotePeron said: "I will never understand why Hugh Jackman dropped out of the Houdini musical. The Illusionists comes in every year and just prints money. I don't even know where these audiences are coming from - but they obviously love magic. Why a composer hasn't written a show about a magician is beyond me."
HogansHero said: "Warbucks2 said: "I want producers and investors to take big money risks to bring crazy visual spectacles to Broadway and I want it to pay off on occasion so that we'll see more of it (and even better versions of it) in the future."
Rewarding ineptitude married with spectacle only breeds more ineptitude. I'm all for rewarding risk, but not when it aspires to mediocrity. We must do better."
Perfect.
I hate to root against a show ... but this show deserves it.
VotePeron said: "I will never understand why Hugh Jackman dropped out of the Houdini musical. The Illusionists comes in every year and justprintsmoney. I don't even know where these audiences are coming from - but they obviously love magic. Why a composer hasn't written a show about a magician is beyond me."
I dont get it either....but didnt the winner of AGT get a spot on this show?
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Right after Funny Girl, producer Ray Stark hired Bob Merrill to write the songs and my dad Sam Denoff and his writing partner Bill Persky to write the book for “Hocus Pocus” about Houdini, but the project vanished and, according to Mrs Merrill, nothing was ever written - at least nothing that survives
Thrilled to see Waitress' grosses on the top, instead of the bottom section! It's also coming in on Nicolette's last week, maybe that has something to do with it. That, as the new Jo.
South Florida said: "I'm not very knowledgeable about these things but it had the worst drop in attendance and isn't that a bad sign?"
Shows typically only close if the running cost (nut) becomes higher than the gross -- and usually if a show is early in the run, they're willing to put a few weeks in to where the gross is lower than the nut so the show can build an audience. Cher Show is still pretty new, and raking in over a million dollars a week, so it's definitely fine. Attendance doesn't really matter as much, other than the fact that it means fewer chances of selling full-price tickets.
Not to mention, the typical Thanksgiving boost tends to do well for family oriented shows, due to out-of-towners coming into the city for a "family" holiday (see: Frozen), and the extra day off from school that kids get. A big chunk of the audience for The Cher Show (gays) already live in New York, and they were busy visiting their families in the midwest.