Cabaret previews — Page 12
#277
Posted: 3/24/14 at 3:15pm
No comment on the production, but I will say this: I would die laughing if the critics decided to re-print their 1998 reviews in protest.
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
#279
Posted: 3/24/14 at 4:14pm
I saw the second preview Saturday night and enjoyed the show very much from the mid mezzanine. I was my first exposure to Cabaret except for having seen the movie many moons ago. I loved Cumming's performance and thought he was all in. I especially appreciated when he wasn't front and center, and he was merely observing the goings-on from the upper level, half in shadows. I could feel something from him in those moments, I swear. I liked Michelle Williams too. The staging, lighting, and orchestra added up to a transporting show. After seeing it, I realized that the closer you are to the stage, the better (in my opinion). So if you're on the fence about where you want to sit, I encourage you to dip into your 401(k) for front mezzanine seats (if you can even get them). I think that's the perfect spot for this show.
#280
Posted: 3/24/14 at 4:25pm
"I would die laughing if the critics decided to re-print their 1998 reviews in protest."
That would be some heady protest... were you part of Occupy Wall Street, by chance?
That would be some heady protest... were you part of Occupy Wall Street, by chance?
Now t/d/b/a haterobics on here.
#281
Posted: 3/24/14 at 5:22pm
So, Williams will probably be nominated and will sing 'Cabaret' at the Tony? I guess, at least.
#282
Posted: 3/24/14 at 5:29pm
Hard to imagine they wouldn't want Cumming to also appear. He is the bigger draw, no? I love Michelle Williams, but I don't think of her as a huge star... I've been known to be off on this front, though.
Now t/d/b/a haterobics on here.
#283
Posted: 3/24/14 at 5:35pm
Do we know if there will be a cast recording of this production? I know it's limited so I wasn't sure...I hope so.
#284
The more I think about it, the more I think I have to see it. I don't think I could miss seeing Michelle Williams and Danny Burstein.
Posted: 3/24/14 at 5:45pm
The more I think about it, the more I think I have to see it. I don't think I could miss seeing Michelle Williams and Danny Burstein.
#285
Posted: 3/24/14 at 6:19pm
Whether they get a full number on the Tonys is fairly contingent on whether the production can get nominated.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#286
Posted: 3/24/14 at 6:30pm
If you always like Danny Burstein then I think you will probably like him in this. I find him always to be the same.
#287
Posted: 3/24/14 at 7:57pm
Williams reads very young. She can't play it as worldly as Richardson, who looked more mature. I liked her more girlish take. She seemed somewhat tentative and vulnerable at times-testing her sexuality. She didn't have as many miles as Richardson's Sally.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
#288
Posted: 3/24/14 at 9:22pm
I know it's never mentioned in the show, but Sally's age is only 19.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#289
Posted: 3/24/14 at 10:10pm
I think Sally Bowles is rather like Hamlet- she can be played in a million different ways by a very diverse range and age of actresses and they can all be good- I think that's one of the reasons the last revival was able to successfully star cast the role as long as it did.
#291
Can anyone who has seen it tell me if the ending is the same as the London production?
Posted: 3/24/14 at 11:21pm
Can anyone who has seen it tell me if the ending is the same as the London production?
#292
Posted: 3/24/14 at 11:28pm
You mean the original Donmar production that was televised? The ending isn't exactly the same but more or less... Yes.
#293
Posted: 3/24/14 at 11:36pm
I think he/she means
*SPOILERS*
The recent ending when everyone is nude since they are about to die at the gas chambers
*END OF SPOILERS*
*SPOILERS*
The recent ending when everyone is nude since they are about to die at the gas chambers
*END OF SPOILERS*
#295
Posted: 3/24/14 at 11:47pm
Did they even strip people naked for the gas chambers? Is that actually documented or did they do that in the London production just to try and shock people?
#296
Posted: 3/24/14 at 11:54pm
I think there is some documentation that prisoners were stripped before being gassed because they were told they were being sent into the showers. But yeah that sounds like a shock value tactic. I saw a production of CABARET a couple years ago where at the end of the show they stripped the MC naked and put him in a coffin and nailed it shut -some of that attempts to shock at this musical have gotten really over-the-top. I'm waiting for the ending where they rape the gorilla suit.
#297
Posted: 3/25/14 at 12:07am
If Cabaret is set in 1931, isn't that a bit early for gas chambers?
#298
Posted: 3/25/14 at 12:26am
Think of it as foreshadowing the horrors that are going to befall all these characters who don't leave Berlin.
#299
Posted: 3/25/14 at 12:38am
"Did they even strip people naked for the gas chambers? Is that actually documented or did they do that in the London production just to try and shock people?"
The peak of gas chamber killings was reached at Treblinka, where 10 gas chambers were in simultaneous use. Here 2,500 people could be gassed within one hour. The victims were forced to enter the gas chambers naked and with raised arms so that the room could contain a maximum number of bodies. Babies were thrown on top of the crowd. This method was well-conceived, because the poison gas produced a quicker, deadlier effect if as little air as possible was in a chamber. Therefore the "ultimate" gas chambers were constructed to be as low as possible (about 2 m from floor to ceiling).
To avoid panic, a lot of Nazi gas chambers were camouflaged as bath rooms. Signs were installed, with inscriptions directing the victims toward their final place. In the gas chambers themselves, fake plumbing was added and fake showers installed in the ceilings. Even pieces of soap were handed out sometimes (at Auschwitz and Chelmno), before the victims entered the gas chambers.
The peak of gas chamber killings was reached at Treblinka, where 10 gas chambers were in simultaneous use. Here 2,500 people could be gassed within one hour. The victims were forced to enter the gas chambers naked and with raised arms so that the room could contain a maximum number of bodies. Babies were thrown on top of the crowd. This method was well-conceived, because the poison gas produced a quicker, deadlier effect if as little air as possible was in a chamber. Therefore the "ultimate" gas chambers were constructed to be as low as possible (about 2 m from floor to ceiling).
To avoid panic, a lot of Nazi gas chambers were camouflaged as bath rooms. Signs were installed, with inscriptions directing the victims toward their final place. In the gas chambers themselves, fake plumbing was added and fake showers installed in the ceilings. Even pieces of soap were handed out sometimes (at Auschwitz and Chelmno), before the victims entered the gas chambers.
#300
Posted: 3/25/14 at 12:39am
I don't recall the 1998 production showing anyone naked during the final tableau. I remember the cast appearing on the stairs and at the back of the stage as the incinerator noise increased in volume. The Emcee took off his robe, revealing the concentration camp costume. He then walked back and joined the rest of the cast as a cymbal crashed.
Is that what they're using now? What production used nudity in that scene?
Is that what they're using now? What production used nudity in that scene?
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