It's reasonable to be conflicted by what is happening onstage, as long as you don't bring all this unnecessary BWW baggage with you.
I tend to stay out of threads for shows I didn't see yet, unless I'm on the fence about going. If I already have a ticket sorted, I'll check in later and see where I line up with others.
I saw the second preview Saturday night and enjoyed the show very much from the mid mezzanine. I was my first exposure to Cabaret except for having seen the movie many moons ago. I loved Cumming's performance and thought he was all in. I especially appreciated when he wasn't front and center, and he was merely observing the goings-on from the upper level, half in shadows. I could feel something from him in those moments, I swear. I liked Michelle Williams too. The staging, lighting, and orchestra added up to a transporting show. After seeing it, I realized that the closer you are to the stage, the better (in my opinion). So if you're on the fence about where you want to sit, I encourage you to dip into your 401(k) for front mezzanine seats (if you can even get them). I think that's the perfect spot for this show.
Hard to imagine they wouldn't want Cumming to also appear. He is the bigger draw, no? I love Michelle Williams, but I don't think of her as a huge star... I've been known to be off on this front, though.
Williams reads very young. She can't play it as worldly as Richardson, who looked more mature. I liked her more girlish take. She seemed somewhat tentative and vulnerable at times-testing her sexuality. She didn't have as many miles as Richardson's Sally.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I think Sally Bowles is rather like Hamlet- she can be played in a million different ways by a very diverse range and age of actresses and they can all be good- I think that's one of the reasons the last revival was able to successfully star cast the role as long as it did.
Did they even strip people naked for the gas chambers? Is that actually documented or did they do that in the London production just to try and shock people?
I think there is some documentation that prisoners were stripped before being gassed because they were told they were being sent into the showers. But yeah that sounds like a shock value tactic. I saw a production of CABARET a couple years ago where at the end of the show they stripped the MC naked and put him in a coffin and nailed it shut -some of that attempts to shock at this musical have gotten really over-the-top. I'm waiting for the ending where they rape the gorilla suit.
"Did they even strip people naked for the gas chambers? Is that actually documented or did they do that in the London production just to try and shock people?"
The peak of gas chamber killings was reached at Treblinka, where 10 gas chambers were in simultaneous use. Here 2,500 people could be gassed within one hour. The victims were forced to enter the gas chambers naked and with raised arms so that the room could contain a maximum number of bodies. Babies were thrown on top of the crowd. This method was well-conceived, because the poison gas produced a quicker, deadlier effect if as little air as possible was in a chamber. Therefore the "ultimate" gas chambers were constructed to be as low as possible (about 2 m from floor to ceiling). To avoid panic, a lot of Nazi gas chambers were camouflaged as bath rooms. Signs were installed, with inscriptions directing the victims toward their final place. In the gas chambers themselves, fake plumbing was added and fake showers installed in the ceilings. Even pieces of soap were handed out sometimes (at Auschwitz and Chelmno), before the victims entered the gas chambers.
I don't recall the 1998 production showing anyone naked during the final tableau. I remember the cast appearing on the stairs and at the back of the stage as the incinerator noise increased in volume. The Emcee took off his robe, revealing the concentration camp costume. He then walked back and joined the rest of the cast as a cymbal crashed.
Is that what they're using now? What production used nudity in that scene?