I saw the show for the 8th time today, but it was actually my first time seeing it frozen after previews. And, wow, it’s developed and grown so much. It’s so much tighter, the book scenes are brisker, and gone are some of the pauses between dialogue or pauses for a laugh line.
There are some changes I’ve noticed since previews. Bobbie no longer flirts with and rejects a woman in “Another Hundred People,” the bit is now done with Terence Archie as a New Yorker.
I finally got to see the rain in “Marry Me A Little!” Katrina plays it with surprise and joy, and it worked perfectly.
Katrina now plays the club scene much drunker than I’ve ever seen her do before and it works. Her dialogue with Patti at the end of it is chilling, and it was the most intense interaction I’ve ever seen from them during that moment.
“Being Alive” sounds like it has been almost majorly re-orchestrated since previews. I believe the synth guitar that someone on here didn’t like isn’t being used anymore, it sounded like It was substituted with another instrument, and it’s a major improvement. I can confirm there is a key change for the solo portion of the song, the key is raised once Katrina gets on her knees after “want something” with Jamie. I think this higher key allows her to belt the final note fuller.
The performances have gotten even better. I feel and hope Doyle and Elder will both get Tony nominations. They are both doing such wonderful work, and their chemistry with Katrina has increased, especially the sexual chemistry between Elder and Katrina in the bedroom scene.
Patti is still miraculous. I love how she never repeats a performance, her interpretation is always evolving, and the little changes she makes really work. Sometimes Patti can ham it up after a show is opened, but she is still reigned in and so committed to the character.
Katrina just wow…. I know her performance is controversial, but this can’t be the performance the critics saw. She has made so many changes and improvements. She has heightened Bobbie’s anxiety and disorientation, and you can really sense her relief in the end when her friends are finally gone, she smiles, and finally blows out the candles, knowing what her decision is after “Being Alive.”
Her “Being Alive” is completely cathartic, played with anger, desperation, and tears, and YES she now belts the final note. The song received a strong ovation, I saw someone standing, and people wiping away tears from their eyes.
Katrina now sings the score with confidence. Even notes that used to be consistently pitchy have been corrected. She uses more force in her two big numbers, and I am so delighted to hear how her singing has grown.
This revival is so special, and it’s even more touching Sondheim’s passing. If you haven’t seen it, make sure you do so.