I wish I were, but I'm oh so looking forward to the reviews and reactions! I wish Broadway Records would record her Sally numbers and release an EP like they did with Nick Jonas for HOW TO SUCCEED... granted, he's a bigger name in the music industry, but I bet people would buy Emma Stone's versions.
Not tomorrow, but 11/21 with floor/table seats! I've never seen this show live before, and have always wanted to see Alan Cumming. When Emma signed on, it was a decision without question. Looking forward to everyone's opinions.
I hesitate to get carried away trying to sum up my thoughts on Emma Stone's performance and its transformative effect on the show as a whole, but that is exactly what I felt: carried away. It was an overall performance so electric from the very beginning, I suddenly understood what the first audiences of the original revival production (and, for that matter, the original-original production) must have felt.
The entire ensemble is exceptional. Alan Cumming is as vicious and ominous as ever, Linda Emond is still giving an absolute guy-punch of a performance, and Danny Burstein and Bill Heck continue to provide solid supporting work, if not incredibly exciting. But, my god, Emma Stone. Her Sally is deeply unstable, highly self-conscious, and frighteningly addicted to anything and anyone who can provide her respite from herself. She also oozes sex in a way that can only be described as Monroean. The result is a tragic portrait of a party girl without Daddy's money and nothing to lose - and it's horrifying and exhilarating to watch. Her "Cabaret" in particular was a stunner.
If you're a fan of hers, you will continue to be amazed at just how versatile and exciting an actress she is. If you're skeptical, make a trip to the show and see for yourself. It's a Broadway debut for the books by one of the best young talents working in film OR theatre.
That is wonderful to hear! Twitter seems to be contain many positive responses as well. I'm sure new energy and talent, such as Ms. Stone, will fuel the fire to this already stunning production. Glad to hear Sally Bowles' shoes seem to be filled properly.
I watched Christopher and His Kind today and I imagine that Emma Stone's Sally is similar to Imogen Potts' Jean Ross. But with a stronger voice.
I wish I could say that Emma was amazing, but for me she was a let down. Certainly not an embarrassing debut, but she suffers from the classic movie star issues. She doesn't project enough to fill the theater, and the orchestra constantly overwhelmed her. In the rear mezz she sadly was difficult to hear.
Her acting is excellent. I liked her take on Sally, a totally different one from Michelle. Her real problems right now lie in the title song in Act 2. Tonight her interpretation of the song was not good. In fact is was bad. Maybe it was nerves, but there was very little of it that was on pitch at all.
I do think that she will improve, but for me it left a lot to be desired. She does look absolutely stunning.
I will say that this show has really held up well in terms of long running cast members. Alan Cumming is still incredible, and Linda Eamond and Danny Burstein still completely steal the show.
I'd love to hear how Emma's doing in a month or so. I truly love her as an actress and want her to succeed. She's just not there yet.
I'm pretty sure white Michelle Williams is a reference to Orange is the New Black.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Was there tonight and think she's on her way to a wonderful performance. There were a few tiny first night jitters including one pause in "Cabaret" that lasted juuuust long enough to make my heart stop as I wondered if she forgot the next line. But that was a tiny moment. And in terms of finding the right timing in a few moments, that can only come with experience on front of an audience.
What I loved about what she did is that she brought a very distinctive take to Sally--there is an anger at the core of Stone's Sally, and an understanding that she will do whatever she needs to do to make it. She doesn't have the fragility that Williams brought to the role. It's distinctive, and her "Cabaret" and "Maybe This Time" were just so moving.
I think she's off to a tremendous start and imagine she'll be incredibly special as she settles in.
Anyone go to the stage door & take photos from after the show? I'm very much looking forward to seeing this again while she is playing Sally. Did they change the playbill cover for her or make any new merchandise?