Falsettos in London premiere controversy

Have not seen this discussed.

https://www.thejc.com/news/uk-news/artists-accuse-producers-of-jewface-for-casting-non-jewish-actors-in-open-letter-1.487641

and the Producer's response

https://www.thestage.co.uk/news/2019/producers-jewish-criticism-falsettos-casting/

Apparently Lapine and Finn were OK with the casting as referenced in the above link. I would think if they were OK.......and they are both Jewish.

So I guess in the re-casting, Whizzer would have to be a "half-Jewish" actor as he is depicted according to the script.

(And for what it is worth I am Jewish ---- and not the least bit perturbed by the casting as it is listed.)

Ok, oof. I have some very complicated feeling about it.

First let me say that I am a Jewish person.

Next, let me say that I am very familiar with (and in support of) of the discourse surrounding diverse and accurate representation in the arts. I understand and agree with the logic behind it, and I have spoken out in favor of it both on this board, and in my daily life.

The question of whether this applies to Jewish people is a complicated one. In general, I tend to think that it is ok for non-Jews to play Jewish characters. I certainly don't think it is anywhere near the same level of problematic as say, white people playing people of color, or cis actors playing trans characters. And on some level, I find myself a little bit irritated at my fellows Jews when they attempt to apply the same logic to us. When it comes to non-Jews portraying Jews, we do not have nearly the same weighty historical baggage as, for example, Black people have with Blackface. Nor are Jews a group that have historically been excluded from participating in the arts. We are not really harmed when Jews play non-Jews. So when people come out and say that it's problematic for non-Jews to portray Jews, it sometimes feels to me like a group of white people trying to gain sympathy and attention in this era of political correctness.

And yet, it's also not that simple. Because while I don't think being Jewish is the same as being a person of color - and most Jews in the US and the UK are, for all intents and purposes, white - it is also not quite accurate to simply look at it as a religion. In my Jewish studies class in college, the Jewish people were often referred to as an "entho-religious group." While Jewish people can be of any ethnicity, Judaism itself has also become a sort of ethnicity in its own, particularly in the US (not a RACE mind you, but an ethnicity - it's an important distinction). And to ignore that, and simply say "well, we don't know their religion, and we're not allowed to ask" is ignoring the Jewish history and culture that makes it resemble an ethnicity. It's a complicated case that is difficult to categorize in our modern world of labels. So while I'm fine with the producers' decision to cast non-Jews, I don't necessarily agree with the specific reason they presented in their rebuttal.

Also, while I don't think it's offensive for a non-Jew to play a Jew, I do sometimes find it distracting to see someone who just does not read as Jewish at all, and doesn't seem to understand the capture the cultural characteristics of the Jewish character. But that is just a question of making sure there are Jewish voices in the artistic process - whether it's the writers, the directors, etc - to help make it feel authentic.

Updated On: 8/25/19 at 01:06 AM

EllieRose2 said: "Eye rolling so hard at this controversy. Lapine and Finn cool with it? Then everyone else should chill."

Sadly, a day without outrage is simply not a good day for some folks. The idea that only Jews can play Jews is so ludicrous, just as it would be if only Catholics can play Catholics and only Mormons can play Mormons - what's next? Brits and Australians can't play Americans? Oops, there goes a lot of excellent performances. And around and around she goes, and where she stops, nobody knows.

JBroadway said: "Ok, oof. I have some very complicated feeling about it.

First let me say that I am a Jewish person.

Next, let me say thatI am very familiar with(and in supportof) of the discourse surrounding diverse and accurate representation in the arts. I understand and agree with the logic behind it, and I have spoken out in favor of it both on this board, and in my daily life.

The question of whether this applies to Jewish people is a complicated one. In general, I tend to think that it is ok for non-Jews to play Jewish characters. I certainly don't think it is anywhere near the same level of problematic as say, white people playing people of color, or cis actors playing trans characters. And on some level, I find myself a little bit irritated at my fellows Jews when they attempt to apply the same logic to us.When it comes to non-Jews portraying Jews, we do not have nearly the same weighty historical baggage as, for example, Black people have with Blackface. Nor are Jews a group that havehistorically been excluded from participating in the arts. We are not really harmed when Jews play non-Jews. So when peoplecome out and say that it'sproblematic for non-Jews to portray Jews, it sometimes feels to me like a group of white people trying to gain sympathy and attention in this era of political correctness.

And yet, it's also not that simple. Because while I don't think being Jewish is the same as being a person of color - and most Jews in the US and the UK are, for all intents and purposes, white - it is also not quite accurate to simply look at it as a religion. In my Jewish studies class in college, the Jewish people were often referred to as an "entho-religious group." While Jewish people can be of any ethnicity, Judaism itself has also become a sort of ethnicity in its own, particularly in the US (not a RACE mind you, but an ethnicity - it's an important distinction). And to ignore that, and simply say "well, we don't know their religion, and we're not allowed to ask" is ignoring the Jewish history and culture that makes it resemble an ethnicity. It's a complicated case that is difficult to categorize in our modern world of labels. So while I'm finewith the producers' decision to cast non-Jews, I don't necessarily agree with the specific reason they presented in their rebuttal.

Also, while I don't think it's offensive for a non-Jew to play a Jew, I do sometimesfind it distracting to see someone who just does not read as Jewish at all, and doesn't seem to understand the capture thecultural characteristics of the Jewish character. But that is just a question of making sure there are Jewish voices in the artistic process - whether it's the writers, the directors, etc - to help make it feel authentic.
"

I agree with most of what you say here, however, the question I have is this: ARE Jews as equally involved with the arts in Europe /the UK as we are here? (I dont know)



I've always thought anti-semitism was much greater there as well. So, perhaps, its not fair for us to judge.

Well, Finn did choose to open the show with "Four Jews in a Room Bitching", so who, exactly, is trading in negative Jewish stereotypes? (For the record, I love the opening and the show is my second favorite of all time, after FOLLIES. And, yes, I am a white, anglo-gaelic, Protestant as far back as we have records (16th century)).

Judaism cannot fairly be compared to Christian denominations for historical reasons, no more than white can be compared to black. But I really don't think "Jewface" has been a thing since the 1800s in the US, unless one counts Jews themselves doing Yiddish humor; I don't know for how long in England. The characters in FALSETTOS are rather highly assimilated, so the opportunities in the script for stereotyping are very limited, even considering the bar mitzvah in Act II.

dramamama611 said: "I agree with most of what you say here, however, the question I have is this: ARE Jews as equally involved with the arts in Europe /the UK as we are here? (I dont know)
I've always thought anti-semitism was much greater there as well. So, perhaps, its not fair for us to judge."



That's an interesting point that I hadn't really considered. During my travels around Europe, I often sought out synagogues and Jewish neighborhoods, and one thing that I learned is that many of these synagogues are under-attended, because Jewish populations remain small due to the residual effects of the Holocaust. I don't know if the same is true of London, or of the arts in London specifically, but I wouldn't be surprised. But again, that wouldn't necessarily be an issue of systemic exclusion from the arts, so much as a side-effect of a low population. But I may be wrong. I guess the question is: are the Jewish actors in London finding it difficult to get roles? I would guess not, but maybe I'm underestimating the latent anti-semitism in the UK.

Nvm

Updated On: 8/25/19 at 12:43 PM

It reminds me of the argument Harvey Fierstein had with the other creators of La Cage over casting a straight actor, George Hearn, as Albin because, whatever the actor's talents, he hasn't had the experience of a life of oppression and the anger built up as a result. Hearn won the Tony for his portrayal, but when later a gay actor took over the role, the other creators acknowledged Fierstein was right--it did play more authentically because of the lived experience.

It would be silly to make actors check boxes as to whether they are the nationality/sexuality/religious upbringing of the characters they play, but someone with the experience of the character can create a richer experience. I can't really blame the actors who signed the petition--it's easy not to care when the issue doesn't effect you and dismiss what upsets others because you are unfazed, and I don't want to fall into that--but I think you cast who gives the best audition, not a checklist of how the role they play coincides with their off-stage life.

joevitus said: "It reminds me of the argument Harvey Fierstein had with the other creators of LaCage over casting a straight actor, George Hearn, as Albin because, whatever the actor's talents, he hasn't had the experience of a life of oppression and the anger built up as a result. Hearn won the Tony for his portrayal, but when later a gay actor took over the role, the other creators acknowledged Fierstein was right--it did play more authentically because of the lived experience.

It would be silly to make actors check boxes as to whether they are the nationality/sexuality/religious upbringing of the characters they play, but someone with the experience of the character can create a richer experience. I can't really blame the actors who signed the petition--it's easy not to care when the issue doesn't effect you and dismiss what upsets others because you are unfazed, and I don't want to fall into that--but I think you cast who gives the best audition, not a checklist of how the role they play coincides withtheir off-stage life."

I didn't know that. This reminds me of casting a straight actor to play one of the leads at the up and coming Broadway play The Inheritance. As a gay man in my 30s, I wished the creatives had cast an openly gay actor to play the lead role of Eric Glass since I think he'd provide a richer experience especially given the themes of the play.

But back to the topic, I agree with you that whoever gave the best audition should get the role.

jimmycurry01 said: "What ever happened to acting? You know, where people are hired to portray people who are not themselves? Are we really to the point where we have to hire Catholics to portray Catholics, and Jews as Jews. Are we really going so far as to insist that actors' religious beliefs have to match the characters that play? Furthermore, how would a casting director know? I don't make a habit of discussing my religious beliefs with anyone, least of all when trying to get a job.

Does this mean that Jewish people can no longer portray people of other religions? At a certain point, you need to be careful about what you ask for, because once a precedent is set, it's hard to go back.

I understand the need to cast a specific race when the script specifically calls for it, and that is because it is something the audience can physically see; otherwise, I am in favor of complete colorblind casting on stage.

This feels like it is beginning to get a bit out of hand. "



I get the sense you haven’t read the other posts in this thread...

Someone in a Tree2 said: "As a Jewish theatergoer, I’m surprised no-one’s brought up Alfred Molina’s woeful miscasting as Tevye in the revival of Fiddler from the early aughts. His innate goyishness combined with the director’s own resulted in a FIDDLER that seemed for all the world like a Chekhov play about generic Russian peasants. Any production of Falsettos would do well to heed that cautionary tale."

Interestingly enough, Fierstein (who later played Tevye in that production) liked both that version of the show and, I believe, Molina's performance. He talks about why he liked that production on an episode of Theater Talk (recorded after he'd joined the show).

Updated On: 8/26/19 at 07:54 PM

Wick3 said: "joevitus said: "It reminds me of the argument Harvey Fierstein had with the other creators of LaCage over casting a straight actor, George Hearn, as Albin because, whatever the actor's talents, he hasn't had the experience of a life of oppression and the anger built up as a result. Hearn won the Tony for his portrayal, but when later a gay actor took over the role, the other creators acknowledged Fierstein was right--it did play more authentically because of the lived experience.

It would be silly to make actors check boxes as to whether they are the nationality/sexuality/religious upbringing of the characters they play, but someone with the experience of the character can create a richer experience. I can't really blame the actors who signed the petition--it's easy not to care when the issue doesn't effect you and dismiss what upsets others because you are unfazed, and I don't want to fall into that--but I think you cast who gives the best audition, not a checklist of how the role they play coincides withtheir off-stage life."

I didn't know that. This reminds me of casting a straight actor to play one of the leads at the up and coming Broadway play The Inheritance. As a gay man in my 30s, I wished the creatives hadcast an openly gay actor to play the lead role of Eric Glass since I think he'd provide a richer experience especially given thethemes of the play.

But back to the topic, I agree with you that whoever gave the best audition should get the role."

Thank you, I really appreciate that!