I think in a year with so few original scores, they'd want to nominate at least one of them for Best Musical, and although I haven't seen it, I can't imagine Addams Family not being better than Memphis in every aspect. I didn't HATE Memphis, but it was so mediocre that I don't really see it as Best Musical material, while Addams seems more that speed.
And as for Fela!, I did enjoy it, but I'm not entirely comfortable with calling it a Musical because all of the songs, except for the dream sequence near the end, are straight out performance numbers. With a musical I want a few more book songs, and Fela! doesn't deliver on that front.
Indeed, FELA! is not even a musical I thought. More like a play with songs...and a bad one for sure!
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
I think the Fela! will be lucky to be nominated. The fourth(and final) spot is tricky, but I feel the three locks are: Addams Family, American Idiot & Memphis.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I don't think Addams Family can be considered a lock until after it opens. It could still go the 9 to 5/Legally Blonde route of getting several nominations in major categories but being shut out of the big prize. That will also depend on the reception (critical and popular) of Million Dollar Quartet and Sondheim on Sondheim.
Fela is certainly getting nominated. At this point (obviously there are still some I haven't seen), I really have a hard time seeing anything else win (including AI).
i love how so many people on this board say that AI is a lock to win and its amazing and I would be hard-pressed to find 10 people on this board who have actually seen the show. Speculation is not a strong point among insufficient facts.
Fela's a musical? Could have fooled me. -------- Indeed, FELA! is not even a musical I thought. More like a play with songs...and a bad one for sure! -------- And as for Fela!, I did enjoy it, but I'm not entirely comfortable with calling it a Musical because all of the songs, except for the dream sequence near the end, are straight out performance numbers. With a musical I want a few more book songs, and Fela! doesn't deliver on that front.
I always thought of Ain't Misbehavin' as more of a revue than a concert. Still, I see your point tf4.
There have lots of successful (and lots of unsuccessful) revues on bway:
Swinging On A Star Swing Play On! Black And Blue Five Guys Names Moe A Grand Night For Singing Blues In The Night Jerry's Girls Side by Side By Sondheim Putting It Together The seven "New Faces" shows
i find this thread hilarious. it's a perfect example of how some purists & fanatics can't except any different types of music and narrative on a broadway stage.
god forbid broadway evolve and experiment...
"the stage too must experiment - with ideas, with the psychological relationship of men and women, with speech and rhythm forms, with dance and movement, with color and light - or it must and should become a museum product. in an age of terrific implications as to wealth and poverty, as to the function of government, as to peace and war, as to the relation of the artist to all these forces, the theatre must grow up. the theatre must become conscious of the implications of the changing social order, or the changing social older will ignore, and rightly, the implications of the theatre." - hallie flanagan, director of the federal theatre project
*blame e.e. mings*
Play On was actually a jukebox musical using an adaptation of Shakespeare's Twelfth Night set in Harlem in the 1940s with the songs of Duke Ellington.
Speaking of Duke Ellington, you forgot Sophisticated Ladies, another revue starring Gregory Hines nominated for 8 Tonys and winning two (Featured Actor for Hinton Battle and costumes). And Broadway's longest-running catalog revue, Smokey Joe's Cafe. That was a show nobody expected to run for nearly 5 years.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
But what most confuses me is how people are decrying that Fela "isn't a musical" or whatever, and then saying that they hope Sondheim on Sondheim gets nominated.
talkinload: hahaha, yep, that's how it goes. sadly, it will NEVER makes sense. just do your best to rise above.
"the stage too must experiment - with ideas, with the psychological relationship of men and women, with speech and rhythm forms, with dance and movement, with color and light - or it must and should become a museum product. in an age of terrific implications as to wealth and poverty, as to the function of government, as to peace and war, as to the relation of the artist to all these forces, the theatre must grow up. the theatre must become conscious of the implications of the changing social order, or the changing social older will ignore, and rightly, the implications of the theatre." - hallie flanagan, director of the federal theatre project
*blame e.e. mings*
I agree. So many people think American Idiot is a lock to win the Tony, and how many people on this website have seen the show?
Shows Seen - Swing!**, Rent (Broadway)**, The Lion King***, Wicked*****, Legally Blonde***, Chicago****, Cats***, Fiddler on the Roof***, Burn the Floor**, In the Heights***, Hair*****, A Christmas Story**, Rock of Ages***, Vanities*, Billy Elliot****, Next to Normal*****, 9 to 5**, Mary Poppins***, Guys and Dolls***, Aladdin***, Les Miserables*****
The nomination process hasn't changed, so they will still nominate less commercial. The prospects of them winning, though, is unlikely.
And FELA will be nominated, no question. It's a critically acclaimed show that unique, though polarizing, and needs the national TV coverage. It will be nominated.
If this wins the Tony's will lose what little credibility they have left for me. Ugh, that would be worse than Gavin Creel's loss to the Billy Elliot boys.