I want to give Jordan Catalano a tounge bath for his description of THE PRODUCERS. And I love old-time vaudeville shtick.
I have a very odd sense of humor and the majority of the comedies (or musical comedies) today I am at best only mildly amused by. Some that come to mind are THE LITTLE DOG LAUGHED, GOD OF CARNAGE, ALLERGISTS' WIFE and SPELLING BEE (I love William Finn, but thought this show unendurable).
A special case is ENTER LAUGHING at the York last season. It was supposed to be this tuneful funny show, yet aside from the terrific Josh Grisetti, I thought the show deadly. Grisetti's character was supposed to be this adorable Jewish noodnick who wants to be an actor and puts the sucessful make on a number of beautiful women. But as written, the character came across as a slimy and smugly obnoxious creep. I kept hoping that one girl on the recieving end of his leers would have kicked him in the balls. The score is known for "The Butler's Song" an -oh-so-naughty catalogue of sexual references to 1930s Female stars that if you hear it once, it's cute. Hearing it again, it's stale.
"Hurry up and get into your conga clothes - we've got to do something to save this show!"
Updated On: 8/4/09 at 05:08 PM