Just as an FYI: It seems like the Box Office has been holding pretty strictly to its "seating locations will be at the discretion of the box office" policy for rush. While some on this board have apparently been successful at requesting mezzanine seats for rush (and even a couple of weeks ago the box office was kind enough to explain to me which rush seats remained and where they were), they were pretty nasty to me and others yesterday for even asking about seating locations. I was warned about it by people in front of me on line who've rushed before, but it wasn't until I got to the box office attendant that I experienced just how rude they actually were. When I asked whether certain sections were available, the attendant kept interrupting me with loud "NO"s and talking over me (without even looking at me) saying "this is what we have available". When I asked another clarifying question, the attendant gave me an exasperated stare and stated plainly, "This is what we have available. Do you want it or not?"
All that to say, your mileage WILL vary with with rush ticket seating (people near the front of the rush line got the two seats at Table L!). I got Orchestra B14, which is the front row of the orchestra section, all the way to the right. Much of my view was blocked by those at table and tavern seats (not to mention the mezzanine staircase blocking the entire upstage left stairwell). I probably saw about 70% of the show clearly; I probably understood about 55% of the show clearly (the sound in the front right orchestra is downright awful; the people behind me, who also got rush, were very vocal in their complaints about the sound). At intermission, I wanted to find an upstairs usher to see if there was ANY open mezzanine seat I could take for Act II, but the bathroom lines, people coming down the stairs, and hawkish downstairs ushers kept me from even being able to get upstairs. Thankfully, a couple at the table in front of me didn't come back after intermission so I could see a bit better during Act II. Needless to say, my neck hurt really bad after the show with all the craning I had to do.
Further back in the orchestra (heck, even two seats to the left) would have been significantly better in terms of sight lines. I agree with others on this thread that mezzanine is ideal for seeing the collective action of the show.
Updated On: 6/18/17 at 07:49 PM