The Broadway production of “Harry Potter and the Cursed Child” has recouped its initial capitalization, Broadway News has learned.
According to a spokesperson for the production, the play made back its Broadway investment “late last year (2022).” The representative continued, “The formerly two-part play returned as a single play after the shutdown and has become one of the great post-pandemic success stories on Broadway.”
“Harry Potter and the Cursed Child” will celebrate its fifth anniversary on April 22 and will begin a previously announced series of celebratory events on April 19.
The play opened in its original two-part version on April 22, 2018. Following the pandemic-induced shutdown, the play resumed as one part on Nov. 12, 2021, ahead of an official reopening on Dec. 7. The production won six 2018 Tony Awards, including Best Play.
Written by Jack Thorne and directed by John Tiffany, “Harry Potter and the Cursed Child” is produced on Broadway by Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions.
I'm guessing this is of the original £35 million capitalisation cost and not the additional £30 million or so someone (else?) paid to evict + reconfigure the theatre?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
binau said: "I'm guessing this is of the original £35 million capitalisation cost and not the additional £30 million or so someone (else?) paid to evict + reconfigure the theatre?"
Wondering the same thing, I was surprised to read this recouped.
binau said: "I'm guessing this is of the original £35 million capitalisation cost and not the additional £30 million or so someone (else?) paid to evict + reconfigure the theatre?"
Yes it would be the reported $65M capitalization, but likely does not include all of the renovation costs as I've been told a signifgant amount of those were paid for out of pocket by the ATG. I also have to assume this includes any additional investments made over the pandemic to restructure the show into a single part. The question is how much did that cost, but its clear it was worth that additional investment.
This makes it the most expensive show on Broadway to every turn a profit, and being the 2nd most expensive show in Broadway history costing nearly double what the 3rd most expensive production cost that is not small feat.
Holy damn. Especially with the pandemic, this is a feat that is most impressive, regardless of my feelings about the show itself. (I’m not a huge Potter fan and saw the original two-parter to say I saw it)
Check out my eBay page for sales on Playbills!!
www.ebay.com/usr/missvirginiahamm
bdn223 said: "binau said: "I'm guessing this is of the original £35 million capitalisation cost and not the additional £30 million or so someone (else?) paid to evict + reconfigure the theatre?"
Yes it would be the reported $65M capitalization, but likely does not include all of the renovation costs as I've been told a signifgant amount of those were paid for out of pocket by the ATG. I also have to assume this includes any additional investments made over the pandemic to restructure the show into a single part. The question is how much did that cost, but its clear it was worth that additional investment.
This makes it the most expensive show on Broadway to every turn a profit, and being the 2nd most expensive show in Broadway history costing nearly double what the 3rd most expensive production cost that is not small feat."
Well said. Notable and commendable all around.
CURSED CHILD is such a great vehicle for beautiful stagecraft, it's a shame that script got in the way
As far as I know, the only shows recoup on Broadway since theatres reopened are:
- Six
- Music Man
- Lehman Trilogy
- MJ should be close to it, or might have already recouped
Jonathan Cohen said: "Apparently, Cursed Child had a big enough year internationally that JK Rowling got paid a$10.5M dividend."
I'm not surprised. I just did a research project on Sonia Friedman and learned that the “underlying rights owner, licensor and their affiliates” for the Broadway production (which includes Joanne) got 31% of the profits initially and 41% "as the show moves deeper into profitability" and she's also one of the three producers, so she gets a cut of the profits that way too. I'm sure it's a similar arrangement for the other productions.
Was taking a look at some recent SEC filings and found the Harry Potter tour was being capitalized at $23.5 million! Is this the most expensive budget for a tour?
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement