My husband and I finally saw this on Sunday. We purchased our tickets some time ago and paid full premium price ($299 per person, per part) for orchestra row F, seats 2 and 4, directly on the center aisle.
This show is extraordinary. It takes off a bit slowly, but by the first intermission we were fully engaged. We loved how the story introduced new characters, but wove in lots of familiar elements from the preceding books/films and brought them all together to create another great chapter in the Harry Potter saga.
Some have asked how accessible the show is for individuals who have no prior experience with Ms. Rowling's work. Given how strong the accents are, the brisk (and sometimes shouted) delivery of some dialog, and the inclusion of numerous plot elements from preceding works, we felt that the uninitiated might struggle to keep up. YMMV.
We never imagined ever having feelings like affection and empathy for a member of the Malfoy family, but Anthony Boyle stole both the show and our hearts as Scorpius.
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The strong and highly emotional focus on the relationship between Scorpius and Albus did, as others have noted, include romantic overtones. Count us among those who felt somewhat cheated that this aspect of the relationship was not fully embraced in the end.
The main stage elements are relatively simplistic, but they are shifted and reconfigured to great affect. The "magic" ranges from clever to mind-blowing; the end of Part 1 was without a doubt the most surreal, eerie experience I've ever had in a Broadway theatre (I'm glad we saw both parts on the same day, because having to wait so long to see where it goes from there would've been unbearable).
The location of our seats was great, but we had the misfortune to find ourselves directly behind two guys who were both more than six feet tall. This required near-continuous leaning from side to side to see around their heads, which was very frustrating, given what we paid. This was the fault of a design flaw; the rake of the orchestra is minimal for the first 6-8 rows and the seats are directly behind one another (there is no offset).
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It was, however, cool to be right on the aisle when He Who Must Not Be Named made his exit from the stage.
Both my husband and I would like to see it again from a bit further back, maybe even from the front of the Dress Circle.
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We expect that the "magic" might be even more magical, and the effects that encompass the house (as opposed to being limited to the stage itself) would be easier to take in. We did a lot of twisting and turning to see what was going on behind us.
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"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage
Updated On: 7/26/18 at 02:53 PM