He's sharp in places and the Bb isn't perfect--but considering the fact that many tenors don't even attempt the Bb when singing this aria, I'm willing to cut him some slack. I've heard it sung much worse. Alagna made comments about La Scala prior to the
prima and I've always believed that much of the boos coming from the loggione were in response to that, in addition to the imprecise singing.
There has always been something a little too perfect/star-is-born about the understudy being thrown on in jeans. To begin, Palombi wasn't even Alagna's official understudy; his official understudy, Walter Fraccaro, was not only backstage but in costume (because Alagna hadn't sung well at the first performance and it was assumed he might cancel). Palombi said that he was "thrown on stage," whereas people who were backstage that night claim that he not only wasn't, but that he pushed his way out on stage as Fraccaro was preparing to make his entrance in order to replace Alagna. I've always wondered if there was some connection between Palombi and the booing, but that's just the conspiracy theorist in me.
In short, having heard the performance many times, I don't think it warranted the reaction it received. In fact, I think I've only seen one opera where a performance was so tragic that the booing seemed justified. And when Alagna sang Radames at the Met the following year, he was spectacular.
Just my $0.02
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Updated On: 8/7/11 at 01:17 PM