"Honeymoon in Vegas" Preview Thread — Page 15

Saw the show tonight with a sold-out crowd. (Or at least close-to sold-out)

The audience was eating it up. At least everyone around me seemed to chuckle or laugh a few times and the orchestra got thunderous applause. The show is def. not without its flaws, but it's an enjoyable time.

There are two major problems I found: The show feels/looks like a regional show. The three main leads were all fine, even great in some cases, but their vocals were just lackluster or unexciting. I couldn't help but wonder what someone like Norbert Leo Butz and Sherie Rene Scott would have done with those roles back in the day. Rob was the best of the 3, but his vocals left me a little underwhelmed, I felt like the orchestra drowned him out most of the time.

The second problem is Tony Danza. By all means he's not horrible, but he sings a lot of ballads and his vocals are....tricky. He's shaky and you can feel the strain in his voice. I wish they had cast someone like Brian Stokes Mitchell. This suave guy with a silky voice. And his tap moment felt totally superfluous.

The score is pretty consistent. I really liked Jack/Betsy's songs the best. I think the first 20mins of the show are just really, really great. The opening song is pure Jason Robert Brown Last 5 Years. It's great. The mother's song is hilarious and Nancy Opel kills it. It's funny, surprising, entertaining. It's great. I can she'd choose this over On the Town. She stands out for sure. And then Betsy's song is pretty great. I just with her vocals had been up to par.

End the end it's not a bad show. I just can see why it's having a hard time catching on. The physical production looks kind of cheap. The direction is fine if a little underwhelming. The score is great but feels a little padded. Do we need a 5 min. singing elvis song?

I wish the show had been re-cast for Broadway. It could really use some vocal powerhouses in there or something.

I totally agree about Rob. I thought he was really winning. I just wanted him to be stronger vocally, but all together I thought he gave a really great performance. He had the audience with him at every step, which is why I think more of the show should have been given to him instead of Tony's character. I'm not even sure why that character had so many musical moments? I mean the real conflict is between Rob and Bryn. Why aren't they the ones singing?

And I'm 6'2" and I didn't really have any problems in the mezz! But I was on the aisle, so can't complain! Thanks rush lol.

paphillyguy - I second that about the front row of the Mezz. Totally obstructed view. I sat there last Friday night, and everything downstage was obstructed, and unfortunately, a great deal of the show is - downstage. The rail blocked my view so I had to lean way forward (blocking the rows behind me, I'm sure) or try to sink low in my seat to look under the rail. Even removing the rail would only partially fix the problem, as the extended stage comes out into the audience too far. I don't know how much of the Mezz is affected, but definitely steer clear of row AA!

I hope it closes. I hate Jason Robert Brown.

"I hope it closes. I hate Jason Robert Brown."

How mature of you.

JoseLee

I'm sure that's based on a performance you attended of this particular show.

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Saw the show on Saturday night. A pleasant evening, didn't love it, didn't hate it, happy when it was over. I thought Rob was terrific and the highlight of the evening. Danza I thought was playing Danza (until the end when his true colors come out). As for "Betsy", I thought she was good, had a pleasant singing voice, but thought she looked awful. She is such an attractive woman, especially in the ad photos for the show, but thought her heavy makeup and blonde wig were awful. Could've been two different women.

As for JRB, he was wandering around the theatre (orchestra and mezz) at intermission and went down to the front row to listen to the orchestra play out. He did this at the last show of Bridges as well. He looked awful - like he hasn't slept in weeks. But he was very friendly, stopped to take pictures and talk to everyone.

Oh, and Marsha Mason was at Saturday's show.

Updated On: 1/14/15 at 01:29 PM

I sat in the first row of the mezzanine for this show a couple of weeks ago, and the railing didn't really bother me (and I tend to get annoyed by stuff like that). Yes, it was in the way occasionally, but I was able to look over it (and under it, on one occasion) fairly easily. (I'm of average height, five foot six.)

I sat in the front row, dead center seat of the orchestra via TDF before Christmas! The stage is very thrusted, but it's not everyday you get to sit front row for $45, so I can't complain!

@JoseLee_ HATERS BACK OFF!

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Well, I went to the opening night of Mary Tyler Moore in WHOSE LIFE IS IT, ANYWAY?, via the TKTS booth, landing 4th row center mezz, an hour before curtain, and that was Mary Tyler Moore, TV legend. (I suppose one might make a case for Danza being comparable, but to me it's a stretch.) The show needs reviews and buzz. The lack of genuine buzz is the biggest single problem. It seems entirely ... missable. On the other hand, shows around it are closing every week. By the end of January, things are decidedly even bleaker. For theatergoers/out-of-towners looking for a show that sounds like a sure thing -- a good time will be had by all -- this show could still suggest the winning ticket.

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Updated On: 1/14/15 at 12:21 PM

Saw it last night and really enjoyed it. There were a few things that didn't work for me (like the cancer song some have mentioned), but left feeling great and was highly entertained for most it. Found Rob and Brynn to be very talented (especially Rob), and Tony Danza fit in seamlessly and sounded great (even if he did do Tony Danza-shtick). Some really fun songs and moments!

There was a set piece malfunction during act 1, but they didn't stop the action. Also incorporated an actress picking up a broken-off part nicely. For their sake, hope it doesn't happen during opening night though.

The mez was only about 2/3 full. Not sure about the orchestra. And some awful theatre behavior in the mez were a whole family left during act 1, and returned to their seats 5 minutes later with beers in hand! Then got into a fight during intermission.

I saw it last night and was taken with just how different the JRB music was on the heels of Bridges. It was a fun time, but a tricky sell. I mean, it is pretty faithful to the source material, but the source material is so wacky to begin with I was surprised when I watched it last month just how nutty it was. I was surprised by how much I enjoyed seeing Danza up there singing and tapping.

I do think it is a fun, goofy show that is easy to follow with pleasant songs. If they had followed the film's conceit of Elvis covers, they might have found the next Mamma Mia, but even with the accessible JRB stuff with the smoking-hot band sort of makes that a harder selling point. I mean, Mamma Mia without ABBA would be closed long ago...

The Hawaii stuff does seem forced, as far as keeping Rob on the island but unable to get to Danza's place, whereas there was a confrontation in Hawaii in the movie. Anytime they took a different path than the movie, it didn't work (aside from trying to temper the misogyny in the piece by having her decide to return to Vegas and marry Danza).

I'm also confused by the part they changed on Rob's flight home to Vegas. In the movie, he can only get to San Jose, and the Flying Elvises are leaving from San Jose to jump in Vegas. I realize they didn't want to have a second airport set, but there should have been a fun way to reuse the same set, like just having the airport sign "Welcome to Hawaii" turn around to "Welcome to San Jose" or somesuch. It would make more sense than sky divers taking a nearly 6-hour flight to do a jump. I know I shouldn't be bothered by such niggling details, but what can I say, I notice them.

Plus, it was silly why they wouldn't let him on a commercial flight because they were scared of Danza, when they could have sorted that out more easily giving him a private jet. Again, just some weird choices.

"There was a set piece malfunction during act 1, but they didn't stop the action."

Danza was giving the set and the crew working on that set piece a bit of side-eye during his song, like "Are we all good over there?"

"since it partly takes place in vegas-could have used a splashy musical number."

They had the lounge singer and the show girls doing "When You Say Vegas," but since a Vegas number in most people's minds would mean 40 showgirls, etc., a scaled down version would just look even worse. You can throw a few female ensemble members into Flying Elvis suits, but none of those hot dancing boys would pass as well as chorus girls.