Dirty Rotten Scoundrel said: "As others have mentioned - why have they not been all over TikTok? I just checked their account - they’ve got maybe ten videos and just shy of 2500 followers. Just as an example, BTS (who, granted, are one of the biggest bands in the world), have 54 million followers on TikTok - and I am sure some of those 54 million followers are in the NYC area. There’s an audience there. They don’t seem to be making an effort to find it - and I am wondering if that tells us all we need to know, which is that they’re planning on it closing and don’t want to invest the money to market it."
How much can it possibly cost to film TikToks, even if you pay the cast for their time? It's a minor point since I don't think they're doing enough to market the show, but I wonder if SEO is hurting them.
VintageSnarker said: "Dirty Rotten Scoundrel said: "As others have mentioned - why have they not been all over TikTok? I just checked their account - they’ve got maybe ten videos and just shy of 2500 followers. Just as an example, BTS (who, granted, are one of the biggest bands in the world), have 54 million followers on TikTok - and I am sure some of those 54 million followers are in the NYC area. There’s an audience there. They don’t seem to be making an effort to find it - and I am wondering if that tells us all we need to know, which is that they’re planning on it closing and don’t want to invest the money to market it."
How much can it possibly cost to film TikToks, even if you pay the cast for their time? It's a minor point since I don't think they're doing enough to market the show, but I wonder if SEO is hurting them.
"
Or, more specifically, do the producers (or the marketing agency) even know what SEO is? I've found that internet marketing for major/NYC productions can be very hit-or-miss. And while I understand that a serious agency isn't going to be totally incompetent when it comes to digital advertising, what the producers want, or believe to be important, can be outdated to what really matters.
Show started at about 8:30 tonight, they didn’t open the doors until 8. Every single swing was on and this was the listing on the board:
Amy Keum was MwE
Patrick Park was Brad
Lina Rose Lee was Ivy
Marina Kondo was Sonoma
Timothy H. Lee was Wooyeon
Jason Depinto was Camera Operator
Director Teddy Bergman made a speech prior to the start thanking us for our patience as they were figuring things out with all of the coverage. He mentioned that some of the on-screen videos would not match up to the person playing the role tonight and that some might have a script in hand (only happened once and it was during a rehearsal scene so it blended right in). They were apparently sold out tonight and also had some people in standing room. I had a great time, it was a special performance for sure.
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
Oh wow! Kudos to the swings last night!!! I went with friends on Thursday evening Nov 10th and the show started at around 8:20pm. At 8:10pm they made an announcement that there were tech difficulties and hence the delay in starting. Both Luna and Zachary Noah Piser were there so I hope both are ok since they were out last night.
Timothy Lee made his Broadway debut as camera operator and he was great! So happy for him!
Right when F8 was about to start “Amerika” they stopped the show for a tech issue. I’m glad no one got hurt and they were able to continue. Despite the hiccups my friends and I had a great time!!!
Loved MwE’s finale song “Phoenix” and really cool to see more audience members getting into the finale songs. Even saw a few people give standing ovation for Luna/MwE!
I’ll admit seeing excited and respectful audience members can be infectious and makes the experience of seeing this show even better.
According to Abraham Lim’s Instagram story, tonight’s performance was cancelled, though they are still scheduled to play tomorrow afternoon. No reason was given but there were a lot of swings on the last few nights.
I think this is their third or fourth cancelled preview now. Yikes!
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Odd that they only cancelled the evening show last night and not the matinee. This show is gone I. Two weeks anyways.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I think this is some really unfortunate timing. It’s really hard to open a show right now, with lack of both coverage and rehearsal. No one really talks about how hard it is to keep shows going with people getting sick, but we saw so much cancellation a year ago when covid breakouts were happening. In such a tight, intricate production like this, it’s unsafe to just throw people on without rehearsal. It’s also really unfortunate that these people are probably being overworked because of the preview process itself. It’s unfortunate about it being this show that’s already struggling, but I think it’s a bigger conversation that we haven’t really done anything about over the last year.
HeyMrMusic said: "I think this is some really unfortunate timing. It’s really hard to open a show right now, with lack of both coverage and rehearsal. No one really talks about how hard it is to keep shows going with people getting sick, but we saw so much cancellation a year ago when covid breakouts were happening. In such a tight, intricate production like this, it’s unsafe to just throw people on without rehearsal. It’s also really unfortunate that these people are probably being overworked because of the preview process itself. It’s unfortunate about it being this show that’s already struggling, but I think it’s a bigger conversation that we haven’t really done anything about over the last year."
100% agree. This is going to continue to be a problem for all Broadway shows moving forward, but especially those with bigger casts. We kinda transitioned to a "figure it out on your own" approach to covid nationwide, and it's going to be something that continues to plague (no pun intended) an already struggling industry moving forward.
It's not just COVID that's going around right now either, it's regular ol' cold and flu season and everybody's immune systems are weird from various stages of lockdown/mask wearing. Everyone is in close quarters backstage and stuff is going around really rapidly no matter what we do.
Yeah, it’s various states of under-the-weather, and it’s probably a good thing that people call out when they’re feeling sick and not just powering through and continuing the spread. But also, that means more and more people are calling out when they wouldn’t have in the past.
Korean Pop music is hugely popular worldwide but it just doesn't translate to Broadway I guess. I can't imagine working on something and busting my ass for years, only to have it close so quickly. I hope it's not the case, obviously, but the grosses are some of the lowest I've ever seen around here. Truly unfortunate all around.