Last fall, I wanted to find out more about the creation and production of Broadway shows. After completing a simple search in hopes of finding a few books or websites to guide my curiosity, I was presented with Ken's conference that was a few weeks away. On a gut feeling, I decided that hearing from experts in the field would be an interesting way to perhaps answer my questions. (I have attended other workshops or have taken courses in a variety of fields in a similar way. Several years ago, I even took a weekend course on sustainable farming because I wanted to know more about food production.)
The conference I attended last November was a life-changing experience in many ways. Ken Davenport was the organizer, but he only spoke for perhaps 10 minutes at most. The other presenters and moderators shared their knowledge and insight over the course of two days on a variety of topics pertaining to Broadway. What Ken organized was just amazing. So amazing, that I booked my spot for this year's conference almost immediately after receiving the first e-mail.
Just last week, I attended one of the previews to Gettin' the Band Back Together. As I was walking out with a friend, I noticed Ken speaking with several other people by the entrance to the theater. I waited until I had the opportunity to thank him for the experience last November. Ken does not know me whatsoever, but he was kind and gracious.
When I saw that there was a post specifically dedicated to Ken Davenport, I was surprised. Having only joined BroadwayWorld's message boards not long ago, I did not think I would be replying as much as I have. To be honest, I started replying because I wanted to share my excitement for Girl from the North Country, which I was fortunate enough to see at the Old Vic and on the West End. When I saw so much criticism about Ken from people I assume he has had little to no interaction with, I thought I would offer another perspective. Although he may have marketing and advertising strategies that people oppose, there is risk and creativity in some of these strategies, which should be commended. This is especially true in a field as creative as Broadway. I am so thankful for his conference that he created as another way to bring new people into the fold. I am sure some people scoffed at the thought of a conference about producing Broadway shows when it was first announced, but I know that it was one of the best learning experiences that I have ever had.
(p.s. I am NOT Ken Davenport, or anyone who works for him. I figured I would beat someone to that punch.)