#801
Posted: 11/5/04 at 3:26pm
From TGIF --
"What I liked about the script was the way it worked the songs into the show. Since musical movies have only started making a come back, I don't know how audiences will respond to just having people burst out in song. And in Chicago, except for a few numbers, all the songs were fantasy.
Who knows maybe Phantom will serve as a lead in to this"
I share your questions, in a way, but I'm reminded by the fact that Moulin Rouge did well, and those characters just jumped into song. Not having read all of Chbosy's script, I would sincerely hate it if some songs were performed in the film out of context; in a musical, songs are meant to tell the story, forward the action, and showing Roger sing "Rent" as a song his band is performing is a *much* different, and much less effective, context than using it as an expression of the *actual* moment he has found himself in.
Not knowing all of the other ways Chbosky worked in songs, that's the only one I can comment on. But I wonder if you can see my point?
By the way, Chris's script uses flashback effectively in "One Song Glory" (you see a bit of Roger and April together) and finds a very evocative way to express "Santa Fe" as the dream for a better life that that song is. "Tango: Maureen" has a fun dance fantasy sequence in the middle of it. So he has found ways to cinematize the songs that I think will be fun for audiences, but that don't dilute or compromise the context in which they were originally written.
"What I liked about the script was the way it worked the songs into the show. Since musical movies have only started making a come back, I don't know how audiences will respond to just having people burst out in song. And in Chicago, except for a few numbers, all the songs were fantasy.
Who knows maybe Phantom will serve as a lead in to this"
I share your questions, in a way, but I'm reminded by the fact that Moulin Rouge did well, and those characters just jumped into song. Not having read all of Chbosy's script, I would sincerely hate it if some songs were performed in the film out of context; in a musical, songs are meant to tell the story, forward the action, and showing Roger sing "Rent" as a song his band is performing is a *much* different, and much less effective, context than using it as an expression of the *actual* moment he has found himself in.
Not knowing all of the other ways Chbosky worked in songs, that's the only one I can comment on. But I wonder if you can see my point?
By the way, Chris's script uses flashback effectively in "One Song Glory" (you see a bit of Roger and April together) and finds a very evocative way to express "Santa Fe" as the dream for a better life that that song is. "Tango: Maureen" has a fun dance fantasy sequence in the middle of it. So he has found ways to cinematize the songs that I think will be fun for audiences, but that don't dilute or compromise the context in which they were originally written.