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Light In The Piazza

binau Profile Photo
binau
#25Light In The Piazza
Posted: 4/10/25 at 3:20am

Ravenclaw said: "Kad said: "Beautiful score, but the show always left me sort of cold. It’s a marble statue of a show for me.


(I do think the revelation about Clara is borderline camp, though, in both detail and execution).
"

Borderline camp, you say?

....I'm just gonna leave this here...

https://www.instagram.com/reel/C0ZyPozPNXd/?igsh=aWVzejUxMmFuNDVj
"

OMG haha.

But yes, I think this and the 'borderline camp' comment kind of illustrates it for me. There is something just a little off about it. And I WANT to love it of course.


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000

kdogg36 Profile Photo
kdogg36
#26Light In The Piazza
Posted: 4/10/25 at 11:34am

It doesn't seem like it would be all that difficult to remove that "borderline camp" moment, either by deleting it entirely, or (if it's important that we see why Margaret carries such guilt about it) replacing it with a recollection of early signs of a developmental disorder that she neglected to do anything about.

But it's just a fleeting moment in an otherwise perfect show (in my opinion, of course).

WindyNewYorker
#27Light In The Piazza
Posted: 4/10/25 at 9:05pm

Ruthie Ann Miles’ “Fable” still lives in my head..

rattleNwoolypenguin
#28Light In The Piazza
Posted: 4/11/25 at 8:41am

If you watch the 60’s movie or read the novella, the reveal of Clara is not camp at all. It’s not even a reveal, it’s just explained. It’s honestly sadder.

And it more reflects just the negligence and ignorance of parents in that time period that your child and your child’s brain is fragile. 
 

It’s become a theatre joke because the show decided wrongly to build it as a reveal later on in the show that you’re waiting for as an audience member as well as hearing it come from someone with a thick southern accent.

 

Olivia DeHavilland in the film plays it very straight early on and it’s handled much better 

jms2880
#29Light In The Piazza
Posted: 4/11/25 at 11:40am

 Huntington Theatre - Piazza cast

Melissa25 Profile Photo
Melissa25
#30Light In The Piazza
Posted: 5/18/25 at 10:59pm

I saw the original at the Beaumont and the NYCC production. I floated out of the Huntington today feeling bathed in art. This is an extremely professional production that was so worth the trip. Emily Skinner (Margaret), Sarah-Anne Martinez (Clara) and William Michals (Signor Naccarelli) are all in glorious voice but it was Joshua Grosso (Fabrizio) who stole my heart. He is truly giving an outstanding performance.  I found that there was ample chemistry between Clara and Fabrizio that fueled my feelings for them.  

The scenic design and especially the lighting was beautiful. Costumes and wigs were  all exquisite. I loved the staging and direction.  It felt like this could be on Broadway. Highly recommended.

uncageg Profile Photo
uncageg
#31Light In The Piazza
Posted: 5/19/25 at 4:09pm

Had the chance to see the original production but chose to see Dirty Rotten Scoundrels instead. After hearing the OBCR I was ready to kick myself for not seeing it while there. (Although I loved DRS). So glad I finally got to see it at City Center. That production made it worth the wait to finally see it. 


Just give the world Love. - S. Wonder

Sutton Ross Profile Photo
Sutton Ross
#32Light In The Piazza
Posted: 5/19/25 at 4:17pm

Melissa25 said: "I saw the original at the Beaumont and the NYCC production. I floated out of the Huntington today feeling bathed in art. This is an extremely professional production that was so worth the trip. Emily Skinner (Margaret), Sarah-Anne Martinez (Clara) andWilliam Michals (Signor Naccarelli) are all in glorious voice but it was Joshua Grosso (Fabrizio) who stole my heart. He is truly giving an outstanding performance. I found that there was ample chemistry between Clara and Fabrizio that fueled my feelings for them.

The scenic design and especially the lighting was beautiful. Costumes and wigs were all exquisite. I loved the staging and direction. It felt like this could be on Broadway. Highly recommended.
"

Oh man, that sounds wonderful Melissa. I've been following Joshua Grosso's career since he won the Jimmy Awards and he is extraordinary. Perfect technique. I have never seen a professional production of this so I hope someday it can make it to New York again for a gorgeous, lush revival. 


शक्तिशाली महिला

BrodyFosse123 Profile Photo
BrodyFosse123
#33Light In The Piazza
Posted: 5/19/25 at 4:53pm

Globefan said: "I wouldn't be opposed to a movie version."

 

Call_me_jorge Profile Photo
Call_me_jorge
#34Light In The Piazza
Posted: 5/19/25 at 5:04pm

Ever since the Call Me By Your Name film came out I’ve been wanting Luca Guadagnino to adapt the musical for the screen. 

 


In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound. Signed, Theater Workers for a Ceasefire https://theaterworkersforaceasefire.com/statement

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Melissa25
#35Light In The Piazza
Posted: 5/19/25 at 7:53pm

The Huntington shared a “Tell a friend 25% discount” for Light in the Piazza so here you go.  Use code TELLAFRIEND25

Updated On: 5/20/25 at 07:53 PM

Georgeanddot2 Profile Photo
Georgeanddot2
#36Light In The Piazza
Posted: 5/20/25 at 1:11am

The kicked by a Shetland pony reveal is so camp and I LOVE IT!

Updated On: 5/20/25 at 01:11 AM

binau Profile Photo
binau
#37Light In The Piazza
Posted: 5/20/25 at 2:43am

Georgeanddot2 said: "The kicked by a Shetland pony reveal is so camp and I LOVE IT!"

Is it meant to be camp though? 


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000

TotallyEffed Profile Photo
TotallyEffed
#38Light In The Piazza
Posted: 5/20/25 at 5:22am

binau said: "Georgeanddot2 said: "The kicked by a Shetland pony reveal is so camp and I LOVE IT!"

Is it meant to be camp though?
"


No, that’s what makes it camp!

trentsketch Profile Photo
trentsketch
#39Light In The Piazza
Posted: 5/20/25 at 10:49am

They try so hard to be earnest with the pony reveal and it makes it even more camp. I can play back that moment in the cast recording and just start to laugh. Of all the things to keep for fealty to the source material. An accident? Sure. That accident? Camp. Pure camp.

kdogg36 Profile Photo
kdogg36
#40Light In The Piazza
Posted: 5/20/25 at 11:07am

trentsketch said: "Of all the things to keep for fealty to the source material. An accident? Sure. That accident? Camp. Pure camp."

I really wish they'd changed the accident story, or eliminated that sequence entirely. A simple reference to ignoring early signs of an unspecified developmental disorder would have served the same function of showing why Margaret bears such guilt.

(ETA: I see that I've already made the same point on this thread before - my apologies for repeating myself!)

Updated On: 5/20/25 at 11:07 AM

Georgeanddot2 Profile Photo
Georgeanddot2
#41Light In The Piazza
Posted: 5/20/25 at 4:22pm

I don't think it being camp detracts from the dramatic weight of the story at all. Honestly, the whole show is pretty camp.

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CarlosAlberto
#42Light In The Piazza
Posted: 5/22/25 at 11:24am

BrodyFosse123 said: "Globefan said: "I wouldn't be opposed to a movie version."

I think they mean a movie version of the MUSICAL, dear. Everyone already knows that a movie version based on the original Elizabeth Spencer novella exists.

"

 

chernjam Profile Photo
chernjam
#43Light In The Piazza
Posted: 5/22/25 at 1:53pm

I'm still saddened that I only came upon this show after seeing it air on PBS and by then it was near the end of its run on Broadway and never got to see it live.  The score truly is spectacular and a favorite of mine.  It's too bad that the Renee Flemming revival was never recorded.  I've seen some clips of that online and would love to have another cast recording.

QueenAlice Profile Photo
QueenAlice
#44Light In The Piazza
Posted: 5/22/25 at 3:22pm

Some of you have never spent time around horses. Injuries related to being kicked by a horse can absolutely result in major brain injuries. I think what some of you are interpreting as camp is an eggageration of Clara's "sweet, childlike docility" in the story as a result of the accident. But as someone who grew up around horses, the injuries a horse can cause are pretty far from camp.


“I knew who I was this morning, but I've changed a few times since then.”


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