Ravenclaw said: "Kad said: "Beautiful score, but the show always left me sort of cold. It’s a marble statue of a show for me.
(I do think the revelation about Clara is borderline camp, though, in both detail and execution)."
Borderline camp, you say?
....I'm just gonna leave this here...
https://www.instagram.com/reel/C0ZyPozPNXd/?igsh=aWVzejUxMmFuNDVj"
OMG haha.
But yes, I think this and the 'borderline camp' comment kind of illustrates it for me. There is something just a little off about it. And I WANT to love it of course.
It doesn't seem like it would be all that difficult to remove that "borderline camp" moment, either by deleting it entirely, or (if it's important that we see why Margaret carries such guilt about it) replacing it with a recollection of early signs of a developmental disorder that she neglected to do anything about.
But it's just a fleeting moment in an otherwise perfect show (in my opinion, of course).
Chorus Member Joined: 10/22/23
Chorus Member Joined: 10/11/11
If you watch the 60’s movie or read the novella, the reveal of Clara is not camp at all. It’s not even a reveal, it’s just explained. It’s honestly sadder.
And it more reflects just the negligence and ignorance of parents in that time period that your child and your child’s brain is fragile.
It’s become a theatre joke because the show decided wrongly to build it as a reveal later on in the show that you’re waiting for as an audience member as well as hearing it come from someone with a thick southern accent.
Olivia DeHavilland in the film plays it very straight early on and it’s handled much better
Swing Joined: 11/26/11
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