I apologize if neither of these links are clickable, Im copying/pasting from my phone. But this is an article from NYT: As Broadway Returns, Shows Rethink and Restage Depictions of Race earlier today.
The article goes through several shows that are updating either their books, staging, and choreography etc and lists examples of changes for each show.
My question here is, For anyone here that has seen the shows referenced since re-opening and notices the differences (or possibly anyone here with contact to people in other productions still being worked on and havent re-opened yet - like Book of Mormon) - are the specific changes referenced in this article all, or just some, of the changes? Just curious if there are more that arent referenced, or if this article covers all the changes being made.
Also, and I trust this question wont spark any confrontations on this dear message board, what do people think of the updates listed here?
****puts on protective gear and goes to shelter****
It's an interesting piece, and admirable that they're doing this (and that the original creatives remain involved for something like MORMON). As the article says, a lot of these things are subtle changes mainly for the actors, and I imagine there are other subtle changes that occur throughout the shows also.
My friend and I were discussing Book of Mormon last night, and I was wondering what (if any) changes were going to be made. Glad to hear that everyone involved took this seriously and workshopped changes together.
The only thing that made me scratch my head a bit was Lion King removing any references to Rafiki as a monkey, when that's quite literally (or, as the writer said, taxonomically) what Rafiki is. But if the cast and crew decided that was a necessary change, then I support it.
The only thing that made me scratch my head a bit was Lion King removing any references to Rafiki as a monkey, when that's quite literally (or, as the writer said, taxonomically) what Rafiki is. But if the cast and crew decided that was a necessary change, then I support it."
What are they supposed to call him? He is LITERALLY A MONKEY. I can understand if asshole tourists were making monkey noises and throwing bananas at him. But, that's never happened at The Lion King. That's just really fu*king stupid.
Sutton Ross said: "What are they supposed to call him? He is LITERALLY A MONKEY. I can understand if asshole tourists were making monkey noises and throwing bananas at him. But, that's never happened at The Lion King. That's just really fu*king stupid."
She. Rafiki is female in the musical. The gender of the character was changed to give the show a stronger female presence.
Playbill_Trash said: "Also, and I trust this question wont spark any confrontations on this dear message board, what do people think of the updates listed here?"
So I've seen Mormon multiple times in three countries and can say I'm a bit of a fan — but I was wondering if it had run its course, the same phrase Bobby Lopez used. I plan on seeing it in its first week back, and I'm glad the cast is having so much of a say in it. (FWIW, I'm not Black but I'm also not white.) It's fine if comedy changes over the years. It's also OK that if you thought something was funny before and you don't now. And it's important is that if something like live theatre (as opposed to TV and film) can be changed, it is.
"This thread reads like a series of White House memos." — Mister Matt
A couple months ago when it was announced that changes were being made, a colleague of mine who was part of the Ugandan ensemble years ago had some interesting things to say about his experience on Facebook (basically, "It's about damn time". Past cast members weighed in in the comments, and evidently Black ensemble members have been silently (and sometimes not so silently) unhappy with the depiction of the Ugandans in the show basically forever.
I get it. I mean, I think white Mormons take a much harder hit in the show, which follows the Mel Brooks rule of "as long as you are offending everyone, it's okay," but comedy in general doesn't age well. No matter what the changes I can't see BOM having much life in it. I certainly would not be as comfortable laughing at certain scenes now as I was ten years ago.
LizzieCurry said: So I've seen Mormon multiple times in three countries and can say I'm a bit of a fan — but I was wondering if it had run its course, the same phrase Bobby Lopez used. I plan on seeing it in its first week back, and I'm glad the cast is having so much of a say in it.
Glad to hear you’re seeing it again! I’m a big fan of it too, I’ve seen it twice!
I don’t mean to give you homework, but if you’d like to report back with other updates you noticed (sounds like you’d be able to spot significant changes) I’m very curious to hear your thoughts.
While I completely understand and respect the need for changes in these shows, BOM in particular, it also makes me worry for satire in general because it is supposed to make you laugh and THEN make you angry when you realize what you're laughing at. Jonathan Swift's 1729 satire A Modest Proposal suggests that to get rid of the annoying (and at that point nonwhite) poor starving Irish babies, English people should start to eat them instead. Funny! But....wait a minute what the heck we need to do something with that whole Irish people dying of hunger thing! Fast forward 300 years and you have BOM asking us to laugh at female genital mutilation, lack of access to clean, safe water, warlords, the AIDS epidemic, racism, and Mormonism thinking it's the cure to all those problems. Heck yes we should be angry after seeing BOM and from what I've heard, we still will be. The satire will be more pointed lest anyone think we were actually laughing AT Noxema for thinking she can send texts on a typewriter.
Anyway, I'm all for respecting the diverse voices in theater and trusting them, even if/especially if it doesn't make sense to the white powers-that-be or the average white Broadway audience.
The Distinctive Baritone said: "I get it. I mean, I think white Mormons take a much harder hit in the show, which follows the Mel Brooks rule of "as long as you are offending everyone, it's okay," but comedy in general doesn't age well. No matter what the changes I can't see BOM having much life in it. I certainly would not be as comfortable laughing at certain scenes now as I was ten years ago."
It was even different when I saw the first national tour in San Francisco in their first preview there. They seemed a little more reluctant to laugh at anything, but mostly any mention of AIDS and the "Like the Chinese!" jokes got VERY different reactions than I'd ever heard on Broadway (and I am a Chinese American from the Bay Area living in New York; I should've realized this). I wish I could know if the Chinese mention is because of rapidly expanding Chinese entrepreneurship in Africa or if Parker/Stone/etc just thought it would be a funny take on "yellow." A friend who works in the federal government (and who majored in international relations thought the former), but I'm sure 95% of the audience wouldn't think that.
I've been a fan of the show since I saw it the first time about a month after it opened on Broadway, but I never liked the "haha, we make fun of everyone equally!" defense that I've heard from the marketing and the cast — not every demographic gets to start on the same footing so it's like saying you kicked a St. Bernard and a dachshund equally.
Playbill_Trash, oh, you know I'm about to bring a notepad to that performance!
"This thread reads like a series of White House memos." — Mister Matt
Phantom4ever said: "While I completely understand and respect the need for changes in these shows, BOM in particular, it also makes me worry for satire in general"
But I think the wording in the article speaks to that. Matt and Trey came in to make changes to "clarify the satire," not to get rid of it. I think it's possible that there was some unintentionally problematic stuff that wasn't actually a deliberate part of the satire, or if it was a part of it, it was conveyed with a 2011 level of social consciousness. Satire changes with the times, more than any other style of humor.
As for the "monkey" business. I agree it's a little strange when the character is literally a monkey, and if there's an issue with having a Black woman play a monkey, then the issue goes further than simply calling her one out loud. But I think the idea behind is that: anyone can look at the show in context and see that the way Rafiki is portrayed doesn't evoke any harmful stereotypes linking Black people to monkeys. In fact, the character is played in a pretty human way, even more so than the the lions. There's very little about her characterization that screams "monkey," and even the anatomical elements are only loosely suggested through the colors in the makeup and costume.
So I guess the idea is that actually REFERRING to her as a "monkey" might be discomforting in a way that the portrayal itself isn't.
And worth noting as well: it doesn't matter enough for the creators to push back. It's sort of like "People don't like that she's called a monkey out loud? Well she is a monkey, but it doesn't really affect the show if we remove those lines, so we might as well."
I think the fact that Rafiki is portrayed as very human and as a strong Black female figure, as mentioned above, is good enough reason to remove the jokes calling her a monkey. It doesn’t change the show at all, and it also stops the perpetuating of harmful stereotypes. It’s a win-win.
There are no human characters in the The Lion King, Rafiki is a monkey. Not talking about a fact in a musical is beyond ridiculous and does absolutely nothing to make it better.
JBroadway said: "So I guess the idea is that actually REFERRING to her as a "monkey" might be discomforting in a way that the portrayal itself isn't."
YEP.
Adjacent to this, I saw a production of The Secret Garden where they changed Martha's line where she referred to Mary's appearance as "yellow" to "gray." Mary was played by an Asian actor.
And didn't they take out some of Percy's "black black black" lines in the Scarlet Pimpernel concert at Lincoln Center? It was already feeling uncomfortable with what they left in.
"This thread reads like a series of White House memos." — Mister Matt
You can also say mandrill and it makes it more accurate and far less offensive. A Black human plays the character, so that’s where the offense lies when you say it to them. Do we not understand why it’s potentially harmful?
HeyMrMusic said: "You can also say mandrill and it makes it more accurate and far less offensive. A Black human plays the character, so that’s where the offense lies when you say it to them. Do we not understand why it’s potentially harmful?"
Yeah, I agree. Being more specific works better, but I also don't think it'll be confusing to anyone that they just refer to her as a "she." Her costume is def the least animal of all of them anyway.
It's a win win for sure.
Book of Mormon has more of a mountain to climb. I haven't seen it in about 5 years, but I saw a preview of the OBC and laughed so hard, and this other time it felt very "worn." Like, it just felt like the show had seen its time. Not sure how it'll play in a 2021 sense.
Sutton Ross said: "That's a question for the creators and 24 years of audiences members all over the world. Not for me."
Your posts on this thread made you seem like you don’t know why this is a positive change or why it was problematic to begin with, which is why I asked the question.
It's neither of those things to me, actually. There was no need to change it, people were not outraged by it for the last 24 years, and it's a piss poor attempt at being "woke". It's a monkey. Period.
You can still have Rafiki be a monkey and not have jokes about her being a monkey, especially if those happen to be exactly the racist jokes hurled at Black people for centuries. They aren't mutually exclusive. I agree the change is a win-win.
I saw Hamilton and didn't notice the change, but it sounds very small.
Sutton Ross said: "There was no need to change it, people were not outraged by it for the last 24 years, and it's a piss poor attempt at being "woke". It's a monkey. Period."
No need to change it, says the white privileged person, just like there was no need to desegregate their lily white schools or, hell, end slavery.
Woke, let's remember, means sensitive to social injustice.
I wonder how Sutton Ross would feel about the use of an old, mocking, hurtful pejorative that had been applied to some attribute of theirs?
I agree with the previous points made that the Lion King change ends up being a win-win. It won’t hurt the show and everyone will be comfortable in it.
It’s not like this is the first time this exact update was made. I remember when NBC did The Wiz Live (I believe in 2015) and they changed the flying monkeys to be referred to as “winged warriors” for the same reason as the show has an all black cast.
So how is this any different? This didn’t hurt the show at all and everyone is comfortable. Win-win.