The full cast list, performance dates and marketing image are now on the NT's website (https://www.nationaltheatre.org.uk/shows/follies); the logo is certainly different from previous productions.
I hope this gets a west end transfer, along with Angels...sadly not back in London till early Jan
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
That's a strange poster, but really beautiful at the same time. It does capture the essence of this show well, but I wonder if it means the characters younger selves are going to be more of a focus in this production.
And yes - what GeorgeandDot asked. I would love to see this show as part of NTLive in theaters.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
I think it's highly probable that this will be filmed for NTLive. I can't imagine they would choose not to. This season they decided to broadcast 8 of their own productions, which is almost everything that went into their 2 larger houses (I think they only left out The Red Barn and Ugly Lies the Bone). Plus they filmed an unprecedented (?) number of outside productions, capturing some of the most anticipated shows of the season. A production in their own house with this high of a profile is almost certain to be broadcast.
JBroadway said: "I think it's highly probable that this will be filmed for NTLive. I can't imagine they would choose not to. This season they decided to broadcast 8 of their own productions, which is almost everything that went into their 2 larger houses (I think they only left out The Red Barn and Ugly Lies the Bone). Plus they filmed an unprecedented (?) number of outside productions, capturing some of the most anticipated shows of the season. A production in their own house with this high of a profile is almost certain to be broadcast."
I would assume that much like the Broadway revival, where it was reported that Goldman's widow shut down any possibility of filming, that the National Theatre would face the same hurdle. Maybe with her own show opening Off-Broadway in a month or so she'll be too distracted to put up any objections.
AEA AGMA SM said: "I would assume that much like the Broadway revival, where it was reported that Goldman's widow shut down any possibility of filming, that the National Theatre would face the same hurdle. Maybe with her own show opening Off-Broadway in a month or so she'll be too distracted to put up any objections."
Oh wow, I didn't know all that had happened! I wonder if the NT could win those deliberations with a little bit of "this is what we do here" or "it's expected of us" logic. Maybe that's unrealistic of me, though.
Wildcard said: "How difficult is it to get the tickets NT releases the Friday prior to the performance week?"
Depends on the production. It's doable, but the popular shows do go very quickly. If you are ready to go right when they go onsale, and if you're flexible with dates, it can be done, but no guarantee.
rosscoe(au) said: "I hope this gets a west end transfer, along with Angels...sadly not back in London till early Jan
"
To answer my own question last performance 3rd Jan
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
How did the widow Goldman let this be filmed but not the recent NYC revival?
Good luck Staunton trying to reach the level of acting in "Buddy's Eyes" as Bernadette or reaching those high notes in Too Many Mornings.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
qolbinau said: "How did the widow Goldman let this be filmed but not the recent NYC revival?
Good luck Staunton trying to reach the level of acting in "Buddy's Eyes" as Bernadette or reaching those high notes in Too Many Mornings.
I don't think we should be concerned with Staunton's acting. She's an Oscar nominee, after all. She's probably one of the finest stage actresses alive and working today. I am interested in how she's going to sing the role. Her singing voice actually reminds me of Dorothy Collins a little bit, which should be interesting, but I'm pretty sure that Imelda isn't a soprano. I predict we'll see a very different Sally than the one that Peters gave us.
Are you actually serious? You are questioning the acting abilities of one of the best actresses in the world? You clearly didn't see her in Gypsy, or Sweeney Todd or anything else she's ever done.
Bernadette's level of acting in Follies left a lot to be desired.
qolbinau said: "How did the widow Goldman let this be filmed but not the recent NYC revival?
Good luck Staunton trying to reach the level of acting in "Buddy's Eyes" as Bernadette or reaching those high notes in Too Many Mornings.
I recently saw Staunton in VIRGINIA WOOLF, that woman.can.act. I mean, she's, probably, the greatest theater actress of the UK right now, for either play or musical.
I think we all saw her 'performance' in Gypsy. She can't sing. I do concede she definitely has fine acting skills - I mean she is probably a better actor than Bernadette - perhaps it is the direction I'm more afraid of and the specific choices, as well as her ability to actually use her voice in a vulnerable way with a pleasant sounding timbre. I don't think anyone, at least as captured on record, used their voice to act through "In Buddy's Eyes" the way Bernadette did. Not Collins, not Cook, not McKechnie, not McKenzie. Clark was pretty close actually - maybe it was a directorial choice. Most seem to sing the song straight through and you can barely hear the transition in emotion/subtext of the song as it reaches the end. Maybe it needs to be seen and not heard?
What I also find weird is - why does no recording actually capture the tempo as written on the score for "In Buddy's Eyes" except the most recent revival? People actually complained that Bernadette sung the song too slowly but it was basically as written. If they speed it up again I'm going to scream.
Bernadette's "In Buddy's Eyes" was 100% perfect. Maybe not her Losing My Mind - though what's on record here is a much more straight-forward and plain/sung through interpretation of the song than what she actually did in the theatre. So if you forget how she actually performed it nightly (which seemed to get more sulky as the run went on) there is little to complain about.
Also, I realise there is absolutely no point to showing my Bernadette fandism but this is a Broadway message board and we are theatre queens. Pointless displays of affection for performers or unwarranted criticism for performances that haven't even happened yet is what this place is all about.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000