Probably the biggest news from this story is that Scientology considers Broadway a big enough pond to swim in, considering Peterson all but states that they might have put a finger on the scale in facilitating Barbour's re-entry to the business, hedge his bets though he might in trying to frame this in abuse culture in tweets associated with the story. Infiltration of various industries aside, I would think that they would consider Hollywood the much bigger prize plum, with more value in terms of publicity alone than Broadway performers who are only "names" within a few blocks of their theater.
Despite my distaste for this type of clickbait journalism, I honestly feel sorry for Chris. He has risked pissing off people who will make his life a living hell in the interests of driving views to his site. More to the point, it won't even take that much effort on their part to discredit him because most of us already regard him as the boy who cried wolf. One needs only to point to the coverage of Tyce Green (where his website broke the story and then choked the story for reasons that remain very unclear considering Tyce may still be a problem) to ask where he draws the line of journalistic standards, as, in that case, he engaged in the very activity he all but accuses Scientology of doing.
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Updated On: 9/11/23 at 10:59 AM