poto19882023 said: "Ted Keegan for both.
You're incredibly lucky :)"
Just back from the show, and I do feel lucky. I think I like Ben Crawford more than many/most around here, weird intonations aside (his voice never seemed rough when I saw him), but I saw him the last three times I saw the show in February, so it was nice to see another take. Ted sounded absolutely lovely, and while I like Ben's more physically imposing, steamroller performance, I very much enjoyed Ted's more seductive and sympathetic/pitiable one. He didn't seem as threatening, but he did seem so much sadder. When she kissed him and he clearly acted like he didn't know what to do with his arms and hands, it hit a lot harder. And in the end when she returned and he turned around with this big, happy, hopeful smile, I got teary-eyed in a way I usually don't. There was so much nuance in his acting.
I'd only seen Emilie once before, and I loved how emotional/on the verge of a nervous breakdown she seemed throughout then. There was less emotion this afternoon, but her voice sounded stronger--there was less of the wobbly quality there was the first time, possibly because she was more in control. I think I might have preferred having my heart ripped out on WYWSHA, but she was still, and maybe more, wonderful to listen to.
The one who really seemed on edge this time was Johnson as Madame Giry, more so than I've ever seen her. It felt like she was barely keeping it together, so that moment at the end of Point of No Return when he's trying to escape off the stage with Christine and comes face-to-face with Giry upstage right before turning the other way to escape upstage left hit me really hard. I don't think I've ever noticed before? Or maybe it was a change. (Or something only Keegan's Phantom does?) I think I would have remembered Giry and the Phantom coming face to face before. Because today it was like...wow.
Sorry to go on so long. Glad I got to see it one more time.


Updated On: 4/12/23 at 06:24 PM