3 swings were also on tonight: Elizabeth Earley (for Tynia René Brandon), Kayla Pecchioni (for Jenny Hill), and Dan Horn (for Brian Martin).
I have warmed up to Marc and Scott’s score quite considerably in the months since the cast album released, which is a big reason why I thoroughly enjoyed myself tonight at the Shubert. I think this musical is their best collection of work since Fame Becomes Me.
Ghee, Borle, Hicks, et al give stellar performances and they don’t seem stale at all after nearly 8 months. Kevin Del Aguila is such an adorable little goofball.
Nicholaw’s back with a bang! Well-earned choreo Tony, though to be honest, I could’ve used a little less tap. The entire “Tip Tap Trouble” sequence blew me away.
I could not take my eye off Casey Garvin during the full ensemble moments.
Not casting Capathia Jenkins as Sweet Sue for the national tour (if it is Equity) would be a big mistake.
Stage door: Ghee, Hicks, Williams, Hadsell, Schworer, Campo all signed. I saw Garvin, Yoder, Earley, Matsusaka and Owens all walk out, while Pecchioni was also nice enough to sign my Playbill. ‘Twas well-packed outside tonight, as was Kimberly Akimbo next door.
Nobody’s perfect, but this show’s pretty damn good.
“I am furious, but I am sailing.”