It's a nice bluesy pastiche but man those lyrics are clunkers. I get where they're going with relating parts of a jazz band to the arrival of nightfall, but the imagery is so jumbled that at some point I stopped listening to it as a song because I was so focused on parsing the goofy visuals.
Charley Kringas Inc said: "It's a nice bluesy pastiche but man those lyrics are clunkers. I get where they're going with relating parts of a jazz band to the arrival of nightfall, but the imagery is so jumbled that at some point I stopped listening to it as a song because I was so focused on parsing the goofy visuals."
Same. It sound VERY Smash except the lyrics are nonsense. It's a very wordy, convoluted way to describe music with none of the elegance and simplicity of those old torch songs. She sounds great though.
Amber's perspective was so interesting to read! I think her involvement will play a huge part in the quality of this show. Thank you for posting that article.
New events have been added to the Streaming Speakeasy if you still have not signed up!
10/12 - Livestream with Scott Pask, scenic (TODAY)
10/19 - Livestream with Natasha Katz, lighting
10/26 - Livestream with Josh Marquette, hair
11/9 - Livestream with Brian Ronan, sound
11/16 - Livestream with Gregg Barnes, costumes
If you are a teacher and have design students, I highly recommend you all sign up for the Streaming Speakeasy series! The videos are available as video on demand after they're live.
That video includes a look at the set model, including the train exterior (looks like something out of On The 20th Century) and then an open-stage look, which has two levels and a band box onstage. My takeaway is that this will be a BIG, lush musical comedy!
ErmengardeStopSniveling said: "That video includes a look at the set model, including the train exterior (looks like something out of On The 20th Century) and then an open-stage look, which has two levels and a band box onstage. My takeaway is that this will be a BIG, lush musical comedy!"
Just watched the interview with Scott Pask, and that alone was enough to convince me to buy a ticket and see this in my last show slot for my upcoming November trip! I LOVE a big lush musical comedy with a fun design, and this looks like it is going to be exactly that!
"There’s nothing quite like the power and the passion of Broadway music. "
Obviously we can't know what the set/staging will look like yet in the theater, but trying to decide between center row E of the MEZZ or front row of the balcony for one of the final previews. My partner and I are both 6'5 (sorry anyone sitting behind us!) so we don't typically need to 'lean forward' but haven't been in the Shubert for so long...wondering what people thought?
ColdClimateDude said: "Obviously we can't know what the set/staging will look like yet in the theater, but trying to decide between center row E of the MEZZ or front row of the balcony for one of the final previews. My partner and I are both 6'5 (sorry anyone sitting behind us!) so we don't typically need to 'lean forward' but haven't been in the Shubert for so long...wondering what people thought?"
I would do mezzanine row E. The balcony in the Shubert is very high up!
"There’s nothing quite like the power and the passion of Broadway music. "
Broadway seems overdue for a big, splashy show. Most new shows opening this season are smaller or a jukebox musical. I think with Shaiman & Wittman's tunes, plus Nicholaw's choreo, this will be a hit.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I can't help but wonder if this show will have a Hairspray or Catch Me If You Can-type run. Either a years-long staple or a late summer fizzle-out after the Tonys.
What would folks recommend for seating - Row K side orchestra on the inner aisle, or third row center mezz (also aisle)? Normally sit in the mezz at the Shubert, but the rake looks pretty good for the orchestra level, so wonder if it’s worth sitting there for this production.
AllThatJazz2 said: "What would folks recommend for seating - Row K side orchestra on the inner aisle, or third row center mezz (also aisle)? Normally sit in the mezz at the Shubert, but the rake looks pretty good for the orchestra level, so wonder if it’s worth sitting there for this production."
I recommend center mezzanine. This is going to be a big splashy show that's probably best viewed from up a little bit higher :)
"There’s nothing quite like the power and the passion of Broadway music. "
AllThatJazz2 said: "What would folks recommend for seating - Row K side orchestra on the inner aisle, or third row center mezz (also aisle)? Normally sit in the mezz at the Shubert, but the rake looks pretty good for the orchestra level, so wonder if it’s worth sitting there for this production."
Personally, I think the rake in the mezzanine at the Shubert is awful, so, if you're worried about heads in your way, I wouldn't risk it. I'd go with the side aisle in the orchestra, without hesitation.
Speaking of heads in the way, does anyone have a kind way of letting men know it's bad form to wear a baseball cap to the theater? The brim becomes a real issue if you happen to be short and sit behind one of these dudes. I never want to insult anyone, or make an enemy of someone who is sitting so close to me, but if there's a funny, light way to get them to take it off, I'm all ears.
Hi Christine. Usually men understand that they should take a hat off inside, but if you run into one that doesn't know that just ask them to remove their hat politely. One time, a man actually thanked me for reminding him and keeping him accountable. He was from Arkansas. I was at Kinky Boots in New York.