VintageSnarker said: "CableCableCable said: "They say there should not be a show about: a man dressing as a woman to trick people."
Genuine question. Is this the line or is the problem that they've been comedies? Would Yentl be acceptable? The Breadwinner? Mulan? And is there a specific distaste for a "man in a dress" rather than a woman?
I don't think we should be telling stories where the primary humor comes from a man looking ridiculous dressed as a woman (or a woman looking ridiculous dressed as a man). But it does seem like with Tootsie and Mrs. Doubtfire, part of the problem is that the cishet characters aren't overcoming structural boundaries or claiming opportunities denied to them but stomping personal boundaries and taking opportunities they don't deserve. Arguably, Victor/Victoria is more similar to Tootsie/Doubtfire in the nature of the deception while La Cage aux Folles would get a pass."
Fair point. I think a lot of the backlash is to "men in drag" in particular. I am writing from Britain, where the debate over trans rights is particularly aggressive, and the reason for this is the fear that men will use relaxations in self-id/transitioning laws to "invade" women's spaces such as domestic shelters and sports contests (There is also the fear that moves towards "gender neutral" language primarily affect females). These fears have been blown out of proportion, but they need to be treated with some level of delicacy and sensitivity.
W/ regards to "women disguised as men", there is less of a concern because it doesn't feed into the narrative of "women under threat"...
Bwaygurl2 said: "Your trans friends aren't the arbiter of what should or should not be on Broadway. Different folks have different ideas about these things."
I think that there should definitely be a lot more sensitivity towards the trans community, and more realistic and honest portrayals of gender fluidity. But I don't think that Christian Lewis' "zero tolerance" perspective is inherently right, or J. Harrison Ghee's "Work with these productions" approach is inherently wrong...
This makes me think of the Kathy Griffin clip of her a prison:
Kathy: Hi Ladies!
Inmate: I hate you!
Kathy: Yeah, take a number honey!
This isn't for the "woke" crowd. I bet the target audience is people who loved the movie, and would want to see it on stage, and it can tour the country and everyone will think its a nice little show. They are trying to bring some 2022 agency to the show, to try and get some of that "woke" demographic, but (I feel) will never satisfy them. I feel like they will run for a year or two and we'll move on.
"Ok ok ok ok ok ok ok. Have you guys heard about fidget spinners!?" ~Patti LuPone
This conversation is exactly what I said I was worried about. It’s not going to satisfy the younger crowd and will be too woke for the older generation. It hasn’t even opened yet, and people’s reactions to the impending arrival are not what I’d think the backers would want. I’ll be there.
fashionguru_23 said: "This makes me think of the Kathy Griffin clip of her a prison:
Kathy: Hi Ladies!
Inmate: I hate you!
Kathy: Yeah, take a number honey!
This isn't for the "woke" crowd. I bet the target audience is people who loved the movie, and would want to see it on stage, and it can tour the country and everyone will think its a nice little show. They are trying to bring some 2022 agency to the show, to try and get some of that "woke" demographic, but (I feel) will never satisfy them. I feel like they will run for a year or two and we'll move on."
Tootsie closed before Doubtfire arrived. Doubtfire probably won't make it to November (barring a major Summer comeback). Does that mean SLIH will survive until another "cishet in drag" musical comes along? Because we're pretty much out of popular films in that subgenre...
1) Anyone complaining about the artwork obviously hasn't seen the "art" for Funny Girl or 2nd Stage or American Buffalo or Mr. Saturday Night... Seems like this is trying to evoke an old travel ad, which makes sense for the show.
FYI - Obviously you know nothing. I have seen the artwork for "Funny Girl" and "American Buffalo" and "Mr. Saturday Night" and I stand by my opinion.
BritCrit said: "Bwaygurl2 said: "Your trans friends aren't the arbiter of what should or should not be on Broadway. Different folks have different ideas about these things."
I think that there should definitely be a lot more sensitivity towards the trans community, and more realistic and honest portrayals of gender fluidity. But I don't think that Christian Lewis' "zero tolerance" perspective is inherently right, or J. Harrison Ghee's "Work with these productions" approach is inherently wrong..."
This! At the very least let people see the production first before condemning it as transphobic!
DramaTeach said: "I want to love this. I hope I love this. The people involved are top shelf. But what I’ve heard from people who’ve attended the last workshop makes me hesitant. ??"
Hi - I saw Some Like It Hot during the Open Rehearsal - it was wonderful!
I was not familiar with J. Harrison Ghee and his non-binary status prior to seeing this show. My friend and I both agreed that J. Harrison Ghee is certainly going to be nominated for a Tony Award as well as the gentleman playing Osgood. Their relationship was the highlight of the show and was beautifully written and acted.
My only issue this that this show will cost me a lot of money; I raved about it so much that my family of five is expecting me to treat them to the show and to dinner before the show.
Sounds leagues better than that dreck that DEVIL WEARS PRADA released of Elton John today. It sounds like classic Shaiman & Wittman, with a great Charlie Rosen orchestration.
That doesn't mean the whole score will be great, but I enjoyed this one song.