Are there many shows that were considerably re-written (mostly really speaking of the material itself rather than any fiascos like the recent Shrek tour) after their Broadway run? The Addams Family comes to my mind.
I'm asking because I think if the authors of Lempicka rewrote some scenes and lowered some of that insane belting, they could have a nice show that'd get performed at drama schools or ambitious regional theatres. Not sure if it'd get licensed a lot outside of these?
Or are most shows that don't work just abandoned to find more money elsewhere?
CABARET has changed quite a bit since the original 1966 Broadway production. The 1998 Broadway revival incorporated songs from the 1972 film adaptation and cut several songs from the original score.
Rocky Horror ( has now just descended into over the top camp )
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Follies has been tinkered with quite a bit since its original Broadway incarnation. Most notably its original West End production saw several songs replaced and some pretty significant book changes
Chess was changed FOR Broadway, not after it... right? It just reverted back to the original West End version after that, or is it now a blend of the two? It
Beyoncé is not an ally. Actions speak louder than words, Mrs. Carter. #Dubai #$$$
Amelie was significantly reworked for its UK premiere, and I believe that is the version of the show that is now licensed. The score was modified quite significantly and largely re-orchestrated, and I think it's just wonderful. I haven't seen the show, but just by comparing the cast albums, it seems they really cracked the code on it in London. It would be great if the show one day got another chance in New York with the revised version.
When Mean Girls was about to bring in their next cast in 2020 after the OG leads left, they did rework a lot of the show. Moments when Cady addressed the audience (like the voiceovers in the movie) were removed. Certain lines were changed. I have a feeling that will carry over to the West End production.
FLORA THE RED MENACE was rewritten in the 80s and it's now licensed as such. For those interested in seeing it, Forager Theater in Long Island City, Queens, NY, is doing the show the first weekend in May.
Rentaholic2 said: "Amelie was significantly reworked for its UK premiere, and I believe that is the version of the show that is now licensed. The score was modified quite significantly and largely re-orchestrated, and I think it's just wonderful. I haven't seen the show, but just by comparing thecast albums, it seems they really cracked the code on it in London. It would be great if the show one day got another chance in New York with the revised version."
The licensed version uses the rewrites from the UK production, but retains the Broadway orchestration.
I agree, the UK production is like a whole new show, it's gorgeous.
As someone in the minority who loved Finding Neverland, the first half-hour or so never worked. I saw three different versions, the one in Cambridge, in NYC and the subsequent National Tour. Sizable changes were made in each iteration, but they never solved it. Kept on trying, though.