imeldasturn said: "I was really hoping for you guys that they would have cut "Young" Norma Desmond. Or the Chandelier-like Joe's corpse. Oh well, what can we do, Lonny Price is an asinine director."
That's right...I had almost successfully blocked out Joe's corpse...At first, it didn't bother me. Halfway through the second act, I looked up and saw this corpse hanging rom the celling...it looked pretty foolish.
I also could have done without the actors holding the car lights. It was fine once, when Joe first makes it to Norma's house. By the time it's used for the third time, I couldn't help thinking "Oh, the guys are back holding the lights."
On a positive, one thing I forgot to mention in my earlier post was that one of the additions that I really liked was at the end, after Joe picks up the phone and tells Betty to come over the house. There's a brief montage/flashback series from different moments of the show which Joe seems to be recalling while waiting for Betty...
@muscle23ftl, I did not see ALW there last night...
@chernjam, I thought the biggest difference was how much prominence the score is given. The stripped down production and forty piece orchestra really allows the score to be heard in a new fashion. The score essentially becomes another character.
Updated On: 2/3/17 at 07:37 AM