Not sure which is more depressing a musical about a con woman who ripped off poor people in the name of Jesus or the Queen of Versailles about a maga woman ripping people off to spend time with Trump at mar a Lago
Ensemble1711444445 said: "Not sure which is more depressing a musical about a con woman who ripped off poor people in the nameof Jesus or the Queen of Versailles about a maga woman ripping people off to spend time with Trump at mar a Lago"
Well, I don't think we want all musicals to play like the lives of the saints. There's certainly nothing depressing about portraying these characters and these vile acts on stage as long as the point of view of the show doesn't endorse them.
Ensemble1711444445 said: "Not sure which is more depressing a musical about a con woman who ripped off poor people in the nameof Jesus or the Queen of Versailles about a maga woman ripping people off to spend time with Trump at mar a Lago
I'm not convinced that Tammy Faye was a con woman. Hugely naive, yes, but I don't believe she was aware of the scams that Jim Bakker pulled. Her trusting nature and compassion for others despite popular opinions at the time., is also what makes her an interesting figure. Tammy's first big song in the show, at least in London, 'Right Kind of Faith' is all about that and is one of my favourites in the score
I agree that I don't think TAMMY FAYE was implicit in her husband's shady deals. I think she would probably have been too busy (or looped out on medication) to notice. The investigators/prosecution team certainly found no reason to charge her with any crimes.
I also agree that "Right Kind of Faith" is a fab song and the scene that supports it is when the show really took off for me. Katie earned her Olivier right then and there.
Certainly in the Film 'The Eyes of Tammy Faye' which is based on the same material this is, it's clear that she was kept out of all the business stuff, they were meant to be wives and mothers only in those days, though it's only briefly referenced in the musical.
bway1430 said: " also agree that "Right Kind of Faith" is a fab song and the scene that supports it is when the show really took off for me. Katie earned her Olivier right then and there.
100% agree! Because the show had been quite energetic up until that point, it was the first time that there was only 1 person on stage, and there was a stillness in the audience. You know there is a song coming, the first big solo number in the show. You have an amazing lead in, setting the song up and then she just blew everyone away. The whole thing was so well written and staged to make it the big moment that it was.
Kad said: "For anyone else that was on this board about a decade ago... serious phillypinto vibes from Broadway Flash."
How does one pin a message board reply.
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The fact that they have months to prepare for Broadway, and tickets are already on sale puts them ahead of most. I’ve seen ads online for it. Gets it in people’s heads early.
Tammy Faye may or may not have been complicit in the financial dealings of Jim Bakker. She did have a side of her that was praiseworthy. At a time when most evangelicals in the 80s were openly condemning of the gay community during the AIDS crisis, Tammy Faye supported victims of the plague. https://www.intomore.com/entertainment/film/exclusive-clip-tammy-faye-bakker-queer-ally/
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
BOM said: "Hewas the only reason I wanted go. Glad I didn’t buy tickets yet."
Same except I bought a ticket for November. I emailed Broadway Direct about a refund today. I accidentally bought the wrong day initially, emailed Broadway Direct, and they refunded without issue. So I’m going to assume getting refunds won’t be very difficult.