THE BAND'S VISIT Previews — Page 8

I think it's fair to start pinning this as the likely winner of Best Musical. Let's be honest with ourselves here. Do we really think Tony voters are going to pick SpongeBob or Mean Girls over this? Of course not. Unless Brantley just destroys this (which I doubt he would), this is a lock, as it was really as soon as it got announced.

Now for Shalhoub and Lenk, I do think it's too early to start calling them out as the winners. I don't see a scenario in which one doesn't receive a nomination (Maybe a slew of new shows randomly appear with big male leads that knock out Shalhoub, but that is incredibly unlikely). However, I think it's way to early to claim one as a winner. I already don't think Shalhoub's performance will live up to the expectations I have for both Ethan Slater and Joshua Henry. Likewise, as phenomenal as Lenk is, it's very hard to predict how she'll stack up against Jessie Mueller and Hailey Kilgore until both of those shows open.

So instead of jumping the gun and saying "OH MY GOD KATRINA LENK IS THE BEST ACTRESS SINCE SLICED BREAD" or whatever, let's be patient and wait until April when we can truly evaluate her against her competition. That's when we'll truly know how great her performance was.

I predict that Katrina will win because A. She's incredible. B. She was heavily praised for Indecent and many felt that she was snubbed for that show. C. Tony voters like star turns like this and D. She's already recieved wide critical acclaim for her performance in this show. Jessie or Lauren could very well win too, but Katrina's been the favorite to win a Tony since the show was Off Broadway. We'll have to wait and see, but if we're taking bets, I'll put my money on Lenk winning this year. For now, at least.

Also, I think The Band's Visit will definitely be winning Best Musical. The Tony voters these days tend to like shows with artistic integrity. Mean Girls would be have to be amazing to edge out TBV.

UncleCharlie said: "The need for some people here to definitively start predictingTony races in October when many of the likely contenders are still 2-3monthsfrom even starting rehearsals has always amused me. I guess it gives them something to do."



No kidding. I find it incredibly annoying.

I was there tonight and absolutely adored The Band's Visit. With all the crap going on in the world, this is just what I needed: some beautiful music, touching performances and a good, little cry.

This has been my favorite book, score and musical since Fun Home. Every aspect was just right for me. The performances were pitched so perfectly. Everything was so wonderfully restrained. Not only does Cromer create some lovely stage pictures, but you can tell he's an actor's director too. The cast feels like such a unified ensemble- everyone is so in sync and on the same page.

You can hear how this score is a natural progression from WOTV, and I bet it will be fun to play both cast recordings back to back. "Itzik's Lullaby" might be my favorite David Yazbek song ever! Wow. I got very emotional while Cariani sang it, as well as in the scene that followed.

Yes, Katrina Lenk is fantastic, as many others have noted. She really seems to be having a moment right now, just like when Lena Hall had a moment a few seasons back in Hedwig. Shalhoub is such a tremendous stage actor; even with all the awards he's received, I still think he's a wildly underrated actor.

Adam Kantor, Etai Benson, George Abud and Ari'el Stachel were all excellent too. The definitely need two categories for Featured Actor in Musical this year: Best Featured Actor in The Band's Visit and Best Featured Actor in all other musicals except The Band's Visit.

This was a real treat and can't wait to go back again.

willrolandsframes said: " Unless Brantley just destroys this (which I doubt he would), this is a lock, as it was really as soon as it got announced.

It's virtually impossible that Brantley will "destroy" TBV as he absolutely raved about it at The Atlantic. He called it the best musical he had seen the entire season, and jokingly said that it should win the Best New Musical Tony in his "What will win, should win" pre Tony column.

https://www.nytimes.com/2016/12/08/theater/the-bands-visit-review.html

Apparently Tony Shalhoub was out of the matinee today and James Rana went on as Tewfiq for the first time.

James Rana is on tonight as well. I hope everything is OK with Tony Shalhoub. Really looking forward to the show!

newsie20841 said: "Jaina said: "We tried for rush tickets, but got there a little late (around 9:30), but ended up getting front row (AA112 and 113) tickets for $80 each. Best money we spent all week. The front row is a great view, although you don't see the stage itself, so I feel we missed some of the overall impact of the turntables and staging, but even though we were off to the side our view wasn't obstructed."



Very glad to hear this! I have front row seats for a performance just prior to opening and I was a bit concerned it would be too close. I am visually impaired so sitting close is always my preference, but I'm always curious what the experience is like for the various normally-sighted people I see shows with.



Were those front row seats a secondary rush option, or are they available at the box office at any time?"

Hi newsie! They'd just sold the last rush tickets shortly before we got to the window, so I'm thinking they were just unsold seats from that show. I'm assuming you could always check with the box office at any time during the day to see what they have available for the evening's show. Not sure what the regular price of those seats were, but after buying Hamilton tickets, everything else feels like pocket change, lol!

The super close seats are a different experience! We loved being that close to all the amazing musical talent on stage, it was very cool being right in front of the musicians as they played. I think if the people you're with are prepared to embrace it as a more "untraditional" theatre experience, they'll really enjoy it! I hope you all have a great time! :)

Saw this last night with my partner and...well, I can't say I'm blown away. Music was some of the best I have heard in a while, but the story itself was lacking substance for me. I did not understand some of the choices characters were making. The whole "here's a brief snippet into these lives" form of storytelling needs at least one anchoring storyline and this show didn't offer that (Tony Shalhoub was out, can't tell if that had an impact or not). The slow speed is fine, but if you're going to have unexplained characters and leave them with unresolved stories, you need to give me more meat.

Katrina Lenk was breathtaking, and Omar Sheriff's melody is going to stay with me for a long time, but there wasn't anything else I'll remember from this show. I'd give this show best orchestrations, music/lyrics, even a couple performances - but it doesn't deserve Best Musical applause.

Just because it's the "best" out of a lousy lot won't make it objectively worth the award, IMO. Give the award retroactively to Into The Woods, or Gypsy if (and since) you're asking me.

Any info on a cast recording yet? I love all of my Yazbeck cast albums, and can't wait to hear this.

Tony Shalhoub’s daughter got married on Saturday, hence he missed both performances.

Saw it tonight and really liked it but didn't love it. Adding my two cents below.



The Good:

Katrina is magical.

The music is haunting, mystical, and funny all at once.

The two boys who sing about knowing how to deal with women are fun.

The musicians are wonderful.



The Not-As-Good:

John Cariani - the accent and the same shtick over from every other role he's done. It's worked in those, but it doesn't work here.

Tony Shaloub - I've never been a big fan and just find him to be cold and stiff. I understand that he's supposed to be that way, but I would've liked more of a connection between the two leads.

The set was fine but nothing new or exciting.